2022 in Review (Also Cool's Top Albums)

 

Illustration by Malaika Astorga

Sounds Cool 2022 (Also Cool’s Top Albums)

Alvvays - Blue Rev (Polyvinyl / Transgressive / Celsius Girls)

“These are 14 zippy songs that echo in your brain long after they end, largely thanks to the group's ability to repeatedly knock reliable song machinery into a woozy disequilibrium.” — Jacob Ganz, NPR


Born At Midnite - Alternity EP (Arbutus Records)

“Born At Midnite show the range of their DIY stylings with ‘Alternity’, incorporating an invigorating drum beat alongside bouncing neon synths and slick guitar licks to create a stylish, swaggering whole. It’s the perfect setting for this tale of a high-class party, where everyone’s wearing designer clothes and bopping around in this rarified social strata.” — Rob H., Beats Per Minute


Boyhood - My Dread

“Stroke It” on Also Cool’s Playlist Refresh (June 24th, 2022)

“Central Frontenac’s Caylie Runciman—AKA Boyhood— has recently shared ‘Stroke It’, the second single from her upcoming album My Dread. Complete with Runciman’s signature contemplative instrumentation and frank delivery, ‘Stroke It’ indicates a deepened confidence in her artistic stride.”


Cola - Deep In View (Fire Talk)

Interview with Cola by Zoë Argiropulos-Hunter (May 17th, 2022)

“Rather, Deep In View relishes in poetic revelations in a era of lukewarm takes. With an observational tone akin to David Byrne’s commanding Talking Heads personas, coupled with direct, yet animated, guitar-bass-drum arrangements reminiscent of early works by The Strokes, Cola strikes political conversation on modern life with refreshing sincerity.”


DR. GABBA - Planet Piano

Review of DR. GABBA’S “MAGIC RIDER” by Malaika Astorga (May 5th, 2022)

We discovered DR. GABBA earlier this year when the Tiktok algorithm gods were feeling particularly generous. The anonymous space doctor pairs old-school video game graphics with bouncy, synth-heavy beats, which he used to roll out his 2022 album Planet Piano. "Plasma" and "Googoo Lagoon" were the standout tracks that took the algorithm by storm, but "Sunday 2pm" was our personal favourite. DR. GABBA has since gone on to play his first live show with non-other than Montreal electro-sweethearts Blue Hawaii in Los Angeles and will hopefully be blessing us with another synthy space journey sometime soon.


Dry Cleaning - Stumpwork (4AD)

“It’s post-punk but also incandescent slow rock; it’s hardcore vandalized with Dadaist-diary meditations; it’s cold and moody but also lush and friendly, alternately borderline industrial noise or dream pop.” — Kieran Press-Reynolds, Pitchfork


Gloin - We Found This (Mothland)

Interview with Gloin by Holly Hilts (November 24th, 2022)

“While their 2019 album Soft Monster was loaded with head-bangers, there are some more soothing rhythms on We Found This, always with some level of distortion and dark underbelly (a Gloin signature).”


Grim Streaker - MIND (Mothland)

Grim Streaker featured in Also Cool’s FME 20th Anniversary Top Picks (August 30th, 2022)

“Brooklyn’s Grim Streaker sport weirdo sing-talk rock that you cannot help but bop to. Their latest album MIND is described as ‘a surreal, subversive world of four songs that reflects on the current state of mental health, laughable social constructs and the inescapable working grind.’”


Imogen Heap - Chordata Bytes I (Megaphonic Records)

“Heap helped define the popular soundtrack of the early 2000s. Her solo work and sole album as a part of the electronic duo Frou Frou have become touchstones for the millennials who grew up hearing Heap’s otherworldly, oft-modulated vocals on-screen. Now 44, the pop innovator continually resurfaces as a point of inspiration.” — Cat Zhang, Pitchfork


Isabella Lovestory - Amor Hardcore

Isabella Lovestory is a perfect balance of sexy bitchiness and everything we love about reggaeton. Her 2022 album Amor Harcore took Montreal's perrero princess to new heights this year, with countless shows across the globe, including some memorable shows in her hometown. It's an album to pre before a night out with your besties or blast while you get over your ex.


The Linda Lindas - Growing Up (Epitaph Records)

The Linda Lindas’ POP Montreal show review by Rebecca L. Judd (October 8th, 2022)

“The friendship between the four teens was palpable, and their appreciation for punk rock and its motifs of eccentricity lit the stage the whole night through. Between coordinated sways and jittering struts, the group carried themselves with carefree coolness that felt easy to absorb.”


Magi Merlin - Gone Girl (Bonsound)

Magi Merlin comes into herself and her sound with her explosive 2022 album, created in collaboration with her longtime friend, Funkywhat. Using themes of rage, raving, and ultimate self-expression, Magi hit the ground running with this release, launching herself across international stages for much of the year.


Maryze - 8

Review of “Experiments” by Malaika Astorga (March 7th, 2022)

“Inspired by her Celtic roots, years of studying jazz, and a healthy obsession with emo as a teenager, Maryze's music transcends genre while still providing one hook after the other.”


MICHELLE - AFTER DINNER WE TALK DREAMS (Transgressive)

“Much like its predecessor, the record sees each member narrate not only their own vulnerability, but that of their bandmates, encouraging survival and self-improvement over group harmonies and striking pop choruses. Their liberation is individual and universal at once.” — Sophie Williams, NME


Eliza Niemi - Staying Mellow Blows (Vain Mina / Tin Angel Records)

Interview with Eliza Niemi by Zoë Argiropulos-Hunter (August 4th, 2022)

“Between cello musings, folk experimentations and modular synth flirtations is Niemi’s most bountiful collaboration to date—a testament to her talent and creative kinship.”


OMBIIGIZI - Sewn Back Together (Arts & Crafts)

Interview with OMBIIGIZI by Zoë Argiropulos-Hunter (October 1st, 2022)

“Through its exploration of both individual and collective identity, Sewn Back Together reckons with the realities of generational trauma, guided by familial teachings and a connection between Monkman and Sturgeon that transcends their collaborative brilliance.”


PACKS - WOAH (Fire Talk, Royal Mountain Records)

PACKS featured in Also Cool’s 2022 POP Montreal Top Picks

“Accompanied by an acoustic guitar, WOAH has Link returning to her solo, unbrushed songwriting roots with a refined lyrical palette and imaginative composition (and an ode to Ottawa commercial radio on the track ‘fm’).”


Shallowhalo - No Fun

“Yesterday’s Toy” on Also Cool’s Playlist Refresh (June 24th, 2022)

“Shallowhalo, NYC’s resident sparkly synth royalty, recently released their no-skip album No Fun—and ‘Yesterday’s Toy’ has been on repeat since the drop. For fans of Strawberry Switchblade, Kate Bush, and Cleaners from Venus, the track is a shimmering cascade of sound perfect for your summer playlist.”


SZA - SOS (Top Dawg / RCA)

“SZA has mastered the art of the inner monologue, transforming deeply personal observations into gilded songs that feel intimate, relatable, and untouchable, all at once.” — Julianne Escobedo Shepherd, Pitchfork


Wombo - Fairy Rust

Released in the summer of 2022, Wombo's Fairy Rust has stayed on our daily playlists ever since. "Regular Demon" was an instant favourite, combining spooky sounds, slightly cryptic lyrics, and an elevated postpunk sound. Other Also Cool favourites from the album include "Sour Sun," "Below the House," and "RVW."


Listen to our year in review below!


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Also Cool's POP Montreal Top Picks: Round One

 

Isabella Lovestory via Bandcamp

September’s end is upon us, which means POP Montreal is just around the corner! Celebrating its 21st anniversary this year from September 28th to October 2nd, POP Montreal is an integral fixture in our hometown’s music circuit as a five-day festival; presenting more than 400 artists between panel discussions, film screenings, fashion shows and more! As per usual, this year’s lineup does not miss a beat with legendary headliners and movers & shakers from our local music scene and beyond. To get into the festival spirit, take a listen to our POP Montreal selections and jump venue to venue with us!

Isabella Lovestory

Isabella Lovestory is Montreal’s resident reggaeton-pop princess. The alter-ego of Honduras-born Isabella Rodriguez, the vocalist and producer meshes sugary hyper-pop tendencies with entrancing, bass-heavy club beats into a rousing, Y2K-reminiscent frenzy. Her breadth of influences chart her musical upbringing; drawing inspiration from reggaeton acts like Plan B, to Britney Spears and MIA, as well as alternative Brits like The Smiths and The Cure. Since her emergence on SoundCloud, Lovestory has released her debut album Mariposa (2020), a handful of ear-worm singles-turned-EPs, and appeared in Nylon and Dazed. A self-proclaimed “fashion freak,” Lovestory turns heads for her equally iconic sense of style, captured in her glamorous music videos and alluring online presence. Let her steal your heart this POP season. 

Isabella Lovestory plays Casa Bianca (terrace) on Saturday, October 1st at 6PM.

Isabella Lovestory  

 Instagram | Bandcamp

PACKS via Bandcamp

PACKS

Slack-rock quartet PACKS has been on our artists-to-watch radar since their debut LP Take the Cake (2021). Led by Madeline Link, the project began as a creative back-and-forth between Ottawa and Toronto, with Link sending her bare-bone bedroom demos to her bandmates for exploration via Google Drive. The resulting album was a smash and saw the band tour their slow-burning, timeless sound extensively. Since, Link has made it clear that she isn’t resting on her laurels with the release of her latest EP WOAH this past summer. Accompanied by an acoustic guitar, WOAH has Link returning to her solo, unbrushed songwriting roots with a refined lyrical palette and imaginative composition (and an ode to Ottawa commercial radio on the track “fm”).

PACKS plays Casa del Popolo on Friday, September 30th at 8:15PM.

PACKS

Website | Instagram

Boyhood by Monika Kraska

Boyhood

Boyhood is the moniker of alt-pop singer-songwriter Caylie Runciman. Since 2014, the Belleville-expat brews jangly, brooding mirages, sprinkled with atmospheric synth and candid vocal grit. Runciman now calls the woods of Central Frontenac home, where she has been writing, composing and producing her upcoming LP My Dread - out this coming November. Long-anticipated since her beloved 2019 debut Bad Mantras, teaser singles from My Dread “Don’t You Dare” and “Stroke It” find Runciman standing ground against darkness past, reconciled between tough basslines and twinkling oscillations. Though a limited vinyl-run of My Dread is now available for pre-order, we implore you to catch Boyhood live in her element before its release.

Boyhood plays La Sala Rossa on Thursday, September 29th at 8PM.

Boyhood 

Instagram | Bandcamp

Strange Froots by McKim Jean-Pierre

Strange Froots

Supporters of Also Cool since day one, Strange Froots is Mags and Naïka Champaïgne: a duo of multifaceted singer-songwriters, beatmakers and musicians based in Montreal. Originally planning to attend a series of workshops for femmes in hip-hop, the alt-soul group met in 2014 at NoBad Sound Studio, and shortly after formed Strange Froots. Strange Froots describe themselves as “the coming together of different backgrounds of the same Black diaspora [...] to convey the message that everyone should embrace who they are, no matter where they’re from or what they’re going through.” Performing extensively with an emphasis on nurturing community, Strange Froots have taken the stage at Slut Island, Suoni Per Il Popolo, Fierté Montréal and will be returning to POP Montreal for the first time since 2017 this year!

Strange Froots plays Théâtre Fairmount on Friday, September 30th at 9PM. 

Strange Froots

Website | Instagram

Cymande

Active in the 1970s, British group Cymande are revered for their blending of funk, soul, R&B, jazz, rock, African rhythms and West Indian folk. Though they disbanded in 1975 after releasing three albums, their legacy and sound were kept alive through a cult-following and samples from acts like Wu-Tang Clan and De La Soul. In the 2010s, the band reunited with a new vision and rekindled excitement from the early years. After touring alongside artists like Al Green, Patti LaBelle, KC and The Sunshine Band and Kool and the Gang, Cymande will now be making a stop at POP Montreal for a show you won’t want to miss.

Cymande plays L’Entrepôt77 on Wednesday, September 28th at 7:30PM. 

Cymande

 Website | Instagram

Kamikaze Nurse by Dennis Ha

Kamikaze Nurse

Vancouver rock outfit Kamikaze Nurse’s music has been described as “ethereal skronk,” “Deleuzian rock” and “best of the 90s.” Their melodic, confrontational sound is encapsulated on their sophomore album Stimuloso, which arrived earlier this spring via Mint Records. The album was conceived during the first wave of the pandemic, with each band member self-recording their parts over a six-month period. The result is a flowering wall of noise that combines the group’s interests in poetry, film and literature. Keep a pulse on Kamikaze Nurse’s psychedelic-rock-meets-shoegaze sound with their inaugural POP Montreal performance.

Kamikaze Nurse plays The Diving Bell Social Club Wednesday, September 28th at 8:30PM.

Kamikaze Nurse
Instagram | Bandcamp

POP Montreal

Website | Instagram | Facebook


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Medicine Singers, distraction4ever, Dawn to Dawn, PACKS & More - Also Cool's Playlist Refresh

 

Summertime is in full swing, and we’ve got music for almost every occasion. This edition includes friends like Paul Jacobs, distraction4ever, and new finds like Medicine Singers and Dawn to Dawn.

Whether you’re lounging at the park with a picnic and wine, camping in a nearby forest, or headed out to the club, our Playlist Refresh has something for you.

Listen to our accompanying playlist below

Paul Jacobs returns with his latest EP 185 On The Corner via Bonsound, delivering a mellowed out iteration of neo-psych sound he’s known for. A visual artist through and through, Paul’s lyrics illustrate his world, painting vivid imagery that captures his feelings during a period of instability, reflecting on his emotional growth.

In line with his DIY ethos, Paul wrote, recorded and produced the four songs by himself. Two of the tracks, After Dark and The Tree Outside My House, were previously released as singles earlier this year. You can watch the music video for “Hold On” below.

Whether you’ve been to one of their rowdy loft parties, or have seen them running Shift Radio, you’ve probably come across the Mile End’s latest post-punk duo distraction4ever. After releasing three singles this year, Beau Geste and Splitshift have joined forces once again to create their upcoming album Please Don’t Think About Tomorrow.

Inspired by Russian new-wave vocals (think Molchat Doma), analog synths, fast drums, and distorted vocals, distraction4ever feels like you’re running around the city on a Montreal summer night. The album will explore themes of addiction, escaping reality, anxious downward spirals, nihilism and pessimism while maintaining a connection to an overall 'joie de vivre.’

distraction4ever will celebrate the release of their debut album with a show at the Brasserie Beaubien on August 5th, 2022 at 9:00pm. Event on RA here.

One of our favourite artists at Also Cool, PACKS (Madeline Link), returns with her latest EP WOAH (Firetalk). Although her latest album was dubbed "reluctantly anthemic slacker rock" by The FADER, PACKS retreats to a more stripped down sound with this EP, through thoughtful lyrics that process grief, joy, and confusion.

"These songs began when I got back in November from our small US tour with Wombo," Link says of the EP. "I had lost my voice completely and it had a nice scratchiness to it as it was coming back. Someone suggested I record a whole album of songs while my voice was like that. father’s truck was first. It came from a fever dream I had in a dander-steeped basement in Boston. Sure enough, my voice recovered and I spent the rest of the winter recording. All of the songs were recorded in Ottawa and Montreal as I dealt with the repetitive, gory horrors of desire and simultaneously dreamt some beautiful dreams."

Watch the album film for WOAH below.

Mothland welcome another excellent band to their roster with the self-titled debut album of Medicine Singers (Stones Tapes, Joyful Noise Recording).

Medicine Singers bridge multiple dimensions of sound, while expanding on years of collaboration following a spontaneous 2017 performance by Eastern Algonquin powwow group Eastern Medicine Singers and Monotonix guitarist Yonatan Gat. Rounded out by contributions from Ryan Olson of Gayngs, rising jazz trumpet star Jaimie Branch, Thor Harris and Christopher Pravdica of Swans, no wave icon Ikue Mori of DNA, and ambient music pioneer Laraaji. Medicine Singers’ debut album creates a genre-smashing kaleidoscope of sound firmly rooted in the intense physical power of the powwow drum.

Through their connection to their ancestral music, Medicine Singers created a daring and ambitious record that celebrates tradition, while boldly breaking away from its restrictions, or in the words of Medicine Singers’ leader Daryl Black Eagle Jamieson: “These two cultures can work together, and blend together. We created something that needs to be out there in the world, to show people how we can work together and make something beautiful.”

Dawn to Dawn emerges with a new release, and debut album announcement. Their music sits halfway between spectral dream-pop and abstract dance-oriented soundscapes. Consisting of Tess Roby, Adam Ohr & Patrick Lee, the Montreal trio formed in 2018, and made their debut with singles “Meridian” “A Colour Named By You” and “Care.”

Dawn to Dawn says of “Stereo”: “This song captures the sound of summer: sweltering nights, afterparties and playful romance. It was written deep in the 2020 winter lockdown, as we imagined the parties of summer's past. A breaky, forward moving 909 beat carries airy synths that glide beneath Tess’ airy vocals. Weightless and captivating, Stereo is an anthem for years to come.”

Stay tuned for their debut album Postcards From The Sun To The Moon, out on October 6th on Tess Roby’s recently launched SSURROUNDSS label. 

Das Beat via Bandcamp

Berlin duo Das Beat pair sweet and salty on their latest offering “Intensity. Out on Arbutus Records, the single is an anticipated follow-up to their 2021 EP Identïat and familiarly romances with their signature melancholy pulse.

The glassy embellishments and motored rhythms hoist singer Eddie Rabenberger’s seducing vocals, making for an arresting performance from Das Beat. You can see it for yourself in Montreal on August 20th when they take the stage at Système on their first North American tour

Toronto garage rock outfit Bitch Stick are stirring up excitement with the release of their second single “I Want More.” With classic danciness and a laid-back delivery, Bitch Stick bring forward refreshing sincerity and are a group to watch out for.

Encapsulating sweaty dive gig energy, “I Want More” sums up the excitement of live music’s resurgence this summer. Whether or not you missed their set at Ottawa’s Side By Side Weekend, you too will be wanting more

Up and coming Montreal electro-pop pair Mayfly tease their first full-length with their new single “Passenger Seat.” Comprised of singer-songwriters Charlie and Emma, the self-produced world of Mayfly fully embodies their independent artistic direction.

As two young women in the music industry, Mayfly aim to inspire others like them to “own their place.” Such is evident with “Passenger Seat,” which boasts glittery escapism and the promise of looking out for one another. 

Our Playlist Refresh series is available in full on Spotify, refreshed every other week.


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Sounds Cool 2021 (Also Cool’s Top Albums)

 

Illustration by Malaika Astorga

Once again, music has unsurprisingly gotten us through the year. Throughout the whirlwind of 2021, we here at Also Cool were lucky enough to discover a range of compelling releases across a spectrum of genres. What unites these projects is their radiance, their ability to captivate us through trials and triumphs and be a constant when seemingly nothing else was. In no particular order (except alphabetical), we’ve compiled a mix of stand-outs from our 2021 favourites. 

If you haven’t been introduced to these artists via our music section or radio shows on N10.AS and FSR, take a listen to our year in review. There’s something here for everyone, and maybe you’ll see one of your friends here, too – spread the love and send them this article to tell them that they are indeed also cool.  

We’d like to extend our gratitude to all the artists on this list for keeping us company through the last year. Our listening habits have been elevated and comforted by these selections, and we’re looking forward to what’s in store from here and beyond in 2022.

Whether experienced in-person during the brief resurgence of live music, or in solitude weathering out your headphones, here’s to music for filling the void in the best way possible. 


Sounds Cool 2021 (Also Cool’s Top Albums)

Ada Lea - one hand on the steering wheel, the other sewing a garden (Next Door Records / Saddle Creek)

Interview with Ada Lea by Malaika Astorga (October 21st, 2021) 

“The introspective folk/pop songs walk with you through the process of finding your identity and losing it again to someone who's not worth it, daydreaming about life in other cities, and wondering when to go home again.”


BACKXWASH - I LIE HERE BURIED WITH MY RINGS AND MY DRESSES (Ugly Hag Records)

Interview with Backxwash by Zoë Argiropulos-Hunter and Rebecca L. Judd (June 20th, 2021)

“With I Lie Here, BACKXWASH claims her title as contemporary hip-hop’s greatest force to be reckoned with, and we are celebrating her reign.”


Bnny - Everything (Fire Talk)

Interview with Bnny by Malaika Astorga (August 20th, 2021)

“Written in sessions that span several years by singer Jess Viscius as she processed the death of her partner, the album is a chronicle of love at its most complex and loss at its most persistent.”


Clairo - Sling (FADER)

“On her second album, reluctant Gen Z ambassador Clairo turns back the clock, embracing classic touchstones of 1970s folk.” — Cat Zhang, Pitchfork


Das Beat - Identität (Arbutus Records)

Interview with Das Beat by Zoë Argiropulos-Hunter (June 3rd, 2021) 

“In four flawless tracks outfitted with celestial atmospheres and pulsating undercurrents, Identität offers a dioramic perspective of the couple’s intimate creative dynamics, backdropped with the essence of Berlin’s esoteric nightlife.”


Dish Pit - DIPSHIT (Self-Released)

“Following the sudden closure of their record label, Montreal-based DISHPIT's long-delayed debut album is finally seeing the light of day as the band begins working on the follow-up. DIPSHIT — recorded with veteran producer Steve Albini — unleashes a devastation of post-punk and lo-fi grunge upon the world.” — Matt Owczarz, Exclaim!


Dorothea Paas - Anything Can’t Happen (Telephone Explosion)

Interview with Dorothea Pass by Zoë Argiropulos-Hunter (May 7th, 2021)

“On her new LP Anything Can’t Happen, Paas illuminates how she came to define success as encountering and reconciling self-discovery through her work, all while establishing growth on her own terms.”


Ducks Ltd. - Modern Fiction (Royal Mountain)

Interview with Ducks Ltd. by Malaika Astorga (August 17th, 2021) 

“Toronto's Ducks Ltd.'s new single How Lonely Are You? is the perfect soundtrack for your mildly existential end-of-summer playlist.”


Hildegard - Hildegard (Chivi Chivi / Section1)

Interview with Hildegard by Malaika Astorga (June 8th, 2021)

“Their debut record has been described as the result of merging their identities, coupled with a complete loss of ego. The result is a beautiful and experimental eight-track experience, documenting the creative bond they share.”


Jane Inc. - Number One (Telephone Explosion)

Interview with Jane Inc. by Zoë Argiropulos-Hunter 

“Building off samples, break-beats and Ableton tutorials, Jane Inc.’s debut Number One serves as a reminder that Bezic is no one-trick-pony.”


Kekko - Dreaming Life (Spirit Goth Records) 
Interview with Kekko by Zoë Argiropulos-Hunter

“If not already evident by the band’s namesake —which combines the last names of the husband and wife duo, Tim Kek and Cherie Ko— Kek’s lush atmospherics intertwined with Ko’s ethereal vocals manifest a radiance unique to a soulmate connection.”


kolenżanka - Place Is (Bar/None)

Interview with kolenżanka by Malaika Astorga (June 16th, 2021)

“To leave an old life behind and begin a new one is an anxiety-inducing and transformative process that Phoenix-born and NYC-based singer kolenżanka has mastered.”


L’Impératrice - Tako Tsubo (microqlima)

Interview with L’Impératrice by Zoë Argiropulos-Hunter (May 22nd, 2021)

“L’Impératrice’s latest venture is a shimmering think-piece on life’s ever-perplexing phenomenon of broken-heart syndrome, which derived from the name Tako Tsubo (meaning “octopus trap” in Japanese).”


Magi Merlin - Drug Music (Self-Released)

Magi Merlin “Mock Meat” review by Malaika Astorga (February 23rd, 2021) 

“A little spooky, a little bit sultry, Magi Merlin's "Mock Meat" draws you in with textured sounds and silky vocals.”

Magi Merlin Drug Music premiere by Zoë Argiropulos-Hunter (March 5th, 2021) 

“Throughout Drug Music, Magi Merlin owns her truth between entrancing beats and smokey basslines, while getting hot and heavy with lush vocal harmonies and a playful raspiness.”


May Rio - Easy Bammer (Dots Per Inch)

Interview with May Rio by Zoë Argiropulos-Hunter (June 22nd, 2021) 

“Much like its origin story, May Rio’s Easy Bammer documents and celebrates the romantic unexpectedness of everyday life.”


Motorists - Surrounded (Bobo Integral / We Are Time / Debt Offensive)

Interview with Motorists by Malaika Astorga (September 16th, 2021) 

“Comparable to various eras of punk, jangle rock, and mid-2000s Canadian indie rock, Motorists express their struggles with isolation by pairing a post-punk vocal tone with optimistic and upbeat melodies.”


New Chance - Real Time (We Are Time) 
Interview with New Chance by Zoë Argiropulos-Hunter (July 28th, 2021) 

“On her latest offering Real Time, Cheong brings her reflections on nature’s abstract cycles to the forefront, between spellbinding textures and an eclectic sampling of everything from Calypso percussion to a sunrise rooster crow.”


Ouri - Frame of a Fauna (Born Twice / Lighter Than Air) 
Interview with Ouri by Rebecca L. Judd (October 30th, 2021) 

“Marking the latest notch in Ouri’s belt, Frame of a Fauna carefully wields experimental and classical curiosities to seek deeper truths between the bars.”


Oxford Drama - What’s The Deal With Time? (Self-Released)

Interview with Oxford Drama by Rebecca L. Judd (July 7th, 2021)

“Inspired by the never-ending mazes of modern technology and society, the duo – consisting of Małgorzata Dryjanska and Marcin Mrówka – transforms crushing emotions and uncertainties into a musical experience that transcends the turmoil.”

Oxford Drama “Too Busy” video premiere by Malaika Astorga (December 9th, 2021)

“Although it may seem like everyone else has their lives together, they're probably just good at keeping a curated online presence. Our Polish pals Oxford Drama encapsulate this chaos energy perfectly in their music video for “Too Busy”, a single off their recent album What's The Deal With Time?”


PACKS - Take The Cake (Royal Mountain / Fire Talk) 

Interview with PACKS by Zoë Argiropulos-Hunter (May 17th, 2021) 

“Toronto’s PACKS are filling an indie-rock void with their sound that is equal parts laid-back and jangly, while also sophisticatedly pensive and bright.”


PinkPantheress - to hell with it (Parlophone) 

“The 20-year-old UK producer broke out on TikTok with snippet-sized songs that ache with nostalgia for the recent past. Her intimate, lived-in music succeeds where cheaper imitations fail.” — Arielle Gordon, Pitchfork


Yves Tumor - The Asymptotical World (Warp Records) 

“Even on a brief EP, Yves Tumor’s prismatic world seems to get bigger as it mutates into certain conventions of goth rock, dream pop, and shoegaze.” — Sasha Geffen, Pitchfork


Listen to our year in review below!


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Toronto's PACKS Share a Slice of Upcoming Debut "Take the Cake"

 

Madeline Link of PACKS, photo courtesy of the artist

Toronto’s PACKS are filling an indie-rock void with their sound that is equal parts laid-back and jangly, while also sophisticatedly pensive and bright. Before the pandemic hit, they were stirring a buzz with a collection of charming lo-fi singles, of which caught the attention of hometown label Royal Mountain Records, as well as Brooklyn’s Fire Talk Records.

With the enlisted backup of close friends from the band Lovers Touch, lead songwriter Madeline Link has taken her solo songwriting project to the next level. The now four-piece have announced the release of their debut full-length, Take the Cake, out this coming Friday, May 21st, 2021.

On Take the Cake, Link comments:

“The album is a meeting of old and new. Old songs from a year ago where I'm having really horrifyingly awful days at work, getting doored while biking in Toronto and flying into the middle of the street, or going on dates with guys who I'm either instantly in love with, or who end up creeping me out a bit. Those songs are more packed with that feeling of hurtling-through-time-and-space-at-breakneck-speed, manic energy. The newer songs are infused with a foggier, slower-paced disillusionment, and deal with the strangeness of a reality morphing before my eyes every day. I still try to be optimistic obviously, but these songs are really glorified coping mechanisms.

Read our interview with Link on how her debut was realized despite a long-distance relationship with her band, as well as her thoughts on unexpected musical comparisons and figuring out label-signing for the first time.

Zoë Argiropulos-Hunter for Also Cool: So, let’s start with some bigger obvious questions: How have you been doing and what has it been like working on an album throughout the ongoing uncertainty of the last year or so? What are your thoughts on creating during such a time?

Madeline Link: Well, other than working on the album at a distance with my band by sending them demos to build on, my music writing process hasn’t been disturbed by the pandemic much. The creation of [this album] was the least hard part, honestly. It was more so the conceptualizing of it that was tough because the whole process lacked so many physical experiences. I have never released an album of this scale before, so I feel like if it wasn’t a pandemic it would be a completely different experience. I would be having in-person meetings, maybe even going to New York to meet with one of my labels, planning shows and going on tour.

 

Also Cool: Absolutely, music-making right now is definitely unconventional to say the least. What it was like realizing these songs in a band format instead of working alone? From what I know, some of the tracks on Take the Cake are older than others and come from a more personal project, so I’d love to know more about how you reworked them on this release.

Madeline Link: I’d never bounced these songs off of anyone before, so it was interesting! I felt comfortable sharing them with these guys specifically because I trusted them a lot, as we were friends before we worked together on this album. They make up the band Lovers Touch, so I really trusted their musical ability and knew how talented they were. I really like the symbiosis we have going. With every song that I bring to them, they always send something back that totally surprises me.

 

AC: What else impacted your ability to be so open-minded with making PACKS into a more collaborative project?

ML: I’ve always used my songs as a way of exploring creatively and have never held them very close. Basically, my creative process is that I’ll record myself playing the song once I’ve figured out the guitar part and vocals and send it off to the band without really thinking twice about it. Since I never hold my songs near and dear, there are a lot of tracks currently in our shared folder that are just sitting there festering… ‘Cause you know, I like to have some shit songs and some good songs (laughs).

 

AC: I think that’s really cool. I guess there’s something to be said for being purposefully un-purposeful (laughs).

ML: Yeah, that’s exactly it! If I think a song isn’t going to get better, I’ll quit toying around with it. I pretty much spend an hour to two hours recording my parts in my free time and send them off to the band.

 

AC: I know you said that you’ve never held your work close, but has working with some of these songs in a new light changed the relationship you have with them? Or maybe the way you think about your songwriting at all?

ML: I really liked taking the songs and meshing them together; both old and new. I didn’t have any huge revelations about my songwriting, but I do feel as though I’ve really landed on a sound that lines-up with my identity. At the same time, I do think I’m keeping people guessing with what exactly a PACKS song sounds like. For example, when “Hangman” came out at first, I saw it on a Spotify “Americana” playlist, and I was getting labeled as “indie-folk” (laughs). But then “Silvertongue” came out and it was on all these punk playlists online.

AC: How do you feel about being segmented into these different genres? I’ve seen your stuff coming up on different publications where people have compared you everything from Sonic Youth to Sebadoh. Are there any particular influences that you draw from that people aren’t necessarily picking up on?

ML: Well, I remember thinking that Best Coast was a strange comparison that one writer made because I personally don’t hear it at all. I remember reading that and I thinking to myself, “Are you just saying this because I’m a lady?” (laughs). No offense to Best Coast or anything, but I really don’t hear any similarities.

 ML: In terms of influences… This is going to sound so obvious, but every Radiohead album has probably weaseled its way into a PACKS song. Hmm… do you know Autolux?

AC: No. I’ve never heard of them!

ML: They’re this band from the early 2000s that I’m really into. They have this one particular album, Future Perfect, that really grabbed me. They’ve got this really hard guitar sound contrasting with the singer’s quiet falsetto voice and I love that. What else? I do find I can be influenced by country as well. I grew up in Calgary and we always had so many different genres playing in the house. I find myself always going back to the basic chord structures that make up country and blues songs when I start writing. I want to follow certain tenants of that genre, you know?

 

AC: Definitely. So, it’s safe to say that these questions of who influences you have come from you signing to two well-known labels and stirring up some excitement around Take the Cake. How are you finding this transition in your career so far?  

ML: Deciding whether or not to sign to a label was one of the hardest decisions I’ve ever made; not even exaggerating! On one hand, you have a lot of people encouraging you take on a new opportunity, and on the other, people warning you of what might happen if things don’t turn out like you’d expected. That being said, when I did announce that I had signed to these labels, nobody was like, “You freaking sell-out!” (laughs) To be honest, I have really enjoyed having the support from these labels and all of their great ideas. But you know, I don’t give away my power very easily (laughs). This might sound cheesy, but thankfully both the labels I’m working with have the artist as their number one priority. I still have control over everything I post online, music videos… stuff like that.

 

AC: What kind of advice would you give to young musicians to help them navigate the process of working with a label for the first time? I feel like getting this kind of insider information is really important for people just starting out, and the kind of thing that can be gatekept, you know?

ML: Yeah, definitely. Well, I don’t really like giving advice (laughs) but okay. So, the fist label I ever worked with was, and still is to this day, the number one label in the entire world. They’re called Art of the Uncarved Block. They’re based in Toronto and run by twin brothers Robin and Pete. I didn’t sign a single contract while working with them, we just met up in a coffee shop after they asked [my other band Triples] if we wanted to release a tape with them. I also released a PACKS tape with them, and it was like, the dreamiest label experience you could have.

So, I’d say if you’re just starting out and doing a DIY thing, I would suggest not running into a contract straight away and working with a smaller label. If music is something you’re doing just for fun, don’t submit your stuff to huge labels. If you’re enjoying yourself and just trying to get your music out into your local scene or whatever, [labels] will notice that, and they will approach you. Treating it like a job application and not getting responses after making a bunch of submissions makes you feel like shit! (laughs)

AC: I think that’s good advice, personally. The Canadian music world seems so untouchable on the surface, when at the end of the day it’s like the same 10 people emailing each other back and forth.

ML: Exactly. You really just have to trust the process in a way. I ran into Pete from Uncarved Block when I was trying to decide about label stuff, and he encouraged me to go for it… It was kind of like a sign from the universe.

 

AC: To end things off, what are your plans to celebrate this release?

ML: When I was going to bed the other night, I had this idea for a wild Instagram video… I’m picturing a gigantic cake in front of me that’s full of candles. Like, 200 candles or something. And yeah… I want to do something that’s kind of unreal. Maybe I’ll post it? Maybe I’ll keep it for my personal archives? You’ll just have to wait and see.


TAKE THE CAKE

Out May 21, 2021 via Royal Mountain Records and Fire Talk

art.jpeg

1. Divine Giggling
2. Clingfilm
3. Two Hands
4. New TV
5. Hangman
6. My Dream
7. Hold My Hand
8. Holy Water
9. Silvertongue
10. Blown By The Wind
11. U Can Wish All U Want

All songs by Madeline Link
Mastered by Sarah Register


PACKS

Website | Instagram | Bandcamp

Zoë Argiropulos-Hunter (she/her) is the co-founder and managing editor of Also Cool Mag. Aside from the mag, she is a music promoter & booker, and a radio host & DJ.


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