FIFEQ Montreal Presents 18th Edition of Canada's First Ethnographic Film Festival

 

After two years of restrictions to cultural programming, the International Ethnographic Film Festival of Quebec (FIFEQ)-MTL, Canada’s first ethnographic film festival and number-1 platform for ethnographic cinema is proudly back for its 18th edition!

FIFEQ-MTL will begin next week, showing from May 11th to May 15th exclusively in person. This year’s carefully-curated selection was selected by the FIFEQ team from nearly 200 submitted works by filmmakers and anthropologists from around the world. Says programming coordinator Danielle Kouhio Depri of this year’s festival:

“FIFEQ, the first and only film festival in Quebec and Canada entirely dedicated to ethnographic cinema, has always been driven by one mission: promoting and democratizing ethnographic film and visual anthropology. For its 18th edition in Montreal, we are especially proud to offer free screenings to not only cinephiles but anyone intrigued by social and human sciences. Through this year’s selection, the programming team wishes to showcase various cinematic narratives of the real, [and] this diversity is further reflected in the genres of the films we’ve selected: everything from sensory, experimental, art-house, essay film, ethnofiction to the more traditional observational documentary genre, or even the collaborative political genre. A collection of authentic and unique films that will certainly invite discourse on certain representations, and encourage audiences to question even their own versions of reality. In 2022, we want to continue to move beyond public perceptions of and assumptions about how ethnographic film has to be voyeuristic and/or about some exotic other, and instead highlight the cinematic and humanistic nature of visual anthropology.”

Still from The Fantastic (2019) by Maija Blåfield

In addition to the screenings, the public will be able to participate in conversations, panels, and parafilmic workshops aimed at deconstructing the way we look at reality and the human experience. This new edition will offer you the opportunity to apprehend the world in which we live differently, through the lenses of the diverse subjectivities put forth by protagonists of varied identities and film directors who are passionate about the real. Audiences will be able to discover, among other things, frank and poetic views on the solitary experiences of illegal migration, the relationship between women and their body and sexuality following childbirth, the administrative issues related to autochthony in India, Mongolian shamanism as well as the imaginations maintained by North Koreans through their viewing of foreign films.

This year, FIFEQ-MTL continues its commitment to accessibility and its mission of democratizing ethnographic cinema by making most of its programming available to audiences for free. This presents a golden opportunity to meet and connect around cinema and visual anthropology in a warm and intimate setting.

This year’s edition of FIFEQ-MTL will kick off with an opening night on May 11th at Ausgang Plaza at 7 PM, complete with film screenings and live music. The major themes, dates and locations of the festival then include:

  • OUTLOOKS ON RITUALITY – presented Thursday, May 12th at Cinéma Public

  • AT THE EDGES OF REALITY – presented Thursday, May 12th at Cinéma Public

  • WOMEN’S CINEMA – presented Friday, May 13th at Cinéma Moderne

  • NARRATING THE INTIMATE – presented Friday, May 13th at Cinéma Moderne

  • POETRIES OF REALITY – presented Saturday, May 14th at McCord Museum

  • ON THE IMPOSSIBILITY OF FILMING MIGRATION – presented Saturday, May 14th at McCord Museum

  • DAY OF INDIGENOUS FILMS / CLOSING DAY – presented Sunday, May 15th at McCord Museum

Still from Brave (2021) by Wilmarc Val

Still from Inniun ueshkat mak anutshish (2020) by Marie Menie Mark

Still from Talamanca (2020) by David Marino

Founded in 2003 by a group of students and professors in anthropology, the International Festival of Ethnographic Film is the first and exclusive of its kind in Canada. Ethnographic cinema is a well-known discipline within academia, especially among anthropologists. But it is often regarded by outsiders as an obscure, unapproachable, and elitist art. For 19 years, FIFEQ has been driven by one mission: democratizing visual anthropology and documentary film through an eclectic, yet accessible selection of films.

Part of the festival’s mission is also to make most of the screenings entirely free of charge. FIFEQ encourages bold and unique works, with an emphasis on reflexive approaches. Providing a platform for indigenous stories and productions, in Canada and abroad, we focus on films that go beyond the limits of colonialist and essentialist anthropology. At FIFEQ, we love films that observe proximate realities, sometimes even mundane ones, allowing us to observe and question our own environment.

For more information on FIFEQ, tickets and a full list of programming, please visit the FIFEQ-MTL page or visit them on Instagram and Facebook.


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Concordia's 48th Film Festival Provides a Spotlight for Underrepresented Voices in Film

 
CFF Communications Poster Square.jpg

Today marks the beginning of Concordia's 48th Film Festival, which will run until May 9th, 2021. The festival will take place online, and features five categories: Documentary, Experimental, Lights Out (a section devoted to genre films), Visions (a spotlight of underrepresented voices in the mainstream), and Canadian Fiction. 

The festival is also hosting an Emerging Voices seminar, where students can present their research projects, journals, papers, or any academic ventures in an environment inclined to discuss and learn. This year's jury panelists include Florence Pelletier, Carol Nguyen, Jad Orphée Chami, Moïa Jobin-Paré, Éric Falardeau, and Omar Elhamy. 

The CFF is a student-run, non-profit film festival dedicated to its growing community of artists, scholars, and industry professionals. The festival showcases films from Concordia's Mel Hoppenheim School of Cinema and works by film students from all over the world. 

You can check out the schedule and stream the festival via this link.

Concordia Film Festival

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Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and communications specialist currently based in Montreal.


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Montreal's Dhakira Collective Presents Screening Fundraiser "Dreams of Beirut"

 

Montreal’s Dhakira Collective presents Dreams of Beirut – a screening fundraiser in support of two organizations (MESEWAT and Egna Legna) working to provide crucial aid and services to migrant workers in Lebanon under the Kafala system – from April 2nd to April 4th 2021. As Dhakira Collective shares, Farah Salka describes the Kafala system in the 5th issue of the Journal Safar as: “a violent, abusive and exploitative ‘sponsorship’ system used to monitor and control migrant workers, primarily in the construction, cleaning and domestic sectors in the region. This system is not written down nor formalized in any law but rather a compilation of practices enacted out over the years by the self-entitled General Security Office of Lebanon who enjoy governing with impunity.”

The suffering inflicted by Lebanon’s economic crisis has been compounded by the COVID-19 pandemic, as well as the violent explosions that occurred in Beirut on August 4th, 2020. This unprecedented string of events has worsened the living conditions of domestic migrant workers in the region and both organizations working to support this vulnerable population are in need of urgent help.

The screening includes two mid-length films, Maid in Lebanon (2005) and Maid in Lebanon II: Voices From Home (2008), both by Lebanese filmmaker Carol Monsour, as well as the short film Tshweesh (2017) by Lebanese filmmaker Feyrouz Serhal. Along with the screenings, both filmmakers will present an introduction to and explanation behind their respective work. Mansour’s films document the lives of Sri Lankan women working as domestic workers for Lebanese families, and examines the complexities of their relationships with the households that employ them. Feyrouz’s film follows a young woman through the streets of Beirut as the excitement surrounding the World Cup goes awry after an impeding Israeli attack is announced.

The films will be available to stream worldwide via the collective’s Vimeo account with English subtitles on a donate what you can basis via Paypal. The password to access the films will be shared with those who donated on April 1st. Individuals who, for financial or other reasons, are unable to make a donation but still want to watch the films are encouraged to reach out to he collective via Instagram.

100% of the proceeds will be split equally between the two organizations: MESEWAT and Egna Legna

This event is organized by Dhakira Collective and funded by QPIRG Concordia

Dreams of Beirut event page

Dhakira Collective is a research-led curatorial collective aiming to highlight and celebrate cinema, art and music outside the western canon. The collective was founded in July 2020 by Bouchra Assou and is co-run by Gaïa Ziad Guenoun, two multidisciplinary artists based in Tiohtià:ke/ Montreal.


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