Maryze Pushes Daring Queer Pop Frontiers with "Versed"

 

Maryze and Syd Kilroy, shot by Morganne Yambrovich

The taste of LA-via-Montréal pop artist Maryze has long been dubbed “stormy-sweet,” but their triumphant release “Versed” turns up the heat. Six months since its release, the single remains a rallying cry of unapologetic queer passion, signalling an uninhibited new chapter for the ever-evolving performer. Maryze’s X-rated fantasies are delivered with a staccato cadence, riding a classic techno pulse supplied by Siren Mars. And for the visual learners, the Priscilla Mars–directed music video hits like a feverish tableau, showcasing Maryze’s legion of sapphic collaborators – the fishnets, the Pleasers, and the reckless freedom of diving headfirst into desire.

Scroll on to explore how Maryze has settled into their new digs on the West Coast, and what’s to come from their next steps. Bonus: exclusive BTS photos from the “Versed” video shoot, captured by LA photographer (and close collaborator) Morganne Yambrovich.

Maryze and Siren Mars, photo by Morganne Yambrovich

Rebecca Judd for Also Cool Mag: Listening to "Versed," your sound has undoubtedly transformed since the days of 8. Boasting an evocative electro sheen, this new single feels like it's on the verge of a hedonistic explosion. Can you walk us through the personal and creative journey between these two phases of your craft?

Maryze: That's an interesting question. I think that 8 contained a lot of songs I'd been working on for upwards of eight years, and reflected on experiences from earlier on in my life. It was kind of an "up until now" project, whereas what I'm making now is very of the moment. Everything that I'm experiencing, I'm putting back out into music with a pretty quick turnaround. It feels more urgent, and kind of like a teenage level of intensity — taking in so many new feelings and trying to make sense of them. 

Michael Milton, Skyler Cocco, and Reaz Jafri, photo by Morganne Yambrovich

Also Cool: While you’re clearly thriving in Los Angeles, I can say the Canadian music scene feels your absence. What parts of Montreal continue to resonate with you—in art and spirit—and how has LA’s vibrance shifted your approach to self-expression?

Maryze: That's very sweet. I miss Canada, and Montreal specifically. I will keep praising that city, its nightlife, and DIY scene forever — it's truly a mecca for arts and culture. In terms of how LA has shifted my approach to self-expression, it's allowed me to put myself out there more authentically. I know people say it's a fake city, but I've found that creators encourage each other to take risks and squash self-doubt. Montreal's indie music scene has a coolness [that] I never really felt like I fit into, haha. I make and love pop, and that's always who I'll be.

Sadie Scheufler, photo by Morganne Yambrovich

AC: Since relocating to Los Angeles, you’ve immersed yourself in a vibrant community of queer femme creatives, many of whom played a key role in bringing "Versed" to life (like Skyler Cocco, Morganne, and Priscilla Mars). What does it mean to you to forge these creative alliances, especially as a queer artist?

M: I have to thank TikTok on this one, because I met the three artists you named on there! I'm so grateful for the friendships and creative alliances I've been able to make online before even moving to Los Angeles. As a queer artist, it kind of took me until the past few years to form the like-minded community I never had growing up. Montreal helped kick-start that journey. I feel very, very lucky — my close friends/collaborators inspire and lift me up every day. 

Morganne Yambrovich

AC: You’ve spoken extensively about the impact of artists like Peaches, Lady Gaga, and the trailblazing Princess Superstar on this record. What was it like to share the stage with PS at The Saguaro Hotel in Palm Springs – did it feel like a full-circle moment to collaborate with one of your musical touchstones?

M: That was wild. I met Princess Superstar at SXSW and was tripping over my words trying to tell her she inspired one of the tracks I was performing that night. To be invited to perform with her in Palm Springs was an honour! She has a super kind, mothering energy, but is also just incredibly badass. 

Maryze, photo by Morganne Yambrovich

AC: With this raunchy electroclash soundscape that anchors your sophomore album, you’re flirting with evolution – but given how 8 unfolded, we know there are always layers yet to be uncovered. Are there any unexpected genres or sonic experiments you’ve been drawn to, or sensations you’ve yet to explore on this record?

M: Without giving away too much, we're getting into some epic, cinematic drama and embodying new characters. Strings? Operatic high notes? Americana thriller music videos shot in the desert? Coming soon. 


Maryze

Instagram | Bandcamp | Spotify | TikTok

Rebecca Judd is the Editorial & Operations Lead of Also Cool Mag. She is currently based in Ottawa.


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Maryze and Skyler Cocco Release Sparkling New Cover of “COOL”

 

“COOL” by Maryze and Skyler Cocco

“COOL” by Gwen Stefani might just be one of my absolute favourite songs in the whole world, so it was nothing short of delightful to hear that Montreal talent Maryze released their own version on Wednesday. At the same time, it’s not an easy task to re-capture such magic. All too often with covers, the listener will yearn for a tasteful rendition only to be let down and left with a tarnished vision. 

But, luckily for you and me, this is not the case – Maryze and LA-based artist Skyler Cocco have teamed up to combine their vocal talents with bold stylistic choices. Their take on “COOL” is a delight for the ears, self-described as a “modernized sapphic version with an 80s nostalgic feel” while being so much more than that. It is easy to over-80s a song, which can make it feel corny, inauthentic, and hard to listen to, but this cover captures the essence of the decade and of Stefani’s yearning to maximize a vibe that is truly timeless.  

Of the single, Maryze states: 

“There’s something about “COOL” that always felt evocative to me. It wasn’t necessarily Gwen’s biggest hit, but the melancholy of a past relationship that didn’t go up in flames – where there’s still a lot of sweetness, even if things didn’t work out – always rang true to me. I was inspired to do a cover and Skyler was at the top of my list to collab with! We’d had a couple studio sessions so I knew our vocal tones blended well and that her production had a super polished 80s feel.”

The cover was created by a fully female team, performed by Skyler and Maryze while being produced, mixed and mastered by Skyler herself. The release follows Maryze’s French dance-pop success “Langue,” which went viral on Instagram and TikTok and gained her 25k new followers. The “COOL” visualizer, directed by Priscilla Mars, is out today and I’ve already had a special glimpse. The soft, warm colours allow you to be swept off to an 80s pop dreamscape. Watch and enjoy!

Regardless of whether this is your first introduction to “COOL,” or whether you’re curious for a new spin on a well-known song, let the harmonies of Maryze and Skyler Cocco take you on an emotional experience.


Maryze

Instagram | Bandcamp | Spotify | TikTok


Skyler Cocco

Instagram | Spotify | TikTok

Minou (she/her) is part of the core editorial team at Also Cool Mag. She is an artist and newly-passionate writer based in Montreal. You can check out her beaded art on Instagram and her website.


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Maryze Drops Sinister New Music Video for "Emo" (Hot Tramp Records)

 

Still from “Emo” by Maryze

Spooky season has reached its peak, and Montreal’s alt-popstar Maryze is here to celebrate with a brand-new music video for “Emo”. The single first garnered nostalgic admiration upon the release of 8 — Maryze’s debut album, out earlier this year via Hot Tramp Records — for its torment and evocation, reminiscent of artists like Green Day and Avril Lavigne. With the release of this video, Maryze sculpts a queer love story turned horrifically upside-down.

Still from “Emo” by Maryze

The self-directed video begins with a tender honeymoon phase between Maryze and model/artist Brit Carpenter. The pair is depicted lounging on the bed and laughing through skateboarding lessons, entangled in the purity of infatuation. But their spark turns into a destructive flame, with angst and toxicity steering their relationship out of control and towards a bloody end.

Detailing the theories behind their grungy and dysfunctional nightmare, Maryze shared:

I always seek out queer representation in horror, so this music video is my little contribution. I also feel like queer narratives lack the nuance that straight relationships receive in film, so I wanted to portray all the sides of the story, from beautiful tender moments to scary unhealthy fights. The horror aspect is left pretty ambiguous and moves into a more experimental art direction. We set out to use horror devices to illustrate the toxicity of relationships without having any explicit on-screen violence. I wanted the viewer to be left asking: “who killed who?”

To fully realize her cinematic vision, Maryze created the video concept with horror screenwriter Joel H. Brewster. The visuals were shot by artist Janette King and edited by Solomon Krause-Imlach, who also produced the song.

With its gory and gruesome complexity, this depiction of “Emo” fits magically within Maryze’s universe of transcendence.

Watch the video for “Emo” below, and catch Maryze DJing at the M for Montreal after-party (co-presented by Hot Tramp and Also Cool)!


Maryze

Website | Instagram | Bandcamp

YouTube | Spotify | SoundCloud | Twitter | Facebook | TikTok

Rebecca Judd is the features editor of Also Cool Mag.


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