NGL Flounce Shares "Mother" from Poetry Series "When Mom Is Gone"

 
Illustration by Reilly Webster

Illustration by Reilly Webster

“Mother” is the second poem from the collection When Mom Is Gone by Montreal-based multimedia artist NGL Flounce. In the author’s words, the series focuses on themes of “craving, losing, and then finding motherhood.” Read the piece “Mother,” and keep an eye out for her following works to be released as a short series in the coming weeks.

Illustration by Reilly Webster

- - -

Mother

She should have been her home,

Her shoulder to cry on

When, in time, she would realise the horrors of this world,

But her initiation came earlier

And by the end of it, no shoulder was left for either of them.

It wasn't simply murder,

It was visceral, cold-blooded slaughter.

To kill this senseless, innocent creature,

A child, with no sense of good and bad,

But so young exposed to such extremities...

She could not stay pure so long,

Bathing in her suffering,

Her mother's gift,

A gift for them both.

As God pleasured herself in her twisted humour,

A pleasant shriek sprung from her belly.

Oh, what thrill in that shrill voice!

The joy of creation balanced by its destruction.

They had no power, no power at all to endure this life,

But it is now her duty

To bear the memory

Of her own atrocity.

NGL Flounce is a multimedia artist from France and Madagascar based in Montreal, Canada. Her main interests are poetry, spoken word, music production, and DJing under the name NGL Flounce. Her narrative and lyrical poems form nuanced sketches of self-reflection, loss, sexuality, culture, cycles of life and earth, and the critique of Eco-Fascism.

Instagram | Soundcloud | Mixcloud

 

NGL Flounce Shares "Womb" from Poetry Series "When Mom Is Gone"

 
Illustration by Reilly Webster

Illustration by Reilly Webster

”Womb” is the first poem from the collection When Mom Is Gone by Montreal-based multimedia artist NGL Flounce. In the author’s words, the series focuses on themes of “craving, losing, and then finding motherhood.” Read the piece “Womb,” and keep an eye out for her following works to be released as a short series in the coming weeks.

Illustration by Reilly Webster

- - -

Womb

Eyes close, Head tilts

Backwards, Weight lifts,

Water calmly

Lifts my body.

Sensations numbed,

Protection all

Around my shape,

My mind is blank.

Safety cared for,

Almost Love with

No condition:

Wishful thinking...

The bath is cold,

I fear the truth,

I stand and look:

Illusion gone.

Lost and scared of

Giant setting,

Gasps for breath when

Coming panic.

I wish she would

Be here with me

And hold, embrace,

Relieve my cries,

Eat me full and

Pull me back in

Haste, in fear of

Death, Her only,

Her child, alone,

And only her

Is strong enough,

Can love enough.

Save me mother!

Take me home to

Peace and warmth,

Let me fill your

Womb.

NGL Flounce is a multimedia artist from France and Madagascar based in Montreal, Canada. Her main interests are poetry, spoken word, music production, and DJing under the name NGL Flounce. Her narrative and lyrical poems form nuanced sketches of self-reflection, loss, sexuality, culture, cycles of life and earth, and the critique of Eco-Fascism.

Instagram | Soundcloud | Mixcloud

Illustration by Reilly Webster


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I Wanna Get Better: Conversations on Therapy, and Where They Fall Short

 

Illustration by Nina Slykhuis-Landry

The start of this decade will be one to remember, and certainly not through rose-tinted glasses. COVID-19 shows no signs of slowing down, and Canadians are facing the virus’ second wave. Aside from the virus, citizens around the world are mobilizing against the systemic racism that continues to pervade society.  There is also the question of the impending American election, which has become a centerpiece of discussion (and anxiety) in recent weeks. To survive is to thrive under these conditions, but we need more than a motto to carry us through - especially when experts are identifying an unprecedented mental health crisis that is directly related to this suffering. What is to become of us all as the winter approaches? How are we expected to cope?

Years before this escalation, therapy (also known as psychotherapy) was breaking into the mainstream unlike any other technique. The world has continued to open itself up to conversations around mental health. Many of those who cope with mental health issues now have a stronger inclination to share the techniques that get them by. Celebrities that we recognize as beacons of confidence have admitted to their experiences attending therapy, normalizing this process for their doting fans. This shift in dialogue has made our authentic feelings easier to share - which is especially welcome as physical connections continue to strain under quarantine. Day by day, we have moved towards a sense of collective vulnerability. 

The overarching goal of therapy is to improve an individual’s mental health. By extension, this contributes to an overall sense of self-improvement. Through this commitment, you are guided through understanding more about yourself and your experiences, and you strategize for a brighter future. Activities that may fall under this web of self-improvement are defined by several aspects, including commitment, an action plan, and an evidence-based approach. 

What we understand as psychotherapy can take many forms; there are common talk therapies such as cognitive behavioural therapy (CBT) and dialectical behavioural therapy (DBT), there are creative therapies, and more. Other forms of self-improvement are similarly diverse - the Depression Center at the University of Michigan suggests many activities that do not adhere to a traditional structure of psychotherapy. 

Regardless of the treatment you choose, what is clear once you go through these motions is that the journey is a marathon, not a sprint. The progress may not be linear, but what matters is that you’re working on yourself in the first place. Working on ourselves is the greatest project we’ll never fully complete.

And we are meant to do just that - work on ourselves. Being mindful that different experiences will warrant different approaches to the work involved. Yet there is a growing pocket of self-help discourse that reduces the conversation to an idealized vision of therapy. Social media is hardly the place to go for nuanced perspective, but the “go to therapy” argument has made itself unavoidable in these spheres.

Whether this reductive attitude is for Internet attention or because the greater point of therapy has been lost among us remains to be known. What we do know is that the use of memes and humour has completely changed the way we talk about therapy. The popularity of both self-deprecation and transparency in mental health have skewed this conversation. But there is nothing to laugh at, nothing to be won from turning collective sadness into a pointing game. Whether or not there is serious intent; this act of prescription can end up hurting the conversation and is not always productive for everyone.

What feels especially cruel about this bias is how often it comes from a place of privilege, and how it pits people against each other. There are those who can afford the cost of psychotherapy, whether paying through an insurance plan or out-of-pocket, and there are those who cannot. Free and sliding-scale services have continued to pop up, but these services are often underfunded and overwhelmed. Being 15th on a waiting list does nothing for an individual who is struggling right now. Effective therapy will also require cultural competency, and the lack thereof has been widely observed across mental health care. Compare this lack of cultural competency with the dire need for it presently, when our social climate is bringing systemic racism to the forefront. This makes the decision to pursue treatment that much more complicated for marginalized populations.

Another major problem that emerges from the therapy-driven discourse is that in its rigidity lies the assumption that therapy is always working. A false dichotomy is established, as if therapy presents the ultimate cure. Regardless of a client’s treatment, they are supposed to be in the driver’s seat and take these steps for their own life. Much like any other treatment, there are those who commit themselves to therapy and put in the work, and those who do not or cannot. When in therapy, the client may have unrealistic expectations or a fear of commitment. Clients are not always receptive to their therapist

Likewise, the therapist may not be a right match for the client - and a good match is needed if progress is to be made. Mental health care as an institution has long presented its own systemic problems - it is not wrong to want to avoid this. In some instances, therapists can contribute to the issues their clients are facing. This was my situation. 

As a teenager, I attended psychotherapy for three years, and the experience was unfulfilling. Looking back, I can recognize that a few therapists pushed boundaries and seemed to feed me answers. I chose to keep coming back because it felt like where I was supposed to go. I wanted to believe the solution was there. 

But the solution can be anywhere if you try new things and follow what feels right. Over the past four years, I have moved away from the structure of psychotherapy. When my insurance coverage changes, it may no longer be an option. Right now, my toolkit includes setting boundaries and making room for creative expression. Both of these strategies have made a world of difference to me, and I plan on making them a priority. 

Science tells us that mental health may also be improved by taking better care of our bodies. Research suggests that regular physical activity appears as effective as psychotherapy for treating mild to moderate depression. Endorphins can be released from a variety of other techniques, such as meditation or acupuncture. Diet and mental wellness are inextricably linked - though certain ‘junk foods’ will provide short-term joy, regular consumption has been linked to a worsening of mood disorders. These are complementary strategies, but their potential has been proven. They can help to achieve the same goals as psychotherapy.

What we can probably all agree on is that therapy should be more accessible for everyone to try. Healthcare is a human right - this should include mental health care.  In a better world with stronger systems, diversified therapies would be available to all because mental wellness is in everybody’s best interest. We have evidence to prove that when our society invests in mental wellness, productivity is maximized and our economy saves big

But this is not the system we are working with, and until it is, we need to speak with humanity and be mindful of experiences outside our own. This mental health crisis will surely get worse before it gets better, and we cannot afford to fight each other. More than ever, it is integral for us to build community in conversations on mental health. We have nothing to gain from this discouragement, and everything to lose.

- - -

Resources

Mental health is incredibly important to preserve, especially in the ongoing COVID-19 pandemic. If you or someone you know is struggling with their mental health, the following resources are great places for immediate support:

  • Crisis Services Canada is a resource available to all Canadians in need of mental health support. They can be contacted toll free (24/7) at 1-833-456-4566. They also provide text support (4pm-12am ET daily): 45645

  • BetterHelp is a resource that provides direct-to-consumer options for mental health support. BetterHelp is available around the world, and can be accessed from a computer, tablet or smartphone. Get started at betterhelp.com. 

  • The LifeLine app offers a wide variety of mental health resources to Canadians, all for free. Providing direct access to a wide variety of crisis support services, resources for suicide prevention & awareness, and more. Get started by visiting their website.

  • Hope for Wellness is a resource available to Indigenous Canadians in need of immediate crisis support. Telephone and online support are available in English and French, with telephone support also available in Cree, Ojibway, and Inuktitut. Call toll-free at 1-855-242-3310 or connect to the online Hope for Wellness chat.

  • CheckPoint’s website provides a large directory of mental health resources for Canadians, Americans, and more. Resources are listed by country, and there are also several services available for folks around the world. Visit this directory at the link.

Please note that for longer-term supports (such as therapy), one of the best steps is to contact your general practitioner and discuss the available options. The resources disclosed provide immediate support, but may not be a good stand-in for other strategies.

Rebecca Judd is the features editor of Also Cool Mag.

Nina Slykhuis-Landry is a Montreal-based illustrator, cartoonist and mural artist. 

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Happy First Birthday Also Cool!

 
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Today is our first birthday, and we want to invite you to celebrate this milestone with us. Without all of your support from the start, Also Cool wouldn’t have grown to be the community it is today. We thank each and every one of you who has contributed your work to the magazine, read our online content and newsletters, attended one of our events (either IRL or online), bought our merch, listened to our radio show on N10.as, or stuck our sticker on your laptop. 


In its short time around the sun, AC has evolved from an idea between two best friends into a powerful, hardworking team and a little universe of its own; connecting folks from around Montreal (and the world!) through fostering a sense of community by bolstering creativity, learning and activism hand-in-hand. We are so grateful and inspired by you, our community, family and friends, who lift us up and believe in our vision. AC is just as much yours as it is ours, thanks to all of your undeniable support and passion for independent media. We can’t wait to see what year two has in store. 

We’ve been learning as we go, picking up literally everything from web-design to radio broadcasting (sooo many late nights editing on GarageBand) as the magazine brings on new experiences; all while juggling our full-time jobs, academics and the ups and downs of life in general. 

AC has kept us going in times of extreme hardship because it is the friend, creative outlet and support system we’ve always needed. We think that’s pretty cool, and hope that AC can continue to be there to support you too. We want AC to be a platform to share your work, connect with other creatives, and to help you feel seen in the arts and music community.

Though the world is filled with so much uncertainty right now due to the COVID-19 pandemic (yes, we left mentioning this until the bitter end), one thing we can promise is that we are looking ahead here at AC. As always, we have a few special surprises (and memes!) to share with you in the near future, and are always looking for ways to stay connected in these difficult circumstances. 

We love you all so much. Happy 1st Birthday to everyone who’s a part of Also Cool!

XOXO Also Cool

P.S. Of course the mag is a Scorpio

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Head & Hands Launches "Ask A Lawyer" Series to Help You Get to Know Your Rights

 
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Do you know your rights? Do you want to? On October 24th, from 2 PM to 3 PM, À Deux Mains / Head & Hands will be hosting a one-hour live conversation with criminal lawyer Me. Roberta Harthel-Côté on Instagram. 

They will be digging into issues surrounding police, power, & COVID-19. This will mark the pilot episode in their brand-new bilingual "Ask A Lawyer" series aimed at helping you know your rights. This episode of the series will be in french. 

If you have any questions you'd like to submit to us beforehand, send them to legalassistant@headandhands.ca

If you're based in Montreal and are in need of medical, legal, or social services, Head and Hands is a great resource located in the NDG neighbourhood. For more information about this great organization and what they do, you can check out their website.

Head & Hands

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Body Journals: Dana El Masri on Senses and Sense of Self

 

Dana El Masri is an Arab-Canadian perfumer & interdisciplinary artist. She is the owner and creator of Jazmin Saraï, a perfume brand exploring scent, sound, and culture. I was introduced to her perfumes through a friend a couple of years ago, and have been amazed by both the scent and concept of her creations. She uses a synesthetic approach to creating her perfumes and scent-related projects, tying together music and perfume. I was so excited to interview her for this Body Journal given her unique relationship to her senses - especially scent and hearing - and the ways her senses, and subsequently her body, are embedded within her work. Delve into our conversation below to learn more about her work and her embodied understanding of scent, self-expression, and identity. 



Simone: I would love to start with a little about how you define yourself, who you are. How would you introduce yourself?



D: I’m in an ever state of trying to define myself, or unlearning and removing how other people define me. I’m a creative. I’m an artist. I’m an emotional, sensitive being. By trade, I’m a perfumer. I like to connect different mediums and senses within my work. Essentially I’m a blender. It’s really finding the connections between things, which is also how perfumery works in a lot of ways. The more I explore perfumery, I realize how everything is connected and how perfumery covers all of these different industries and modalities. 



S: You said connecting the senses. I think that’s really relevant to this conversation about the body. How does that come up for you in your interdisciplinary work, in perfumery.



D: Scent is intimidating for a lot of people to describe or to even experience, because it’s quite invasive. You feel it right away, it’s primal. Historically, all the philosophers thought it was a tertiary sense, an animal sense. Nothing to do with intellectualism, nothing to do with emotion, which, to me, is the complete opposite of what it is. The only way you can process scent is through the memory and emotion banks in your brain. 

I see a lot of similarities between scent and sound. They’re both time-based, they’re both emotion-based, they’re both invisible. We have a lot of musical language in perfumery. Top, middle, base notes. A perfumer’s workspace is an organ. And I have a musical background, so I already had that in my head - and that’s really where the scent and sound developed together. I went into the synesthetic aspect of it and I was like, “What if I break down a song and then make an olfactory reinterpretation of that song?”



Simone: Tell me more about your musical background! Your value and understanding of interdisciplinarity is so clear through your experiences & interests.



D: I always wanted to be a singer. I actually moved to Canada to pursue a singing career and to study. I was also a ballerina when I was a kid. And I wanted to dance forever. That’s really what I wanted to do [when I grew up]. But I was also surrounded by many friends my age whose parents were very religious and that trickled down through them. And [my friend] basically said that my dancing was haram. It felt like she was telling me about [what to do with] my body - and how I shouldn’t put my body out there. I stopped dancing because I couldn’t get it out of my head. In the beginning, it was just about the love of dancing, and expressing myself, and being in the moment. There was no shame ever related to it. And now that there was this idea of being observed by someone and being judged - it changed my whole relationship with it - because it was no longer free.



S: I know sometimes when we internalize that shame at a young age it stays with us for a long time. Was there a point when you realized that the shame had dissipated? Or did you actively work on dissipating it to feel free? Are you still working through it?



D: I never got back to fully expressing myself as a dancer. I’m definitely still working through it. My friend is doing a project about shame - I just spoke to her about this. There were so many experiences I could have shared [with her], but this was the thing that popped up. I thought, “Wow, this must be something that I’m still trying to resolve within myself.” And [I want to] just hold the little Dana inside and be like, “Hey, it was okay. Fuck her. What does she know? You are so good.” And that’s a lesson for adult life. Why do you let someone else’s opinions affect you? 



S: I think that your reaction as a young girl was normal. Especially people that we trust - they tell us something about ourselves and we listen. It sounds like you pulled an important lesson from that experience.



D: I think it’s something to do with freedom. When you have space to move and dance and jump - there’s something about that movement that literally frees you. And it’s funny because now I actually have a lot of structural problems. I have scoliosis - I was diagnosed as a teenager - and I have four rib humps that stick out of my chest. I feel constricted a lot. I always associated dance with freedom of movement - and now I feel almost caged in my own body. 

I believe in meta-medicine - what is happening in your brain will also manifest in your body. When I saw someone about [the scoliosis] she was like, “Scoliosis is the idea of being afraid to be seen, and of hiding yourself,” and I thought, “Woah, could that be related?” 



S: I definitely believe that there’s a connection there. I’m glad you’re healing from it. You shared that you grew up in Dubai and I know that your parents are Egyptian and Lebanese. I’ve noticed in your scents that you draw on a lot of Middle Eastern scents and music.



D: I try because there’s a lot of appropriation in my industry and a lot of misrepresentation. There are very few Arab perfumers on an artisan level, or who have control over the narrative that they’re sharing. 

Arabic music is set up differently than Western music, so already it’s a totally different form of creation, which I thought was really interesting to explore. But I also grew up with that kind of music. Senses are, almost in their essence, nostalgic. So, it’s even harder to forget where you come from because sense is what connects you [to your identity]. Food and smells connect you to home. And that’s something I never want to forget. 

I also just really wanted to have the narrative in my hands. In North America, there’s also so much propaganda. A lot of the images that you are being fed [of the Middle East] are often of violence, and anger, and war, and sadness, and blood. I didn’t want that. I just wanted to create new narratives of beautiful stories that do also exist. No Orientalism, no over-fantasy or exoticism, just purity and genuineness.



S: I sense that a lot when I smell your perfumes. Having all these roots and clear connections to the places you call home, how do you experience the connection between body and community? Is there a way you forge a connection between the body and culture?



D: I don’t know if there’s a word for it in English - I guess the closest word for it would be ‘yearning’. Yearning is a physical experience for me.

S: Where do you feel it?



D: In my heart. In my chest, in my shoulders. Everywhere where I’m actually crouched [from scoliosis]. It’s really weird. When I miss home, or when I’m trying to connect to that part of me, there is a physical yearning for being in that place. All the things that remind me of home are still very sensory. The plants, the colours, the feeling, the scent of the air, the gasoline - I almost feel a responsibility to translate it. 



S: That’s really a beautiful sentiment - to physically feel love and connection to home with your whole body. What lessons or gifts has your body given you?



D: It’s given me a lot of lessons in the way that I’ve learned to appreciate myself. I had a really complicated relationship with my nose. I found it big. Growing up in the Middle East, where a lot of girls get their noses done, I just always felt ugly. I was always really afraid to show myself. And it’s the same theme of being seen, of showing my entire true self. It’s also now my biggest asset. My biggest gift. It’s about reconciling the dark and the light within me. And that’s always been the battle, which I reconcile through my body and through scent.





This insightful interview was everything I had hoped it to be and more. Dana is truly connected to her sensory and embodied experience. She has an exciting project on the way called The EP, which is a diffuser scent collaboration with four local musicians: Meryem Saci, Kallitechnis, Lunice, and Hanorah. It will be released in October, and you can find more information on the release of this project at her social links below. My thanks to Dana for sharing her story and her gifts with me. 



You can follow Dana’s perfume releases and art on her brand’s Instagram

You can check out her offerings on her website

And, you can also check out her multisensory work here

Listen to an sensorially inspiring playlist by Jazmin Saraï here

 

Meet Sage, the Montreal Brand Supporting East Asian Community

 
Via Sage’s "In the Heat of the Sūn" collection

Via Sage’s "In the Heat of the Sūn" collection

Forget fast fashion; invest in your community. Support Sage, the Montreal/Toronto clothing brand focused on East Asian representation and community.

We interviewed the Sage and got to know the talented, hardworking friends behind the brand. But that's not all -- Sage happens to be our first brand sponsorship and has gifted us something extra special for YOU, our community. Stick around till the end of the article to find out how you can get some Sage swag for free.

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Malaika for Also Cool: How did Sage get started? What are your backgrounds, and how did you all decide to come together?

Sage: In Fall 2017, Yutong, Rulin and I were in the back of a bubble tea shop, our regular hangout spot on Sainte-Catherine street. I took a sip of my Yuzu drink and asked Rulin and Yutong, if they wanted to start a clothing brand. We loved browsing through SSENSE and Haven seasonal sales, so creating something related to fashion was always of interest. At first, they feared that we would release something undifferentiated, but after debating about the brand's purpose we decided to focus on the thing we knew best, which was expressing our passion for East Asian culture. 

While we brainstormed for ideas, it became apparent that we needed a sense of artistic direction. The only person perfect for the role that we could think of was Victoria. She grew up downtown and was exposed to high-end Japanese brands while we still thought Urban Outfitters was the pinnacle of streetwear. One day after class, while she was waiting for the bus, I approached her without a concise proposition and asked if she wanted to join our newly formed brand. In line with our brand's direction, Sage was complete with a tastemaker!

Also Cool: Tell us a bit about the "In the Heat of the Sun" collection and the artist collaborations that came with it.

Sage: Our newest collection "In the Heat of the Sūn" is an interpretation of the classic Chinese story "Journey to the West". For my first five years in Canada, I only had Chinese cable TV at home. I had no idea who Spider-Man or Superman were and instead, my idea of a hero came from Sun Wukong, a hooligan monkey. We wanted to give exposure to this icon so we used visual elements from shows we used to watch such as "Havoc in Heaven" and the "Journey to the West 1986 TV" series as an inspiration for "In the Heat of the Sūn". 

With every drop, we try to involve various local artists in order to grow our community! For our past collections, we used to host physical popups in galleries and bubble tea stores in order to showcase our new merch, blast Nujabes beats and feature works from local artists. However, COVID hit Montreal and Sage took a major L regarding our ability to host our usual events so we decided to make a virtual shift. Over the summer, we linked up with Hae-In from Underdog and approached her with the idea of co-hosting an interactive-virtual popup. We brought in new members to the team, mostly our close friends, to create a new Sage online experience. We believe all our efforts paid off since we got so many heartwarming feedbacks which is something we're very grateful and proud of.

Via Sage’s "In the Heat of the Sūn" collection

Via Sage’s "In the Heat of the Sūn" collection

AC: What kind of visual and musical inspirations influence Sage as a brand?

Sage: We are mostly inspired by things we grew up with. Whether it be from popular media like 90's Hong Kong drama to mundane memories like Victoria's mom watering her money tree, we try to incorporate whatever influenced or has influenced us into our products. We then draw or re-design those inspirations from our own perspective!

AC: Can you describe one of your favourite childhood memories?

Yutong: My dad driving me on his motorcycle with 3 wheels to night stalls to eat yangrouchuan

Vic: Going shopping 

Mike: Looking at freshwater turtles at the pet store 

Rulin: When I was walking down the street in Beijing, and I saw a guy I knew and I was like, hey! It's that guy!

Via Sage’s "In the Heat of the Sūn" collection

Via Sage’s "In the Heat of the Sūn" collection

AC: What's next for Sage? Do you have anything exciting planned for this year?

Sage: We are consistently working on bringing new projects, capsules and collections! We are always open to collaborate so feel free to shoot us an email or DM anytime. As for the upcoming months, we are working on a new capsule that will be VERY cozy.

AC: How can we best support Sage and the artists that you collaborate with?

Sage: Minimum of 200$ spending on every drop :). Just coming to our events and pop-ups is good enough! Our main goal is to be able to connect and chill with as many of you guys as possible. 

Also, check out the lit artists featured on our virtual popup for this drop here

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Now that you love Sage as much as we do, why not rep the brand? Sage has been gracious enough to gift us some exclusive merch for an Also Cool x Sage GIVEAWAY!

The giveaway INCLUDES one reversible Sage bucket hat (black and beige), a Sage dark green Family tee (exclusive to this giveaway), a green limited-edition Also Cool tote, and as many Also Cool stickers as we can fit into the mailer. Giveaway details below.

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SUPPORT SAGE

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Giveaway details:

  • ENTER by following the rules on our Instagram post “SAGE X ALSO COOL GIVEAWAY”

  • Share & tag us in your story for an EXTRA ENTRY

  • The Sage t-shirt is a unisex size “medium”

  • The giveaway OPENS Saturday September 25th 2020 at 11am and CLOSES exactly a week after

  • The giveaway is open internationally

Please DM or email Also Cool with any questions about the giveaway, or future brand partnerships

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Lessons From 4 Months in Quarantine With My Hair

 
Article illustration by Studio Baby Cupid

Article illustration by Studio Baby Cupid

Prior to April 2020, I had never washed my own locs. Up until the beginning of the COVID-19 lockdown, I had dutifully maintained a standing appointment at Artizans 4/22 every four weeks for exactly a year. My loctician, Lovely, washed my hair with a kind of love that is, truthfully, indescribable. 

Lovely knows nearly everything about me. She has stood behind me, both figuratively and literally, through heartbreak, career crisis, and a few of my darkest hangovers. She has fielded all my late night DMs about how I've been thinking about dyeing my locs purple, or how I want box braids down to my knees. She was patient with me that time I went swimming before my locs had even begun maturing and nearly ruined all her hard work. She listened to me bemoan the harem of DJs I was sleeping with in the summer of 2019 and didn’t judge me when I sat in her chair, still half-drunk from the night before, smelling like the Durocher basement. Lovely is a saint, and there was no one else who I’d let wash my hair but her.

And then, in an instant, I was alone. There was no one to massage my scalp but myself and I had no clue what I was doing. Suddenly it was just my hair and I, staring at ourselves in the mirror, with no clue when we were going to be rescued. And so, I tried to adapt. I bought hair products off the Internet with CERB money. I watched YouTube videos until I could recite them from memory. I sat on my couch with a mirror propped up on my dining room chair and tried to wrangle my locs into twists while watching an entire season of Too Hot to Handle. At some moments, I felt like I was at the rock-bottom of my hair journey, constantly afraid my locs were going to shed themselves from my scalp in my sleep as an act of protest.

Though my mom is white, I grew up surrounded by Black women who tried to teach me how to manage my hair after years of chemical relaxing and emotional turmoil. The first Black woman I remember touching my hair was a student at the beauty school in the strip mall near my house. I went to her, faithfully, until I showed up for an appointment one day and she wasn’t there. Instead, a man sat me in a chair surrounded by several white women who gnashed and pulled at my hair until I was sobbing. I remember being so small, and in so much pain, and the salon kicked me and my mother out for causing a disturbance. God bless my mother, she tried, but my hair has always had a mind of its own. It took many years and the nimble hands of several African women to teach me how to love it. Now, the only people I let touch my hair on a regular basis are my loctician and my barber, Mike Chacko (a true legend), in addition to some (but few) close friends.

And though I am of course, in theory, capable of caring for my own hair, I have grown to depend on the guidance of those trusted individuals who maintain my mane. After a few years of paying an exorbitant amount of money to have other people make sure my hair is healthy, I almost forgot that my hair is mine. Before COVID-19, I had only scratched the surface of Black Girl YouTube. Aside from oiling my scalp and making sure my locs were moisturized, I never really thought about my role in the life of my hair. In some ways, I felt like my hair belonged to other people, and it was on loan to me, to take care of and not fuck up between appointments. 

Like when I went on a trip a few months after starting my locs and swam even though I definitely was not supposed to. (When I sat down in Lovely’s chair, she was horrified by what she saw. My locs were falling apart, unravelling, frizzy and dry. I felt so guilty, as if my hair was not even my hair and it was her money that had been spent over the preceding 3 months, not mine.) Or that time, in a pinch, I went to see a barber who wasn’t Mike Chacko (Sorry, Mike, I love you!) I felt like I was committing adultery against a long-term partner (which, as the post-quarantine TikToks suggest, is an actual breach of the Barber Commandments). 

In under a week in March, I went from having my appointments booked for three months in advance to having them cancelled indefinitely. It was terrifying. I was like a child left to my own devices. I was Kevin in Home Alone, setting elaborate traps in order to create a system that protected me from my own ability to cause irreparable harm to my scalp. 

Truthfully, I cried. I cried often. My arms grew tired from installing twists with cheap Kanekalon bought off the Internet. I spent most of my waking hours scouring Black Girl YouTube trying to figure out how the fuck to keep my hair moisturized. I genuinely considered spending $500 I didn’t have on a wig. I don’t even wear wigs! I couldn’t have installed a wig if my life depended on it!

But there’s one lesson we have all been forced to learn over the past six months. Humans must evolve. We have to figure our shit out. We have to grow. We have to do what terrifies us, what we think is impossible, or else we won’t survive.

I would never have imagined it possible in April, but my hair and I have built the kind of love that lasts a lifetime. We are two scorned lovers, reconciling and committing to extensive couples therapy in order to heal our relationship. I love my locs. I’ve washed them on my own a few times now. None of them have fallen out, and after touching them just now to verify, they are healthy and strong.

I’ve been thinking about that little girl, sitting in a chair like an animal at a petting zoo, having inexperienced stylists beat her hair into submission. That little girl felt so lonely, so scared. She was confused and angry. It’s cheesy, please forgive me, but if I could go back in time, I would tell her it’s going to be okay. 

I would tell her about the friends who’ve stayed up late with me to install my braids. I would tell her about the friends who’ve stayed up late with me to take out my braids. I’d tell her about the women on YouTube who showed what Cantu products to use when I felt stranded in the aisles of the beauty supply store. I would tell her about Mike and Lovely. I would tell her that there are people out there who will take the time to treat her with respect. I would tell her that she herself will become her own hero. She will learn, she will adapt. She will be scared. She will figure it out. Her hair will grow and she will feel beautiful.

Willow Cioppa is an interdisciplinary writer based in Montreal, QC. Their work focuses on the nuances of sexuality, trauma, self-reflection, femininity, Blackness, and their undying love for rap music. In addition to working in the tech industry as a UX writer, their life’s work is the search for the perfect rep wine to drink while writing about ex lovers who have wronged them.

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Art by Studio Baby Cupid

 

LSD: Montreal's Intersectional Lesbian Speed Dating Event

 
Poster by Char Bataille

Poster by Char Bataille

Carmen Colas (they/them) is the founder of LSD, Montreal's Lesbian Speed Dating event series. LSD is in its third year now, and while previous events have been held at NDQ, this edition will be held online on August 28th.

Carmen is a 30-year-old, mixed-race (White/Black/Indigenous), DJ, musician, event promoter, radio host, and writer. They are a self-described, "Chronically ill, trauma baby, and quintuple Cancer/Leo cusp." Carmen strives to promote healing and space for the people who have struggled to exist within the lesbian community. We caught up with them to chat about lesbian and queer culture, and connecting with community.

CW: Trauma related to homophobia

Poster by Char Bataille

Poster by Char Bataille

Malaika for Also Cool: How did LSD start? What inspired you, and what do you hope the event offers the community?

Carmen: Lesbian Speed Dating came from a very charged momentum, which is more relevant than ever in these current pandemic times and social justice evolution climate.

How does one respect the legacy of history and individual identity while welcoming change, struggle, fluidity and room for exploration? How does one expand on the narrative that has been very one-dimensional and reductive for many, without erasing a very valid and singular experience? How do you create a lesbian space that goes beyond the white cis golden star narrative? How do you create a lesbian space with room for those who have no experience, or who have been confused/rejected/unsafe to come out or insecure and struggling to embody their truth?

How do you create space for trans women attempting to exist in lesbian spaces for the first time, and who come accompanied by a myriad of valid and complex fears? How do you create a lesbian space that acknowledges that many trans men have held a deep connection to lesbian spaces for many years, but who no longer feel relevant or welcome in these spaces now? How do you create a lesbian space that acknowledges that lesbians from previous generations don’t have anywhere to go to meet people and feel too old and too dated to exist in current lesbian spaces? How do you create a space for older lesbians who spent many years existing in lesbian bars and now struggle to find platforms to exist in, now that lesbian bars have become obsolete? Especially since some don’t necessarily have the knowledge and tools to comprehend the concept of trans and non-binary identity.

How do you create a lesbian space while acknowledging the disposability culture and compulsory hyper-sexualization of our community? How do you create a lesbian space while acknowledging fatphobia, ableism without having experienced these issues yourself?

These were all important questions that existed within me for many years. My experience with coming to terms with my identity was very non-linear. It was laced with racial, gender, sexual, emotional, and physical traumas.

Being able to fully embody your identity comes with a lot of barriers and challenges. Whether there are cultural barriers, like coming from a culture that does not accept homosexuality and remaining closeted to save your own life. It can be societal where you are born into a society that does not teach you that being gay, non-binary, and/or trans are real options for you. Or when your gender and sexuality are not yours to have, that an agenda is expected from you.

Rejecting people who have been through some heavy stuff to get to a point where they can be their best / full / honest selves — is violent. The whole purpose of this event is to make room for this journey that most of us go through as queers. The gruelling moment when you realize that society was not made for you and does not think about you when it embodies its structures. The feeling that certain labels don’t serve you and instead conditioning you to feeling inadequate, ostracized and imperfect.

I fought very hard to say the word lesbian out loud while talking about myself. I’ve been attacked, rejected from my family, have suffered gay interventions at school or via my parents, ridiculed, shamed for my compulsory heterosexuality, sexually assaulted by cis men and called a tease. I've been very depressed from not satisfying my true needs and identities. I've been punished by lesbian spaces for not having had the luxury of being a lesbian at a very young age, and for not having the experiences that many lesbians have until much later in life.

If we’re going to grow as a community, we need to acknowledge the global lesbian experience. We need to acknowledge heteronormativity, the patriarchy, violence, transphobia, homophobia, and cisnormativity. We need to acknowledge white supremacy, xenophobia, white privilege. We need to acknowledge fatphobia, ableism, ageism and this permeating fear of fluidity and non-linear experience.

LESBIAN is a valid identity, and I do not wish to take this away from its history and general interpretation. I just think that a lot of us have suffered trying to exist within this community without feeling like a failure. This is where my motivation came from. If I had the opportunity to exist in a platform like this one, I could have thrived as a teenager. I might even be a gold star lesbian, who knows. But circumstance is a thing. Privilege is a thing. Timing is a thing. Fear for your life and wellbeing is a thing, and so are non-binary and trans lesbians!

As a human and a host, I have struggled with imposter syndrome due to my experiences and realities. This event has been healing for me in a big way. It hasn't always been a perfect journey, but I think there should be room for mistakes, growth, healing and coming to terms with a peculiar form of grief. Grief that comes from all those years you spent struggling and denying yourself from being your fullest, truest and best self.

Also Cool: What have your events been like in the past, and how are you adapting to this new age of digital event production? What can we expect from this online edition of LSD?

Carmen: In the past, the platform was in physical form, so it was very different indeed! Not for the faint of heart, people would have up to 20-50 dates in one night, of about 3-4 minutes long each. Sometimes the event was so crowded that we couldn’t get everyone to meet everyone, but it was a great excuse to fill up the queer bar with the right kinda people.

It has been an absolute chaotic joy to witness the variety of people coming through, and the variety of social skills, flirting approaches and styles. It has also been an immense pleasure to help out the shy lesbians who are terrified of existing in lesbian spaces. It has been one of my most rewarding experiences. Since the beginning of this event, there have been three weddings and proposals, which is also amazing to witness.

The adjustment to transitioning online has been weird and labour intensive. Trying to figure out and adjust to what people’s needs are in a pandemic setting, while trying to unpack our community’s traumas. I decided to use Facebook as a platform because it was the most “accessible,” in my mind. (As far as visually being able to adjust font sizes, being familiar with the format, being able to use it on a computer or phone, and preserving anonymity.)

My take was trying to offer ambiguous results without the shallow scope of disposability/vapidity and projections. What happens when you can’t judge a book by its cover, and can’t project what someone looks like because all you have is their mind? An interesting concept to attempt, in my opinion. We’ll just have to wait and see what it creates.

Poster by Sultana Bambino

Poster by Sultana Bambino

AC: What would your advice be to the baby queers, who are too shy to go to LSD for the first time, but really want to try?

Carmen: This particular event is PERFECT for shy people since you are anonymous and hidden. The online messaging format is great for going over your words, thinking about your answers, taking in all the emotions in privacy without the pressure of immediacy or someone staring at you. You can experiment with your desires and feelings without the anxiety of bumping into them IRL, having mutual friends, or projecting insecurities about yourself onto someone else because you’re nervous.

This is your chance to just be yourself and pick brains with someone else in an anonymous, ambiguous and no-pressure way. Revealing yourself is your own choice, at your own pace, and within the realms of your consent.

AC: How is LSD breaking down negative stereotypes and behaviours within the lesbian community?

Carmen: Honestly, I’m just trying to offer a lesbian space that acknowledges non-linear journeys, struggles, and barriers. I want to promote the notion that you can be a lesbian with no experience at any age. That you can struggle to reach a point where you feel safe and good about being a lesbian. That you can be non-binary and be a lesbian, you can be trans and be a lesbian. That European standards of beauty do not define what being a lesbian looks like, and that being a lesbian is more than just being “femme” or “butch” That being a lesbian can mean being aromantic/asexual. That being a lesbian can be difficult as much as it can be easy. That lesbians can be disabled, fat, chronically ill, neurodivergent, immunocompromised, healing from trauma, grieving…

There are so many different types of people with different realities, perspectives, backgrounds, and journeys, who can be and are lesbians. There needs to be room for that. There needs to be dialogue around this as a community, so that we stop policing each other into shame and ostracizing each other. It's a very touchy, messy, complicated and layered work to do. I’ve learned a lot over these past three years. It hasn't always been perfect, but it's been extremely eye-opening and rewarding.

ALSO it would be RUDE and messed up to not acknowledge the work being done by so many platforms, festivals, and event series in Montreal alongside this event. Many people are doing this work as well, and I am not the first, last or only one doing it.

AC: What’s the best way to support LSD right now?

Carmen: The only support this event needs is community presence. I’ve always maintained this project with the hopes that it helps people connect. Whether that's falling in love, exploring their sexuality, making friends, finding community, or healing from their individual journeys that led them to take up space here and now.

An important step to upholding the values I seek to instil in this event, is to donate money to the LSD Night Blind Date Bonanza Fundraiser. The fundraiser will be redirected to Taking What We Need about a week after the event is over. You can make a personal donation or participate in this event, and your cover charge will be used as a donation. You can also purchase some pre-sale LSD Night Blind Date Bonanza tote bags and t-shirts (sizes small to XXXL)

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