2022 in Review (Also Cool's Top Albums)

 

Illustration by Malaika Astorga

Sounds Cool 2022 (Also Cool’s Top Albums)

Alvvays - Blue Rev (Polyvinyl / Transgressive / Celsius Girls)

“These are 14 zippy songs that echo in your brain long after they end, largely thanks to the group's ability to repeatedly knock reliable song machinery into a woozy disequilibrium.” — Jacob Ganz, NPR


Born At Midnite - Alternity EP (Arbutus Records)

“Born At Midnite show the range of their DIY stylings with ‘Alternity’, incorporating an invigorating drum beat alongside bouncing neon synths and slick guitar licks to create a stylish, swaggering whole. It’s the perfect setting for this tale of a high-class party, where everyone’s wearing designer clothes and bopping around in this rarified social strata.” — Rob H., Beats Per Minute


Boyhood - My Dread

“Stroke It” on Also Cool’s Playlist Refresh (June 24th, 2022)

“Central Frontenac’s Caylie Runciman—AKA Boyhood— has recently shared ‘Stroke It’, the second single from her upcoming album My Dread. Complete with Runciman’s signature contemplative instrumentation and frank delivery, ‘Stroke It’ indicates a deepened confidence in her artistic stride.”


Cola - Deep In View (Fire Talk)

Interview with Cola by Zoë Argiropulos-Hunter (May 17th, 2022)

“Rather, Deep In View relishes in poetic revelations in a era of lukewarm takes. With an observational tone akin to David Byrne’s commanding Talking Heads personas, coupled with direct, yet animated, guitar-bass-drum arrangements reminiscent of early works by The Strokes, Cola strikes political conversation on modern life with refreshing sincerity.”


DR. GABBA - Planet Piano

Review of DR. GABBA’S “MAGIC RIDER” by Malaika Astorga (May 5th, 2022)

We discovered DR. GABBA earlier this year when the Tiktok algorithm gods were feeling particularly generous. The anonymous space doctor pairs old-school video game graphics with bouncy, synth-heavy beats, which he used to roll out his 2022 album Planet Piano. "Plasma" and "Googoo Lagoon" were the standout tracks that took the algorithm by storm, but "Sunday 2pm" was our personal favourite. DR. GABBA has since gone on to play his first live show with non-other than Montreal electro-sweethearts Blue Hawaii in Los Angeles and will hopefully be blessing us with another synthy space journey sometime soon.


Dry Cleaning - Stumpwork (4AD)

“It’s post-punk but also incandescent slow rock; it’s hardcore vandalized with Dadaist-diary meditations; it’s cold and moody but also lush and friendly, alternately borderline industrial noise or dream pop.” — Kieran Press-Reynolds, Pitchfork


Gloin - We Found This (Mothland)

Interview with Gloin by Holly Hilts (November 24th, 2022)

“While their 2019 album Soft Monster was loaded with head-bangers, there are some more soothing rhythms on We Found This, always with some level of distortion and dark underbelly (a Gloin signature).”


Grim Streaker - MIND (Mothland)

Grim Streaker featured in Also Cool’s FME 20th Anniversary Top Picks (August 30th, 2022)

“Brooklyn’s Grim Streaker sport weirdo sing-talk rock that you cannot help but bop to. Their latest album MIND is described as ‘a surreal, subversive world of four songs that reflects on the current state of mental health, laughable social constructs and the inescapable working grind.’”


Imogen Heap - Chordata Bytes I (Megaphonic Records)

“Heap helped define the popular soundtrack of the early 2000s. Her solo work and sole album as a part of the electronic duo Frou Frou have become touchstones for the millennials who grew up hearing Heap’s otherworldly, oft-modulated vocals on-screen. Now 44, the pop innovator continually resurfaces as a point of inspiration.” — Cat Zhang, Pitchfork


Isabella Lovestory - Amor Hardcore

Isabella Lovestory is a perfect balance of sexy bitchiness and everything we love about reggaeton. Her 2022 album Amor Harcore took Montreal's perrero princess to new heights this year, with countless shows across the globe, including some memorable shows in her hometown. It's an album to pre before a night out with your besties or blast while you get over your ex.


The Linda Lindas - Growing Up (Epitaph Records)

The Linda Lindas’ POP Montreal show review by Rebecca L. Judd (October 8th, 2022)

“The friendship between the four teens was palpable, and their appreciation for punk rock and its motifs of eccentricity lit the stage the whole night through. Between coordinated sways and jittering struts, the group carried themselves with carefree coolness that felt easy to absorb.”


Magi Merlin - Gone Girl (Bonsound)

Magi Merlin comes into herself and her sound with her explosive 2022 album, created in collaboration with her longtime friend, Funkywhat. Using themes of rage, raving, and ultimate self-expression, Magi hit the ground running with this release, launching herself across international stages for much of the year.


Maryze - 8

Review of “Experiments” by Malaika Astorga (March 7th, 2022)

“Inspired by her Celtic roots, years of studying jazz, and a healthy obsession with emo as a teenager, Maryze's music transcends genre while still providing one hook after the other.”


MICHELLE - AFTER DINNER WE TALK DREAMS (Transgressive)

“Much like its predecessor, the record sees each member narrate not only their own vulnerability, but that of their bandmates, encouraging survival and self-improvement over group harmonies and striking pop choruses. Their liberation is individual and universal at once.” — Sophie Williams, NME


Eliza Niemi - Staying Mellow Blows (Vain Mina / Tin Angel Records)

Interview with Eliza Niemi by Zoë Argiropulos-Hunter (August 4th, 2022)

“Between cello musings, folk experimentations and modular synth flirtations is Niemi’s most bountiful collaboration to date—a testament to her talent and creative kinship.”


OMBIIGIZI - Sewn Back Together (Arts & Crafts)

Interview with OMBIIGIZI by Zoë Argiropulos-Hunter (October 1st, 2022)

“Through its exploration of both individual and collective identity, Sewn Back Together reckons with the realities of generational trauma, guided by familial teachings and a connection between Monkman and Sturgeon that transcends their collaborative brilliance.”


PACKS - WOAH (Fire Talk, Royal Mountain Records)

PACKS featured in Also Cool’s 2022 POP Montreal Top Picks

“Accompanied by an acoustic guitar, WOAH has Link returning to her solo, unbrushed songwriting roots with a refined lyrical palette and imaginative composition (and an ode to Ottawa commercial radio on the track ‘fm’).”


Shallowhalo - No Fun

“Yesterday’s Toy” on Also Cool’s Playlist Refresh (June 24th, 2022)

“Shallowhalo, NYC’s resident sparkly synth royalty, recently released their no-skip album No Fun—and ‘Yesterday’s Toy’ has been on repeat since the drop. For fans of Strawberry Switchblade, Kate Bush, and Cleaners from Venus, the track is a shimmering cascade of sound perfect for your summer playlist.”


SZA - SOS (Top Dawg / RCA)

“SZA has mastered the art of the inner monologue, transforming deeply personal observations into gilded songs that feel intimate, relatable, and untouchable, all at once.” — Julianne Escobedo Shepherd, Pitchfork


Wombo - Fairy Rust

Released in the summer of 2022, Wombo's Fairy Rust has stayed on our daily playlists ever since. "Regular Demon" was an instant favourite, combining spooky sounds, slightly cryptic lyrics, and an elevated postpunk sound. Other Also Cool favourites from the album include "Sour Sun," "Below the House," and "RVW."


Listen to our year in review below!


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OMBIIGIZI Incites Change Through Embracing Musicianship as Cultural Responsibility on Debut "Sewn Back Together"

 

OMBIIGIZI (from left to right: Daniel Monkman, Adam Sturgeon) by Rima Sater

For moccasin-gaze band OMBIIGIZI, musicianship is about more than self-expression, it’s about cultural responsibility. 

“If we’re going to be Indigenous artists, we also have a responsibility to share parts of ourselves that not a lot of musicians necessarily have to wear. Being able to experience that struggle together is what helps us to overcome its challenges,” shares Adam Sturgeon, one half of OMBIIGIZI.

Composed of Anishinaabe musicians Daniel Monkman (Zoon) and Adam Sturgeon (Status/Non-Status), Toronto/London band OMBIIGIZI formed in 2021 and shortly thereafter composed their Polaris-Prize-nominated debut Sewn Back Together–released this past February on Toronto label Arts & Crafts

Produced by Kevin Drew of Broken Social Scene, Sewn Back Together drew both Sturgeon and Monkman out of their comfort zones to combine their complimentary styles into an expansive listening journey that is both meandering and thunderous. Awash with grungy, whammy guitar and pop-punk vocals, intertwined with crystalline moods and open hearts, Sewn Back Together manifests honouring the reclamation of heritage and a mutual commitment to healing. 

“The spirit in me is my family / The past and the future / Together it’s nearer / To our prophecy / This resurgency / I’m hearing you calling / So I make this offering”

- “Spirit In Me” (Sewn Back Together

Through its exploration of both individual and collective identity, Sewn Back Together reckons with the realities of generational trauma, guided by familial teachings and a connection between Monkman and Sturgeon that transcends their collaborative brilliance. 

In a fortunate opportunity to speak with the band before their set at FME, we discuss how they hold space for each other’s vulnerability in their craft. 

“We put ourselves together in a safe way, so that we can understand eachother,” says Sturgeon. “Touring can be difficult because we go from our studio–a really safe environment–to the road, where we encounter the struggles of the music industry. It’s the reality of what we do, but we always have each other to actively remind ourselves why we’re doing what we’re doing,” he adds. 

On the notion of touring insecurities, Monkman chimes in: “Venturing into unknown territory can be scary. Most people we meet are really kind, but you never know when the convoy freedom flags will fly up… [Being in Quebec], I get caught up in the French language stuff and it’s making me think more and more about how we’re all trying to exist on Turtle Island. Ultimately we have to come together…” 

In a way that almost seems like Sturgeon can read Monkman’s mind, he continues: “Differences between us are our strengths. The more that we collectively acknowledge ourselves, the more we can collectively see each other. Our traditional teachings remind us of that.” 

OMBIIGIZI by Rima Sater

Through embodying a creative mindset that uplifts their shared backgrounds, OMBIIGIZI incite change for future generations. One important aspect of the duo’s shared path is nurturing artists’ sobriety within the music industry, something that often comes as an afterthought when introducing safer space practices. 

“Looking back, how do you feel you set an example for a younger version of yourselves?” 

“Sobriety has been a big inspiration and is a movement within our band,” nods Monkman. “Our families are so important to us and addiction has been a part of our histories.”

“It’s really tough in the music industry,” says Sturgeon. “It’s hard not to want to partake in…desirable things? I suppose. But we keep each other humble and stay grounded.” 

“We don’t have alcohol in our greenroom or on our rider. When I first talked to my dad about sobriety, he couldn’t understand. But now looking back. I’m glad to be in the present with other people who have continued to build a strong foundation for themselves,” concludes Monkman.

It’s through informing the present by looking at the past that OMBIIGIZI cultivates their motivation to inspire themselves and future generations. With a sound, energy and outlook that comes to life on stage, OMBIIGIZI and their aspirations to make change sets them apart from the status-quo. With their first release stirring thoughtful conversation in less than a year of rotation, they’ve set in motion a notable artistic trajectory to keep a pulse on.

Don’t miss OMBIIGIZI at POP Montreal on Saturday, October 1st at L’Entrepôt77 at 7:00pm.

OMBIIGIZI  

Instagram | Bandcamp | Twitter

Zoë Argiropulos-Hunter (she/her) is the co-founder and managing editor of Also Cool Mag. Aside from the mag, she is a music promoter & booker, and a radio host & DJ.


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Also Cool's FME 20th Anniversary Top Picks: Round Two

 

OMBIIGIZI by Rima Sater

You thought we were done with FME top picks? Think again! The abundance of incredible artists playing the the festival this year made it impossible to fit all of our faves into one article. Honestly, two articles isn’t even enough but we’re doing our best to not overwhelm you.

To help you get into it (and maybe make that last-minute impulse festival pass purchase), we’ve also assembled an accompanying playlist to listen along as you discover our top picks.

OMBIIGIZI 

Together as OMBIIGIZI (om-BEE-ga-ZAY), Zoon (Daniel Monkman) and Status/Non-Status (Adam Sturgeon), steer Indigenous Futurism with their hard-hitting, yet vivid, unification of shoegaze, dream pop and post-rock. On their debut release Sewn Back Together, the pair establish a nurturing back-and-forth in sound and spirit, sharing stories of heritage, kinship and seeking truth through reviving and engaging Anishinaabe traditions in their creative process. Throughout Sewn Back Together, both melodic vocals and assertive spoken word lather in flanging drones and delicate, acoustic reveries. In Anishinaabemowin, ombiigiizi means “s/he is noisy,” and we couldn’t be more enthralled by the dynamism of distortion and murmurs these two have brought to the table thus far. 

OMBIIGIZI plays Diable Rond - 165 Avenue Carter on Sunday, September 4th at 6PM. 

OMBIIGIZI  

Instagram | Bandcamp 

CDSM by Ben Rouse

CDSM 

Does anyone remember Pop Rocks candy? CDSM (Celebrity Death Slot Machine) embodies the same kind of fizzy spike: with convulsing, darkwave undertones flirting with disco indulgences. Based in Atlanta, the collective jolts with a circus-like frenzy that is irresistibly sinister. The group’s most-recent EP, Hell Stairs, spirals into a feverish affair between angry-robot instrumentals, sneering saxophone and bombastic rhythms. For fans of skull-crushing acts like Viagra Boys and Black Midi, queue-up and spin out with CDSM. 

CDSM plays the basement of Petit Théatre du Vieux Noranda - 112 7e Rue Saturday September 3rd at 11:59pm. 

CDSM

Instagram | Bandcamp 

Pelada by Liza Kin

Pelada 

Montreal synth-punk fixture Pelada have gone viral in the nightlife canon after breaking out in their hometown’s warehouse afterhours scene in the 2010s. Composed of Chris Vargas and producer Tobias Rochman, the duo has garnered attention in diverse circles for their energetic and urgent arrangements dissecting power and injustice through pulsating, acidic agitation. Since their Soundcloud beginnings, Pelada have added notches to their raver belts since performing at the infamous Berghain, the iconic LGBTQiA2+ Zoom dance party Club Quarantine, and most recently, Primavera Sound. 

Pelada plays the basement of Petit Théatre du Vieux Noranda - 112 7e Rue Saturday September 3rd at 11:59pm. 

Pelada 

Bandcamp

Magi Merlin by FENG

Magi Merlin

Is it any surprise that we’re excited to see Mag Merlin? We’ve been obsessed with her music and creative expansion as an artist since we first interviewed her in 2020. Her most recent album Gone Girl has brought her international stages, nonstop shows, and well-deserved recognition. We’re looking forward to reconnecting with this rising star and self-described “cheeky nihilist.” 

Magi Merlin plays Scène Fonderie Horne - Guinguette Chez Edmund, Chemin de la Grande Place Friday September 2nd at 8pm.

Magi Merlin

Instagram | Spotify

NO WAVES

Barely old enough to get into the club, but punk enough to fill an entire skate park with moshing Montrealers, NO WAVES will play the closing party of FME. Known for their rowdy and respectful local shows, the group has been working hard to make a name for themselves these past few summers. With a sound that draws on 2014 surf rock and punk genres, NO WAVES is sure to shake Rouyn-Noranda to the core.

NO WAVES plays the basement of the Petit Théatre du Vieux Noranda - 112 7e Rue on Sunday September 4th at 11:59pm.

NO WAVES

Instagram | Spotify 

Gloin by Nikki Dicunto

Gloin

Gloin is a four-piece noise rock group from Toronto, known for their cathartic live sets and eclectic songwriting. Their latest single “Shoot to Kill,” sets the tone for their upcoming debut album We Found This (to be released via Mothland on October 21st). It’s a discotheque-friendly post-punkish scorcher about breaking the monotonous working life cycle, drawing on influence from Sonic Youth, Pixies, and Battles. 

GLOIN plays at Cabaret de la Dernière Chance - 146 8e Rue on Friday September 2nd at 11:59pm.

GLOIN
Instagram | Spotify

FME

Website | Instagram | Facebook | TikTok


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