Maryze Pushes Daring Queer Pop Frontiers with "Versed"

 

Maryze and Syd Kilroy, shot by Morganne Yambrovich

The taste of LA-via-Montréal pop artist Maryze has long been dubbed “stormy-sweet,” but their triumphant release “Versed” turns up the heat. Six months since its release, the single remains a rallying cry of unapologetic queer passion, signalling an uninhibited new chapter for the ever-evolving performer. Maryze’s X-rated fantasies are delivered with a staccato cadence, riding a classic techno pulse supplied by Siren Mars. And for the visual learners, the Priscilla Mars–directed music video hits like a feverish tableau, showcasing Maryze’s legion of sapphic collaborators – the fishnets, the Pleasers, and the reckless freedom of diving headfirst into desire.

Scroll on to explore how Maryze has settled into their new digs on the West Coast, and what’s to come from their next steps. Bonus: exclusive BTS photos from the “Versed” video shoot, captured by LA photographer (and close collaborator) Morganne Yambrovich.

Maryze and Siren Mars, photo by Morganne Yambrovich

Rebecca Judd for Also Cool Mag: Listening to "Versed," your sound has undoubtedly transformed since the days of 8. Boasting an evocative electro sheen, this new single feels like it's on the verge of a hedonistic explosion. Can you walk us through the personal and creative journey between these two phases of your craft?

Maryze: That's an interesting question. I think that 8 contained a lot of songs I'd been working on for upwards of eight years, and reflected on experiences from earlier on in my life. It was kind of an "up until now" project, whereas what I'm making now is very of the moment. Everything that I'm experiencing, I'm putting back out into music with a pretty quick turnaround. It feels more urgent, and kind of like a teenage level of intensity — taking in so many new feelings and trying to make sense of them. 

Michael Milton, Skyler Cocco, and Reaz Jafri, photo by Morganne Yambrovich

Also Cool: While you’re clearly thriving in Los Angeles, I can say the Canadian music scene feels your absence. What parts of Montreal continue to resonate with you—in art and spirit—and how has LA’s vibrance shifted your approach to self-expression?

Maryze: That's very sweet. I miss Canada, and Montreal specifically. I will keep praising that city, its nightlife, and DIY scene forever — it's truly a mecca for arts and culture. In terms of how LA has shifted my approach to self-expression, it's allowed me to put myself out there more authentically. I know people say it's a fake city, but I've found that creators encourage each other to take risks and squash self-doubt. Montreal's indie music scene has a coolness [that] I never really felt like I fit into, haha. I make and love pop, and that's always who I'll be.

Sadie Scheufler, photo by Morganne Yambrovich

AC: Since relocating to Los Angeles, you’ve immersed yourself in a vibrant community of queer femme creatives, many of whom played a key role in bringing "Versed" to life (like Skyler Cocco, Morganne, and Priscilla Mars). What does it mean to you to forge these creative alliances, especially as a queer artist?

M: I have to thank TikTok on this one, because I met the three artists you named on there! I'm so grateful for the friendships and creative alliances I've been able to make online before even moving to Los Angeles. As a queer artist, it kind of took me until the past few years to form the like-minded community I never had growing up. Montreal helped kick-start that journey. I feel very, very lucky — my close friends/collaborators inspire and lift me up every day. 

Morganne Yambrovich

AC: You’ve spoken extensively about the impact of artists like Peaches, Lady Gaga, and the trailblazing Princess Superstar on this record. What was it like to share the stage with PS at The Saguaro Hotel in Palm Springs – did it feel like a full-circle moment to collaborate with one of your musical touchstones?

M: That was wild. I met Princess Superstar at SXSW and was tripping over my words trying to tell her she inspired one of the tracks I was performing that night. To be invited to perform with her in Palm Springs was an honour! She has a super kind, mothering energy, but is also just incredibly badass. 

Maryze, photo by Morganne Yambrovich

AC: With this raunchy electroclash soundscape that anchors your sophomore album, you’re flirting with evolution – but given how 8 unfolded, we know there are always layers yet to be uncovered. Are there any unexpected genres or sonic experiments you’ve been drawn to, or sensations you’ve yet to explore on this record?

M: Without giving away too much, we're getting into some epic, cinematic drama and embodying new characters. Strings? Operatic high notes? Americana thriller music videos shot in the desert? Coming soon. 


Maryze

Instagram | Bandcamp | Spotify | TikTok

Rebecca Judd is the Editorial & Operations Lead of Also Cool Mag. She is currently based in Ottawa.


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Toronto Synth-Punk Outfit Slash Need Announces Debut Album With New Single "Double Dare"

 

Slash Need (left Dusty Lee, right Alex Low) via Bandcamp

For those reckoning with the perils of playing nice, Toronto industrial performance art outfit Slash Need dares you to talk back. Earlier this week, the group—composed of leather-clad ringmaster Dusty Lee, electro-synth kingpin Alex Low and their charismatic entourage of gogo dancers—invited us to feast on “Double Dare”, the first offering from their to-be-released debut Sit and Grin, scheduled to arrive this fall. 

An explosive exploration of the emotional turmoil caused by feeling unheard in a friendship, “Double Dare” delivers both bark and bite. Evolving from a drawling lament to a vicious retaliation, Lee’s controlled aggression, paired with Low’s slithering bass-driven modulations, chart a crowded, spiralling internal monologue inspired by a fraught friendship dynamic past its expiration date: “Do you ever just shut up? / Why don’t you let me talk? / I double dog, double dog dare you to!” 

Slash Need via Bandcamp

“Double Dare” arrives with an accompanying music video, impressively crafted with zero budget in collaboration with friends of the band Katerina Zoumboulakis and Lea Rose Sebastianis, and edited by Chris Levett. In Slash Need’s signature camp meets triple-X style, the “Double Dare” video sees vocalist Lee blowing off steam with shapeshifting insecurities looking over their shoulder. Carrying the weight of their conflict from day to night, through alleys and over highways, Lee eventually summons enough confidence to bare their blackened teeth and apply lip gloss in the face of betrayal. 

Steadfast in their artistic commitment to reclaim personal autonomy, Slash Need asserts that “Double Dare” defines a new era for the group; “one that will demand that people listen.” 

Watch the video for “Double Dare” ahead of Slash Need’s performance at Ottawa’s Side By Side Weekend on Friday, July 25th, 2025 at Club SAW.

Tickets

Slash Need

Instagram | Bandcamp | Spotify

Zoë Argiropulos-Hunter (she/her) is the Co-Founder and Managing Editor of Also Cool Mag. Aside from the mag, she is a music promoter & booker, and a radio host & DJ.


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PREMIERE: Get Over Your Situationship With sineila's "Take It Or Leave It"

 

Take it or leave it! When the uncertainty of a situationship comes to a head, sineila's latest single "Take It or Leave It" is the way out. Watch the music video, shot, edited and directed by Everly Lux, below.

"Take It or Leave It" crackles and glistens – metallic twangs and blasted-out synths live in symbiosis with reverb-drenched moments of bliss, conjuring up a magical, digital, futuristic sonic world. The track takes you by the hand, running through the night, tripping and falling through emotions, only to come back self-assured and not taking any bullshit.

Produced in Montreal with Oren Ratowsky (Brutalismus 3000, Brooke Candy, Cecile Believe), the track blends hyperpop, indie sleaze, and krushclub, layering anthemic synths with a high BPM four-on-the-floor kick.

sineila is a hyperpop artist, born and raised in Montreal. Her musical journey began with learning classical piano, taking voice lessons, and studying classical violin, which transformed entirely with her recorded catalogue. Her sound combines alt-pop and electronic/dance motifs, yet remains deeply melodic and stirring.

Through it all, sineila's emotional, ethereal voice takes the spotlight, dancing with conviction over fluttering, often bass-heavy, beats.

"Take It or Leave It" is her first of several new releases in 2025 – ushering us all into her digital, dance-forward world.

sineila
Instagram | Spotify


Malaika Astorga is the Co-Founder & Creative Director of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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PREMIERE: Tachie Menson Confronts Heartache and the Bittersweet with “Another Day” (Music Video)

 

Tachie Menson by Sofía Andrade

Between harsh winds and endless snow storms, the Montreal winter is long and bitterly cold. Occasionally, however, the clouds give way and the sky opens up – “Another Day” is the sun emerging, that brief, exhilarating moment in which those warm rays kiss your skin. Hope is therefore the ethos that drives Nia Blankson—better known as Tachie Menson—as she professes love and loss over the dreamy melody of her first official release. 

Born in England and raised in Queens, Menson is a Montreal and New York City-based singer-songwriter, publisher, and multi-instrumentalist. Although “Another Day” is Menson’s first musical release under her new moniker, Menson has been making music for years – her rich, experimental, and genre-defying sound has been shaped by her education as a classical pianist at McGill University’s Schulich School of Music, as well as her work as the frontman of her band, Pyjama Day. She has already established herself as a familiar face and force of nature within Montreal’s music scene. 

Still from “Another Day” music video, directed by Rachel Moghrabi

Released on February 1st, “Another Day” is Menson’s first solo R&B and indie-inspired project. Sonic and conceptual thinking for the track, however, began as early as September 2023. Under the guidance of her mentor, award-winning producer Zeboria Peters (RUSUR), the song took on its characteristic glittery and subtly melancholic shape. Planning for the music video then ensued, and filming took place in the fall and early winter of 2024. Director Rachel Moghrabi and cinematographer Sam Li were instrumental in sharpening the colourful vision that propels each careful frame.

As such, the video’s Valentine’s Day release is no coincidence. Shifting between classrooms at a local high school, “Another Day” follows Menson as she vies for her classmate’s attention. Menson’s longing is palpable – her eyes track her love interest throughout, yet the object of her affection puzzlingly brushes her off. This is the bittersweet note that “Another Day” opens with, of seemingly unrequited feelings, a near-universal experience within queer romances. As Menson leaves school for a house party, however, anticipation builds and builds and builds. Finally, the two reach for one another, ready to connect in the most meaningful way – “Another Day” leaves us with an open, yet optimistic, and largely tender ending. 

Peppered with over twenty vibrant extras, and helped along by countless friends and volunteers, Menson shares “the music video was a massive undertaking [... that] not only showcase[s her] work as a debuting solo artist, but also [...] what is possible through collaboration and finding community.” Menson, however, firmly remains the focal point of the video, her voice “flutter[ing]” as she gently strums her guitar. 

At its core, "Another Day" is a study in contradiction: it is a track that floats delicately, bookended by Menson’s airy acoustic guitar, yet the lyrics are grounded, cautious, and even expectant at times. Both sonically spacious and lyrically precise, the song is a testament to Menson’s acceptance of being untethered, in embracing artistic uncertainty and evolution.

There is indeed a beauty in waiting, in aching. The result is a simultaneously intimate and expansive track, made even more so by its introspective visual accompaniment. 

Watch the music video for “Another Day” below.


Tachie Menson

Instagram | TikTok

Nawaal Bhuiyan is a Montreal-based Bangladeshi researcher, writer, and educator. She is the Head Literary Editor of Scatterbrain Magazine, and enjoys cooking, knitting, and watching reality TV in her spare time.


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PREMIERE: Ura Star Teams Up With Fireball Kid and mememe for "Hanging Out" (Music Video)

 

Fireball Kid and Ura Star. Photo by Ana-Maria Espino Trudel, logo designed by Cole Yearwood & Holly Craib

The sun is shining bright in Montreal, bringing grassy parks, cold drinks, and blossoming feelings along with it. Here to vibe through it all is Ura Star, who joined forces with Fireball Kid and mememe (Nap Eyes’ Seamus Dalton) for the easy-going earworm “Hanging Out.”

“Hanging Out” marks the first single from Ura Star’s forthcoming record Heartracer, which promises to deliver a stacked compilation of new wave-inspired jams. This album follows Ura Star and Fireball Kid’s two previous collaborations, Gas Station and Emotional Bros Hotline, and will carry their torch of synthy wholesomeness that makes the heart soar.

Produced by Zack Bruce, this latest release has Ura Star navigating the thrill of the “talking stage.” Ura Star, Fireball Kid, and mememe’s upbeat vocal harmonies sweep you away in a sugar rush, leaving you no choice but to keep the track on replay.

Even sweeter? The “Hanging Out” music video, which was directed by Ana-Maria Espino Trudel and Cody Lee. In the vid, the trio of artists exude a top-tier summer aura as they jump around on a vintage yellow sofa in the middle of a soccer field. Tapping their toes and sipping their brews, they conjure up the same innocent joy of a budding summer fling.

Watch the video for Ura Star’s “Hanging Out” below!


Ura Star

Instagram | Bandcamp | Spotify

Rebecca Judd is the features editor of Also Cool Mag.


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PREMIERE: Dresser Tackles Self-Doubt in Ana-Maria Espino Trudel-Directed "Competency" (Music Video)

 

Dresser, from left to right: Chrissy Lawson (bass), Finn Dalbeth (guitar and vocals), Kevin White (drums), photo by Alex Apostolidis

Trigger Warning: The following music video contains flashing lights that may affect those who are susceptible to photosensitive epilepsy or have other photosensitivities.

Montreal art rock trio Dresser reckons with quarter-life uncertainty with the premiere of “Competency”, a kaleidoscopic music video melt-down softened by DIY charm. Directed, edited and produced by multi-hyphenate media artist and filmmaker Ana-Maria Espino Trudel, “Competency” sees Dresser embrace catharsis at a trippy band practice in an unidentifiable studio.

Between whirring zooms, psychedelic transitions and the band jamming in strobing, red light in various degrees of focus, Espino Trudel skillfully personifies the anxious and existential monologue of vocalist-guitarist Finn Dalbeth.

On “Competency”, Dalbeth shares:

“Musically, Competency is our stab at a dancey and carefree pop tune. But lyrically it is self deprecating and faintly sinister. The first verse is essentially me calling myself incompetent, hopeless, and lazy, which I find in a light-hearted way to be quite a fun and empowering tone to take in front of a live audience. The song goes on to fantasize about sabotaging a generally harmonious relationship, and explores further feelings of inadequacy and dissatisfaction. While all this may seem grim, writing ‘Competency; felt like a healthy outlet at the time. Even though in hindsight it certainly could be an example of ‘writing on the wall’. In the funniest way, of course."

“Competency” is Dresser’s first offering from the band’s independent sophomore album Fuel, set to release August 2nd, 2024.

Buoyant yet gritty, “Competency” brings a garage-meets-jangle spunk to the ever-pensive Dresser. Recorded and mixed by René Wilson (Faith Healer, Anemone, Baby Jey) at Value Sound Studios in Montreal, “Competency” tempts both headbanging and swaying, (hopefully) hinting at the worlds traversed on Fuel.

Until the full-length arrives, watch the video for “Competency” below!


FUEL

Out August 2nd, 2024

1. Heavenly Lethargy

2. The Wringer

3. Dolena

4. Competency

5. Never

6. By Your Side

7. Fuel

8. Still Looking 

Recorded and mixed by René Wilson at Value Sound Studios in Montreal


Dresser

Instagram | Bandcamp | Spotify | Youtube

Zoë Argiropulos-Hunter (she/her) is the Co-Founder and Managing Editor of Also Cool Mag. Aside from the mag, she is a music promoter & booker, and a radio host & DJ.


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