Concordia's 48th Film Festival Provides a Spotlight for Underrepresented Voices in Film

 
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Today marks the beginning of Concordia's 48th Film Festival, which will run until May 9th, 2021. The festival will take place online, and features five categories: Documentary, Experimental, Lights Out (a section devoted to genre films), Visions (a spotlight of underrepresented voices in the mainstream), and Canadian Fiction. 

The festival is also hosting an Emerging Voices seminar, where students can present their research projects, journals, papers, or any academic ventures in an environment inclined to discuss and learn. This year's jury panelists include Florence Pelletier, Carol Nguyen, Jad Orphée Chami, Moïa Jobin-Paré, Éric Falardeau, and Omar Elhamy. 

The CFF is a student-run, non-profit film festival dedicated to its growing community of artists, scholars, and industry professionals. The festival showcases films from Concordia's Mel Hoppenheim School of Cinema and works by film students from all over the world. 

You can check out the schedule and stream the festival via this link.

Concordia Film Festival

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Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and communications specialist currently based in Montreal.


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Montreal's Dhakira Collective Presents Screening Fundraiser "Dreams of Beirut"

 

Montreal’s Dhakira Collective presents Dreams of Beirut – a screening fundraiser in support of two organizations (MESEWAT and Egna Legna) working to provide crucial aid and services to migrant workers in Lebanon under the Kafala system – from April 2nd to April 4th 2021. As Dhakira Collective shares, Farah Salka describes the Kafala system in the 5th issue of the Journal Safar as: “a violent, abusive and exploitative ‘sponsorship’ system used to monitor and control migrant workers, primarily in the construction, cleaning and domestic sectors in the region. This system is not written down nor formalized in any law but rather a compilation of practices enacted out over the years by the self-entitled General Security Office of Lebanon who enjoy governing with impunity.”

The suffering inflicted by Lebanon’s economic crisis has been compounded by the COVID-19 pandemic, as well as the violent explosions that occurred in Beirut on August 4th, 2020. This unprecedented string of events has worsened the living conditions of domestic migrant workers in the region and both organizations working to support this vulnerable population are in need of urgent help.

The screening includes two mid-length films, Maid in Lebanon (2005) and Maid in Lebanon II: Voices From Home (2008), both by Lebanese filmmaker Carol Monsour, as well as the short film Tshweesh (2017) by Lebanese filmmaker Feyrouz Serhal. Along with the screenings, both filmmakers will present an introduction to and explanation behind their respective work. Mansour’s films document the lives of Sri Lankan women working as domestic workers for Lebanese families, and examines the complexities of their relationships with the households that employ them. Feyrouz’s film follows a young woman through the streets of Beirut as the excitement surrounding the World Cup goes awry after an impeding Israeli attack is announced.

The films will be available to stream worldwide via the collective’s Vimeo account with English subtitles on a donate what you can basis via Paypal. The password to access the films will be shared with those who donated on April 1st. Individuals who, for financial or other reasons, are unable to make a donation but still want to watch the films are encouraged to reach out to he collective via Instagram.

100% of the proceeds will be split equally between the two organizations: MESEWAT and Egna Legna

This event is organized by Dhakira Collective and funded by QPIRG Concordia

Dreams of Beirut event page

Dhakira Collective is a research-led curatorial collective aiming to highlight and celebrate cinema, art and music outside the western canon. The collective was founded in July 2020 by Bouchra Assou and is co-run by Gaïa Ziad Guenoun, two multidisciplinary artists based in Tiohtià:ke/ Montreal.


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Bearing Witness: Domestic Violence and Working Class Women on TV

 

Recreation of a still from Can You Hear Me?, visual by Olivia Meek

Editor’s note: The following essay explores several themes that readers may find distressing, including domestic violence, sexual assault and police violence. Reader discretion is advised. Supplementary resources are provided at the bottom of the essay.

It isn’t revolutionary to see domestic violence on television. Quite the opposite — violence against women is too often an easy plot device to further a narrative, brushing over the real impacts of violence in a relationship. To see a series deal head-on not only with the dynamics of abuse, but their ripple effects in a community, is truly rare. 

I had no idea what I was in for when I stumbled onto French-Canadian dramatic comedy Can You Hear Me? (M’entends tu?). Based on the description and the image, I thought, Oh, here’s another series about young people surviving in a big city. That’s a genre I like.

But Can You Hear Me? is hardly a new Girls or Insecure. The story of Ada (Florence Longpré), Fabiola (Mélissa Bédard), and Carolanne (Eve Landry) is an honest – and sometimes hard to watch – portrayal of the everyday negotiations involved in surviving when you’re young and poor. 

When we meet the girls, Fabiola is working at a restaurant, caring for her mother and young niece. Ada is attending mandatory anger management sessions and occasionally trading sex for cash and cigarettes. Caro is living with a cousin and dealing with boyfriend problems. 

As the first season progresses, we learn more about what has happened between Caro and her boyfriend, Kevan. There’s a rape at a party. Kevan blames Caro for her assault, and is physically violent towards her. The season culminates in Ada attempting to take revenge on Caro’s behalf. 

On the big screen, portrayals of domestic violence are usually limited to thrillers about women’s revenge. Sleeping with the Enemy, Enough – these films typically end with the abused woman murdering her abuser. This trope not only perpetuates violent narratives, but it ignores the cyclical nature of violence. Normally in media, the act of violence a woman uses to get back at an abuser is celebrated, or at least plotted with her friends. “Can You Hear Me?” doesn’t let Ada off the hook so easily. 

Season two picks up with Ada in jail and Caro back with Kevan. Once released, we follow Ada as she tries to win back her friend’s trust, and do the challenging work of supporting a friend in a violent relationship. That labour is complicated by the fact that each of the girls must also do the work of surviving. 

Following her release, Ada is struggling to find her footing. Fab is now employed as a personal healthcare aide and is caring for her niece full time, navigating a complicated relationship with her sister, who is trying to stay sober. Caro finds a job in a bookstore, allowing her time away from her abusive boyfriend. 

Other series have covered the topic of domestic violence. “Big Little Lies” is notable for its veracity and nuance in exploring the subject. But, as much in the media does, it focuses on wealthy white women’s experiences. The trope of domestic violence secretly occurring behind the doors of beautiful suburban homes is more about undoing our notions of the perfect family, or the American dream, than about the realities of violence. Rarely do we see a compassionate and complex portrayal of poor women experiencing violence. The vulnerability of poor and racialized women in the face of violence is either too invisible or too horrible to face. 

While it doesn’t shy from the reality of violence and poverty, “Can You Hear Me?” finds pockets of joy in daily life. The excruciating scenes of trauma and pain are balanced with moments of levity. Outside their favourite dive bar, the girls smoke cigarettes and sing along to a song from a passing car. They laugh at the absurdity of life. Laughter is one way the women survive. 

Most representations of working class experiences of domestic violence are delivered to our screens by the reality-documentary series COPS. The police ride-along mainly covers crime in poor neighbourhoods, focusing primarily on Black and Latinx men. “Domestic dispute” segments often involve police arriving at an apartment or trailer park, ridiculing both parties for causing a disturbance, and driving away. The aberration is not the violence, but the noise complaint. 

Can You Hear Me? isn’t anti-carceral or pro-cop – rather, it acknowledges how dangerous it is for the abused person to call the police, and the way police escalate violence. When a neighbour calls the cops, Caro and Kevan both deny any violence. Later on when Caro calls the cops herself, Kevan is arrested, but the violence doesn’t stop — it gets worse. It’s a story about the failing of police as much as it is about domestic violence. 

Without veering into didacticism, the series shows us the abuser’s playbook: isolating the victim from friends; groveling and using gifts to get their partner back; moments where things seem calm; lashing out violently when she finally feels ready to leave. 

The moment someone tries to leave an abusive relationship is often the most dangerous. After Kevan is arrested, Caro eats dinner with her friends and her mother. A moment of joy. The history of violence is just below the surface of their conversation, bubbling up when Caro feels she can speak about her experience, but the women are laughing. For a minute, it seems like Caro is finally free. 

But Kevan, as always, returns with flowers and a fist. It’s the kind of emotional blow one comes to expect from the series, which never lets its heroines (or its audience) off easy. As Ada’s counsellor tells her, “If Carolanne chooses to stay in a toxic relationship, you can’t leave it for her.” 

Even when they disappoint each other, friendships are survival. Caro, Fab, and Ada are all trying and failing at breaking the cycles of violence in their lives. Chosen families break the abusive patterns passed down through bloodlines. 

Caro’s mother, herself a victim of domestic violence at the hands of Caro’s father, seeks help at a women's shelter. This is perhaps the most novel of the portrayals of violence and its impacts on the series. The thriller’s focus on vengeance, the procedural’s focus on police intervention, and the drama’s focus on upper class women mean that domestic violence shelters are almost never shown on TV. 

For a woman with money or connections, it can be much easier to escape to a hotel or friend’s house. By demystifying the shelter, the writers offer a new narrative and option for women, one that involves empowerment without perpetuating more violence. 

It would be easy to make a preachy show about domestic violence, its causes, and the options available to those experiencing abuse. Can You Hear Me? chooses instead to tell compelling and true stories about the lives of working class women. In telling the truth, it exposes the narratives we are afraid to tell, opening up a world of storytelling we don’t get to hear.


Editor’s note: Below are several supplementary resources that pertain to the subject matter of the essay. We encourage all of our readers to explore these options, and to seek whichever form of help that they may need. Please exercise caution in using these resources on shared computers and devices.

  • ShelterSafe is a website that provides information to connect women and children across Canada with the nearest shelter for safety and support.

  • myPlan Canada is a free app to help those impacted by abuse with their safety and well-being. It customizes resources for a wide range of relationship abuse concerns in order to develop a safe and sensitive plan.

  • SOS violence conjugale is a Québec-based non-profit organization whose mission is to help ensure the safety of victims of intimate partner violence. SOS offers resources in over 25 languages.

    • For those outside of Québec or Canada, SOS offers a comprehensive directory of international resources. This directory can be found here.

  • Crisis Services Canada is a collaboration of non-profit distress and crisis service centres from across Canada. Their goal is to assist Canadians struggling with mental health and suicide.

  • The Canadian Resource Centre for Victims of Crime is a charity that ensures the equitable treatment of victims of crime across Canada. They have a directory of resources for those who have experienced sexual violence, domestic violence, and other crimes.


Caitlin Hart (she/her) is a cultural critic and writer from Edmonton, Alberta. She is the co-host of the forthcoming podcast The Simpsons: Not a Simpsons Podcast.

Website

Olivia Meek is a graphic designer, DJ and music producer based out of Montreal.

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Manifestation, Magic and CBD: Meet Marion Tru of Full Moons Club

 

Photo: Susan Berry and collaged by Sierra Kaylen

Recently, I’ve been feeling an urge to connect with innovative thinkers who are passionate about alternative wellness. Luckily enough, I was able to meet Marion Tru, the owner and visionary behind Full Moons Club.

Full Moons Club is a CBD cigarette and oil company based in LA. The brand oozes femme empowerment and energy; inspiring many to try CBD products for the first time. From its cute packaging featuring local models showing off their assets to the quality of the products themselves - Full Moons Club is making waves in the CBD wellness market.

For readers who are new to cannabidiol (CBD): it is one of the many cannabinoids, or chemical compounds, found in marijuana and hemp. The cool thing about CBD is that it isn’t psychoactive, meaning it doesn’t get you high. CBD contains anti-inflammatory properties that can help you relax, be present, and alleviate bodily pain. CBD has created a buzz for its use in treating chronic pain, anxiety and depression, as well as nicotine addiction, among other ailments. The latter was of particular interest to Tru, and we got the chance to speak with her about launching Full Moons Club, the ethos behind her brand, and where her passion for the healing properties of CBD began.

Sierra Kaylen for Also Cool: Hey Marion! Thanks so much for taking the time to chat with me. To start, can you tell us about yourself and Full Moons Club?

Marion Tru of Full Moons Club: My name is Marion Tru and I’m living in Los Angeles, currently trying to grow my CBD cigarette and oil company, Full Moons Club. The project is almost two years old now; we started our sales effort in March of 2020. I am following the wind and trusting my angels. 

Also Cool: Branching off of that, how did you manifest Full Moons Club into reality? Tell us about your journey! 

Marion Tru: Manifestation comes with a long story of life’s trials. But, if I had to pinpoint the moment I manifested the intangible idea into a tangible good, I began cruising this really hot and fluffy, vintage pornographic channel named “Full Moons.” The collection was filled with softcore, frizzed out, “glow dream” gems of pornographic cinema. After one deeply satisfying night of Full Moons cinema and Chinese food… I phoned my business partner, Buck, inspired. We were in the midst of conjuring up the right mood and name, and the haughty images helped us distinguish our brand and direction.

Soon our daisy picking, pantless, 80s fluff, “gleam dream” was born!

Thereafter, we began delving into the creative and collaborative framework for our business to thrive upon. Our genius partner, Peter Hanson, showed us the way to build our brand as a “character.” He asked us questions like: “How does she dress?” to influence our packaging and manufacturing; “What kind of flowers does she pick?” to direct production, and; “How would she deliver flowers to her sweethearts?” which helped conceptualize shipping and handling.

AC: What inspired you to create Full Moons Club? 

MT: During my early twenties, I used numerous substances to get high, which didn’t support my mental growth. An underground chemist told me I should start using his CBD oil as a way to cope, saying it was more gentle and less of a “high.” I began taking his concoctions before swimming laps at the neighbourhood pool. Underwater I could identify the way these things were making my body feel, and I kind of got hooked on those feelings. I started looking for those feelings in different places, and found myself cultivating new habits. I started exercising a lot more, going to therapy, being more present, I stopped drinking alcohol and ended up building a little company based around hemp products. My whole demeanour has changed since I started using CBD. Sometimes, one little thing can trigger another thing and before you know it… You’re sitting in the bed of self-evolution thinking, “Did these minor adjustments really spark all this growth?”

AC: Do you find living in LA helps your brand? What’s the creative scene like there? 

MT: Do I find that living in LA helps? Well, tricky question. I would say that it has helped me. I moved here three years ago not knowing anyone but my business partner, Buck. And over the past year, the “scene” has kinda dissipated in terms of chances to gather and socialize and whatnot due to the pandemic. But, being in Los Angeles is magic, to me. Every day can be different and stimulating, visually. I am someone who wants to be stimulated often, so my needs are being met here!

Los Angeles is a place where people turn their dreams into objects, buildings, billboards, street signs, tables, restaurants, artworks, fame games, you name it… It’s the land of possibility. It is a big city and [its] scale has taught me about time management and schedules. I use a calendar now that I live here. Car culture seems crucial to the hustle, most times. Los Angeles has pushed me to develop interests I never had before, such as professionalism, learning to separate business and pleasure, as well as the value of tangible manifestations. Los Angeles also cultivates shamelessness, which I find to be the most versatile tool.

Photo: Susan Berry and collaged by Sierra Kaylen, featuring Guetcha Tondreau

AC: Could you give our readers some insight into your hemp growing and collection process? 

MT:  Our business is built on strong connections with people and the Earth. Buck and I spent a good 3-4 months making connections with individuals who had begun to grow hemp on their lands. During our visits to their lands, we learned about processes for cultivating, evaluating and consuming hemp flowers.  

We were lucky to meet Marty and Sterling Bates. They own a piece of land in Sweet Home, Oregon. Their family serviced the dairy industry for decades, but as the dairy industry suffered, the youngest son, Sterling. suggested that they transition the land into a hemp farm and join a new industry. This saved their family land.

Their story inspires us, and so does their integrity and work ethic. Not to mention their stellar organic practices and overall treatments of the land. Observing and listening to Sterling and Marty made us feel safe and humbled. The quality of their hemp flowers was the winning ticket that caused us to want them as our single source for hemp flowers and crude oil. They cultivate and distil every flower and bit of oil we now sell today. 

AC: Full Moons Club embraces divine femme empowerment and energy. How does this energy help you achieve your goals?

MT: Let me start by saying that Full Moons Club is an extension of my dreams and desires. Something I have always felt a distance from is femininity. Which is how my brain interprets “femme.” I have longed for a deeper connection to femininity and watched, in admiration, the powers of it. Full Moons Club gives me a place to work on that embodiment. I have created a place to water my desires and in turn, attract like-minded individuals with whom this resonates.

Through marrying the desire to harness femme energy and the need to quit harming my lungs with tobacco, grew a beautiful solution. I named her Full Moons Club, she helps me smoke in a more responsible manner. Full Moons Club gives me a place to show off. She’s so good to me, that I’ve become dedicated to helping her grow. And in turn, she helps us grow. 

Photo: Marion Tru

AC: Do you have any tips or tricks for small business owners getting started out? What has your experience been like thus far? 

M: My advice is to learn what you need to create a functioning business before you go ahead and hire people to perform for said business. If the thought, “I could just hire someone to do that for me,” creeps into your head - I would challenge you to learn about that task and take it upon yourself, in the beginning. Also, healthy working relationships are not always easy to find or cultivate. Should you find someone who wants to put the company first and shows you that they can help it grow, hold them close. Shout out to Susan Berry, your work ethic and energy help this company SO MUCH!

Photo: Susan Berry and collaged by Sierra Kaylen

AC: How can we best support you and your future endeavours? Do you have any other comments you’d like to add?

MT: Spread those cheeks! Just kidding, that was corny and horny. Help us spread the product online, that’s where we survive to thrive. We appreciate follows shares, likes, reposts, the work. Buy a pack! The more you smoke, the bigger the show, the more we grow. 

Next time you think about hitting the liquor store down the street for a pack of smokes, hit up my website instead. Change your habits, change your mind, smoking flowers is divine! 

A note from the editor: Please speak to your health care provider before using cannabidiol (CBD) products. While CBD products can be employed in treating a variety of health conditions and concerns, they do not work for everyone. It is strongly advised to consult a medical doctor before trying CBD products. For more information on CBD use in Canada, please visit the Government of Canada’s CBD information guide.

Full Moons Club

Website | Instagram

Sierra Kaylen

Instagram

This interview has been condensed and edited for clarity.


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The Male Gaze and The Men In My Mentions

 

Visual by Malaika Astorga

I’ve had my fair share of reply guys. 


The friend of a friend I’ve never met, the drummer of my ex-boyfriend’s favourite band, the married guy who had already hit up two of my friends… Many strangers have found their way into my comments and, ultimately, my DMs. Most of these interactions have been more or less pleasant – flattering, sometimes over-familiar or annoying chatter. Occasionally, a guy turns on you and it’s weird and aggravating but there are only so many times you can be called a bitch on the internet and truly care.


Reply guys (by which I mean flirtatious men who constantly comment on your posts and/or slide into DMs) are mostly harmless in their behaviour. It’s their presence – or lack thereof – that fills me with an irrational dread. The reply guy trend, a tangible example of the male gaze bleeding into the online world, fuels my anxieties and conflicting feelings on wanting to appeal to men. 


Over the past few years, I’ve been working on aspects of myself that previously sabotaged romantic relationships and, truthfully, my own well-being. Insecurity, impulsiveness, and a deep fear of not living up to expectations kept me in a constant rotation of partners, more projects than a single person could possibly stay on top of (I didn’t), and periods of overwhelming depression. 


I took on too much and then some. I skipped meals, stayed up too late, and woke up early enough to apply several layers of concealer to the dark rings around my eyes. Feeling tired and unappealing, I spent a chunk of my minimum-wage paycheque on makeup and coffee. When my boyfriend said he thought about cheating on me because I was “too frumpy”, I bought a bunch of flimsy shirts on sale. 


At that point, I was already regularly wearing a full face of makeup on my days off – not for fun (though that’s what I would have said if you asked) or to go out, but to cling to what I thought was a tiny sliver of beauty. In my mind, it was my lack of beauty that made me unloveable - or at least less loveable than other women. All other virtues I possessed felt useless without it.


After I cut ties with the aforementioned boyfriend, stuck in a haze as I adjusted to meds that I needed to keep going, I constantly fell asleep on the couch – and somehow still managed to wear lipstick to every lecture I attended. During this time, my mentions and messages were full of men, many of whom lived in my city. Men who were flattering and sweet, men who created a false sense of intimacy by starting very personal conversations, men who talked about my interests. All of them flirted, and all of them implied that we might form some sort of a relationship. Many of them were already in relationships (not that they offered this information). 


I enjoyed this attention and interacted with it, sometimes letting myself be tricked into believing that any of these men cared about me as a person. The validation was thrilling and new, as I had never really considered myself particularly attractive. I had rarely been offered a drink or approached at a party, and felt that I was usually overlooked. This attention pleasantly surprised me.


In retrospect, I realize that this is because the guys in your DMs are in many, many other women’s mentions. Unlike real life, I simply didn’t see the ‘competition’ around me. In real life, a lot of these men wouldn’t approach me. This is especially true for those reply guys who are married or partnered – something I would often find out later, when deciding whether or not to meet in person. In my preparations, it became a habit to check tagged photos and talk to women I knew from similar circles. The downfall of cheaters is that they don’t seem to realize that women talk to one another. But regardless of a man’s intentions, I enjoyed the attention. If I noticed someone was partnered, I would keep my responses to a minimum and shrug off the vague discomfort. 


Something else to consider is that, when you’re sourcing validation from straight men, other women automatically become competition. I’m ashamed of feeling that way, and I knew that it was wrong. In my day-to-day life, I didn’t feel the need to put other women down or beat them in any way. But I was obsessed with matching their beauty and charm, and the thought of being labeled ‘the ugly friend’ terrified me. My interactions online were showing me that, if I showed myself in a certain way, I could be ‘attractive’ enough to keep up.


This seems particularly absurd, weighed against my preference for feminist literature and discussions. To make these conflicting narratives work, I spun my politics to match my actions. If the feminism of the 2000s allowed women to wear makeup and be promiscuous, I thought, I could push the argument to a point where the things I did for the male gaze would be the actions of a ‘liberated woman’ having fun.


In reality, few of the things I did were really ‘for me’, they were for the people around me to consider me attractive. And when real life, with its stress and rejection, didn’t provide the validation I needed, there were always the reply guys.


I got stuck in a loop. I was constantly fighting the feeling that I was failing and social media provided a quick confidence boost. But I was also afraid of losing my appeal, on- and off-line, and the sense of competition with myself and other women weighed me down. Of course, this was unsustainable. 


What made me take a break from interacting with comments and DMs was actually a non-event. A man who had messaged me a dozen times asked me out, and I agreed. Then, I found out from a friend that he was recently married. I was annoyed and confronted him, and in response he backpedaled and told me it was crazy for me to consider his invitation a date. (Interesting tactic, as it’s hard to gaslight someone when all the messages are right there in your inbox.)


I was tired of feeling tired. A few years after moving to Canada, I finally had a stable and supportive group of friends who loved each other. People were interested in my projects, my studies had become more satisfying, and I got a part-time job I really loved. In short: I found validation elsewhere.  It would be facetious to claim that I’ve achieved my goal of a perfectly well-adjusted life, but I’ve learned how to cope, to let go a little. 


At some point during this shift, my reply guys dwindled. It wasn’t noticeable at first, as they tended to come and go – but one day, I realized a shift. You could blame this on any number of reasons: the fact that I appear in pictures with little makeup these days, my ever-fluctuating weight, my posting about “boring” interests, or the fact I’m in a relationship. This last point is interesting to consider, as relationship status – theirs or mine – has never made a difference in reply guy activity. I have begun to wonder if, in exchange for health and greater comfort in my skin, I have suddenly lost my appeal to men.


Intellectually, I know this is ridiculous. This fear doesn’t stem from insecurity in my relationship, but rather my own fear of losing appeal, and the nagging sensation that you’re in constant competition. It’s upsetting to think that what makes me feel better and more myself could actively lessen my appeal. As the number of reply guys drops, I catch myself worrying whether I’m becoming less attractive to people in real life too. The idea that you have to restrict and change yourself to be attractive remains in the back of my mind, ready to pop up on a bad day.


I realize that it’s not the reply guys themselves, but rather the way they appeal to my insecurities that makes me feel queasy about our interactions. Or maybe it’s the idealization and commodification of myself, something that I participate in, that scares me the most. Becoming a product that men want to consume, one that I have actively helped to create, can be thrilling. It can also be confusing. Shedding that persona and noticing, in some quantifiable way, how this lessens my appeal is terrifying. 


But everyday it feels better to be me. Every day, I care less.



Poppy Fitzgerald-Clark (she/they) is a writer and podcaster based in Ottawa, ON and Ludwigslust, Germany. When she’s not talking about hockey culture, politics, and social media, she’s listening to ghost stories and going for walks.

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Malaika Astorga is a Mexican Canadian visual artist, and is the co-founder of Also Cool Mag. She lives in Montreal with her two cats, working as an artist, writer, and event producer for the last six years.

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Multi-Level Marketing and the Boss Babes Left Behind

 
Visual by Amery Sandford

Visual by Amery Sandford

 
 

Now more than ever, the pressure is on to find your “side-hustle.” The COVID-19 pandemic continues to flourish around the world, affecting many industries and – consequently – prospects for employment. Under these conditions, working for YOU is a form of survival. If you can dream it, you can do it – and if you can do it, you can probably make money off of it. 

Entrepreneurship is everywhere you look – free time has turned into hobbies, and hobbies turned into small businesses. That is not to say that every small business is thriving. On the contrary, government support has developed for the businesses facing diminished revenues with ongoing costs of rent and labour. But if your hustle speaks to the right niche and employs a strong digital strategy, the possibilities are endless.

When it comes to small business, multi-level marketing (MLM) companies are not an obvious example. The business itself is not inherently “small,” but rather the distributors that find their way into personal networks. They are friends, mothers, and high school classmates you haven’t talked to in six years. They are working people looking to supplement their income, and those unemployed or between jobs who want to be their own boss.

 
 
A direct message sent to the author last month

A direct message sent to the author last month

 
 

And that’s what everyone wants at a time like this, right? To do business and profit on our own terms, in such a way that’s compatible with our lifestyles. There is nothing wrong with wanting to pay rent and feed your family. There is nothing wrong with supporting small businesses and creators when they are most vulnerable. It is not the “side-hustle” as a concept that presents the problem, but the craftiness and deceit of multi-level marketing companies. 

The truth is, multi-level marketing is an incredibly predatory practice. These businesses perpetuate false narratives of prosperity and exploit the boom of girl-bossery when, in reality, both the distributor and the customer are sold a vision they cannot realize. This is especially important to remember in the context of the COVID-19 pandemic: people have lost work and need solutions, making the current climate a perfect opportunity for the MLM to strike.

Multi-level marketing companies are related to the pyramid scheme, insofar as distributor recruitment makes up a good deal of operations – often more than the sales themselves. Daryl Koehn, a professor of business ethics at DePaul University, makes a careful distinction between MLMs and pyramid schemes, for at least MLMs actually have a product to sell. But when distributors must purchase inventory that they cannot sell, the line between pyramid scheme and MLM is easily blurred.


Across multi-level marketing, the most popular companies tend to specialize in beauty, health and wellness. Companies like Avon and Mary Kay have built international reputations off of their cosmetics. Monat promises to give you the hair of your dreams. Arbonne and It Works! sell smoothie mixes and serums to make your body beautiful, inside and out.

These brands have gained notoriety across social media, relying on mommy groups and message requests to push products that will totally change your life. The distributor role is promoted in a similar fashion, as an emancipatory experience that will provide for your family and work with your lifestyle. The Avon lady of yesteryear who showed up at your door is now the momtrepreneur living her best life and letting you know via Instagram. These companies have also grown as the concept of self-care becomes more important to society. Taking care of your body and self-image has become a way to cope with external anxieties. 


And so, with the pandemic forcing many women to stay home and many others out of work, the largest MLMs have only continued to grow. In their recruitment, these companies and their networks play off of pandemic-related fears, offering a safe and sanitary working experience. One Arbonne distributor posted that, while others were freaking out over unemployment, “... [she was] just over here hanging out, building [her] germ free multi-million dollar global business from home." When the $600 stimulus cheque was released, Monat distributors complained that they’ve been ghosted for showing women how to make $600 “every month.” But is it really that simple? Is the MLM entrepreneur lifestyle some golden ticket that we are seemingly dodging out of ignorance?

 
 
A sample from the “work with me!” forms that MLM distributors will advertise.

A sample from the “work with me!” forms that MLM distributors will advertise.

 
 

This offer sounds too good to be true mainly because it is. Positive experiences with multi-level marketing networks are highly individualized and promoted as universally attainable in order to maintain a steady flow of further distributors. When you successfully recruit someone, you are then entitled to a portion of their proceeds as commission or a bonus. The most successful distributors have the most distributors under them, which makes the endless search for others an essential aspect of the business. Not everyone can be the “regional vice president” with a free company car (that is not actually free at all) – in these cases, either everyone they know is using MLM products, or everyone they know has been sold the #bossbabe fantasy.

So unsuspecting women believe that the anomaly is accessible, and are sold a promising vision. To facilitate the recruitment process, many MLMs have milked the growth of pop feminism in their marketing. Given that 75% of MLM distributors around the world are women, their empowerment is used as a tool of coercion. This works as a determining factor for others to join the cohort and make profit for the initial recruiter, typically at the expense of their own economic security. For example, MLM inspo accounts routinely use hashtags like #bossbabe, #girlboss, and #momtrepreneur, and the companies themselves extend similar mottos into branding

This strategy targets more specific groups as well. With the pandemic continuing to put women out of work, this “boss babe” messaging specifically targets lower-income women. Did you just get fired, with hungry mouths to feed and a mortgage to pay? There is a way to “get rich” right in front of you … What are you waiting for? Consider the distancing measures and women’s feelings of isolation from social opportunities. For women who live alone, or stay-at-home mothers helping their children through virtual school, this side-hustle is also poised as a network of genuine female friendship


Looking at the numbers, these endeavours hardly pan out, and end up creating further problems for the women they supposedly uplift. One study conducted by the Consumer Awareness Institute found that 99% of MLM distributors end up losing money. This makes sense when you consider the cost of entering the business – starter kits and monthly stock can cost hundreds of dollars, which will come out of the distributor’s pocket. What’s more, many like-minded social circles have exhausted their options for further recruitment. You cannot recruit someone who is already part of the business, so the first friend to recruit will be making better profits than those in their downline. In these circumstances, “female friendship” has some serious limitations.

 
 
Inspiring slogans like this one are often used to connect the MLM to women’s empowerment. Merchandise via Mom Life Gear

Inspiring slogans like this one are often used to connect the MLM to women’s empowerment. Merchandise via Mom Life Gear

 
 

Given the over-saturation of these markets, distributors must deceive in order to actually turn a profit. If they have run through their personal networks – which is a common situation – they must rely on the other side of profit-making: the product sales. Across many different companies, there are products that have kept customers coming back. But when distributors feel the pinch, they will jump on trends to boost their sales. 

This has become a huge problem during the pandemic, as many wellness distributors are exploiting public fears and deliberately promoting misinformation in order to keep afloat. The Federal Trade Commission (FTC), an independent agency of the United States government, has sent at least 10 warning letters to different MLMs (including Arbonne and doTERRA) since the beginning of the pandemic for their false claims about health benefits. 


Young Living’s Thieves line of essential oils has also been promoted for “antiviral properties.” When contacted about these claims, a spokesperson for YL asserted that this was misinformation, and that this form of marketing is prohibited. But because MLMs operate with a highly decentralized structure, those who spread lies will likely go undisciplined.

 
 
This distributor – and many others – have taken to sweeping claims about product capabilities in order to turn a profit. Retrieved from r/antiMLM

This distributor – and many others – have taken to sweeping claims about product capabilities in order to turn a profit. Retrieved from r/antiMLM

 
 

Although many of us purchase products from other sources, or are well-informed on the dangers of multi-level marketing, the fact of the matter is that these companies continue to grow. Even if this is an avenue you’d never consider for yourself, MLM distribution may be something that impacts your unsuspecting relative or friend. 

Fortunately, platforms are taking action – a recent update to TikTok’s community guidelines included new policy against content related to multi-level marketing and pyramid schemes. But new strategies will emerge, and this problem is far from over. MLM companies will only get bigger as major crises and their accompanying recessions develop over time. They will only get bigger as the virtue of girl-bossery becomes further manipulated for capitalist gain, as something to aspire to with no room for critique.

Entrepreneurship is admirable and side-hustle businesses may hold potential for financial support, but only when they are built off of solid foundations. Multi-level marketing has the power to create further amounts of debt and destroy personal relationships. Nobody is immune to these damages.

 
 

Rebecca L. Judd is a writer and student based in Ottawa. When not stuck in a daydream, she can be found writing, collaging, and talking about The Sopranos to anyone who will listen.

Amery Sandford is an illustrator and musician based in Montreal.

Instagram | Website

 

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Sourdough for the Soul: Glutenmolly on Coping Through Cooking and Awakening Your Inner-Chef

 

Molly Stead (glutenmolly) with her 30% spelt sourdough boule, photo provided by the interviewee

At one point during the pandemic, it’s likely that your Instagram feed was filled with mutuals cheffing up something. Whether it be banana bread or sourdough, it’s without a doubt that younger people have turned to cooking and baking to kill time in the era of COVID-19. However, to longtime home cook and baker Molly Stead (AKA glutenmolly), there is more to the rise (pun intended) in bread making than it being a simple time-filler; it’s therapeutic.

Other than her sentimental approach to cooking, Stead is setting herself apart as a Gen-Z head-chef in many ways. From crafting Vancouver-exclusive holiday recipes for her experimental cookie biz, to promoting cooking from a resourceful, accessible and anti-diet culture stance, Stead has found a way to make her passion wholly her own, and share it with her online following.

We had the chance to connect with Stead to chat about her relationship with the culinary arts and how she is breaking conventions surrounding the world of foodie Instagram. Check out our full conversation below!

Zoë Argiropulos-Hunter for Also Cool: Hi Molly! Thank you so much for collaborating with Also Cool. To start, can you tell our readers a little bit about yourself and where your passion for cooking began?  

Molly Stead: I’m a home cook and baker currently based out of Ottawa. I grew up in Vancouver, and cooking was always a big part of my life from a young age. Both my parents, especially my dad, were always experimenting in the kitchen and loved to cook, so I guess my love of cooking started there. I went vegetarian and moved into my first apartment at the same time in 2017, which forced me to learn a lot about cooking and nutrition very quickly. It was that year I started a food account on Instagram as a separate space to record the food related things I was learning about and experimenting with. I’m no longer vegetarian, but I still love to cook and bake, so this account has stuck around!

Labbneh balls coated in zaatar, nigella seeds, sumac, and toasted sesame with Aleppo pepper, by Molly Stead via glutenmolly

Also Cool: Do you have any dishes that are a particular favourite to craft? Or, are there perhaps any that you lean to because of a strong connection or memory associated with it?

Molly Stead: I feel like this answer has become a little unoriginal because of the pandemic, but I adore bread baking and especially baking sourdough bread. I became obsessed with bread baking in my early teens and I would bake multiple loaves a week at that age. I had recently lost a close family member, and in hindsight, bread baking was something I dived into to cope with grief. Despite the circumstances that kick-started this hobby and skill, bread baking has evolved into an extremely grounding and joyful practice. I specifically started baking sourdough the summer of 2019 and almost 100% of my loaves are naturally leavened. This means that no commercial yeast is added, which is something I am very proud of! I love the challenge and care maintaining a sourdough starter requires. It’s sort of like a low maintenance pet. 

Sifted red fife flour and whole spelt flour sourdough batard, by Molly Stead via umamimolly

 AC: Like you said, there has undoubtedly been a surge in baking during the pandemic; what are your thoughts on this phenomenon as an already avid chef/baker?  

MS: The most obvious answer to everyone baking in the pandemic is because we are all stuck at home, but I think there is more to it than just that. Similarly to how I used bread baking as a coping mechanism for dealing with grief in my early teens, I think many people turned to bread baking in the pandemic to cope with grieving the loss of normalcy. It sounds a little corny, but I think there’s some truth to it. Bread is a living process: when you break down the process and look at the science behind it, it can be simplified as creating a healthy and nourishing environment (flour + water + salt + the right temperature) for little microorganisms (sourdough starter aka “wild yeast,” or store bought conventional yeast). You capture the peak moment of this happy little microorganism home by baking it. To be able to create something as impressive and nourishing as a loaf of bread out of just a few ingredients is so rewarding.

 

AC: In that vein, do you have any advice for people just starting to venture out into the world of cuisine?

MS: I think a lot of cooking is more intuitive than people think. If you’re just starting off, try recreating things from your childhood or playing around with ingredients you know you love. Don’t be afraid to make mistakes and just have fun! Some of the best things I’ve cooked and baked have been the result of mistakes. While fancy gadgets and specialty ingredients can be fun, there really isn’t a need for that and anyone can have fun in the kitchen just using what they’re comfortable with and have access to. 

Lemon cake with lemon cream cheese frosting and local strawberries, by Molly Stead via umamimolly

AC: Outside of your independent love of cooking, you're involved with so many related projects! Let's talk about the cooking zine KitchenSink, of which you are an editor and contributor. Can you tell me about how the first issue "Comfort in Times of Change" came to be?  

MS: I think something unique about KitchenSink is that it came together super organically, and was intended to be a community-driven project from the start. A couple of months ago, Danielle posted about seeking help for creating a collaborative zine to explore everyday food feelings during the pandemic. Myself, alongside quite a few others, expressed interest in helping, so she created a group chat and we figured everything out from there! We ended up receiving way more submissions than we anticipated, and we were able to publish the vast majority of them in volume one. We accept anything from illustrations, essays, poetry, and photography, as long as it is related to food and the theme. KitchenSink zine really is a labour of love because it was made and organized by a handful of similarly-minded young people who wanted to talk about the realities of food, nostalgia, and obviously comfort as we cooked and baked our way through this turbulent year.

Sourdough discard, acid whey, and cornmeal pancakes with yogurt and homemade blueberry compote, by Molly Stead via glutenmolly

AC: Branching off of that, you've also spearheaded an experimental Instagram cookie business, Kuketista, with your friend Jade. How do you two come up with your incredibly unique recipes? 

MS: My friend Jade and I started up Kuketista a few months ago out of a combination of pandemic boredom and a shared love of baking and cooking. Our original year-round cookie is called Zander, and is a miso-rye-sourdough dark chocolate chunk cookie. We both do sourdough baking, so we knew we wanted to incorporate sourdough discard into a cookie because of the amazing flavor and texture it provides to baked goods. We also both prefer cookies that are not overwhelmingly sweet and have a good contrast of flavours and textures, so it made sense to make the year-round cookie a fun chocolate chunk cookie. The miso adds extra umami and fully replaces the salt in the cookie batter, while the rye flour rounds everything out with a punch of earthiness. I can honestly say that Zander is the best chocolate chunk cookie I’ve ever made.

In addition to our year-round cookie, we decided to have changing monthly cookies rather than a larger pre-set menu because we wanted to highlight seasonal ingredients and flavours.  Our current monthly cookie for January is affectionately named Rob, and is one of my favorites so far. It’s a toasted oat and whiskey cookie with raspberry jam, white rabbit candy-inspired drizzle, and sliced almonds. It draws inspiration from the Vancouver-based cultural event Gung Haggis Fat Choy. Gung Haggis Fat Choy is a Robbie Burns Day x Lunar New Year celebration that has been one of the main fundraisers for the Asian Canadian Writers’ Workshop (ACWF). Gung Haggis Fat Choy was not able to run this year due to the pandemic, so we are donating a portion of sales from our January cookie to the ACWF. Additionally, if you send us your donation receipt to the ACWF, we’ll share the recipe for our January cookie in exchange! 

Kuketista January cookie “Rob,” photo by Molly Stead via umamimolly

AC: Before we let you go, we'd love to know about any other projects you're working on! We know that you have an upcoming Instagram takeover with Doof magazine, which is so exciting!  

MS: Yes! I’m really excited to do a Doof takeover later this year. In case you aren’t familiar with them, Doof is a magazine that celebrates everyday eating and cooking. They have different people do Instagram takeovers every week and I have one lined up for late March. They also recently raised enough money for their first print issue. I’m hoping to elaborate more on bread baking and grief in my takeover, draw attention to ongoing food sovereignty and food justice issues, and post a few simple recipes for baked goods using sourdough starter discard.

Other than the Doof takeover, I’m pretty busy developing recipes for Kuketista (our February cookies are going to be so fun!) while also working a full time job. You can keep up with me on Instagram if you’re interested in a lot of sourdough content and the occasional food-related rant and selfie.

Dark chocolate rosemary olive oil cake with miso buttercream, cherry compote and fresh blackberries, photo by Molly Stead via glutenmolly

Molly Stead

Instagram | Kuketista | KitchenSink

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Crying From Spice & Joy: Nice to Meat You is Back With Their Holiday Menu

 
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One of the things that I miss most about pre-pandemic Montreal life is making dinner with a large group of friends, laughing and sharing wine and good food. When I think back to my favourite communal dinners, Seven’s (AKA DJ Mollygum / Nice to Meat You) iconic Chinese dinners are among the highlights. Yes, I am specifically thinking about the spicy cold noodles. If you know, you know.

Seven is a multi-talented DJ, chef, graphic designer, and event producer, making her an expert at having a good time. This year, although we may not be able to gather in person, she’s offering an incredible made-to-order menu of guaranteed the best Chinese food you’ll ever have in Montreal. As the title implies, you will literally cry from spice and pure joy. There’s no better way of selling it than that.

So, what’re you waiting for? Support a local chef this holiday season, and DM on Instagram to order. Pick up your orders Saturday/Sunday (MTL only).

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