Von Shares Spicy Feminist Pop Track "Tiny Boy"

Photo Credit: Photo by Adam Burack @phlegmtop, Edit by Serena Rubin @ipadadult

Today we're celebrating all of the shes theys and gays. It's technically international women's day, but we want to extend it to all of our nonbinary & gender-fluid friends as well. (In case you don't know, this project is run by a core team of all femme and nonbinary also cools, and is very queer and very proud.)

We thought it would be appropriate to share "Tiny Boy," a spicy feminist bop by Von that recently went viral on TikTok. Von is a musician, co-founder, and host of BLOODY MARY KOs & KINK, the first underground NYC fetish party to merge live boxing with talents from sex workers, femme creatives, DJs and performers. Oh, and she's also the first artist to use her own orgasm wave patterns in pop music.

Photos by Ava Rikki @avarikki 

Inspired by the political agendas of Peaches to Pussy Riot, Von dedicates her time to making art that dismantles stereotypes about sex work, sexist agendas in entertainment and aversion to sex-positive dialogues. She places pulsing percussion and sawtooth baselines under glittery synth riffs and genre-bending vocal treatments to make music that defines sexual confidence as what you always wished your misogynistic aunt read it as: powerful.

With artists like Pussy Riot, UNIIQU3, Pauli Cakes, DJ_Dave (who we interviewed a while ago - read it here) & more on the bills, Von and BLOODY MARY KOs & KINK are shaking up the industry. In 2020 Von music directed the first NYFW show to ever feature Pornhub stars on the runway & is on a mission to make art that dismantles shaming stereotypes.

To all the non-cis males of the world, we celebrate you and encourage you to dance out your frustrations to "Tiny Boy." Watch it below.

Von

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Malaika Astorga is the Co-Founder & Creative Director of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.

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Musical Genes: Sisters DJ_Dave and Maddy Davis Premiere "Can't Do This Alone" Remix

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While some siblings get caught up in rivalries over mutual passions, Sarah and Maddy Davis’ combined love of music continues to bring them closer together. Though they couldn’t be any more different musically, with Sarah DJing algorave under the pseudonym DJ_Dave in NYC, and Maddy pursuing her bedroom-pop career in Los Angeles, the sisters are bound by a mutual desire to bring women to the forefront in all aspects of the music industry. Today, they showcase the power of all-female collaboration with the release of “Can’t Do This Alone - DJ_Dave Remix,” a remixed version of Maddy’s original song by her sister, DJ_Dave. Also Cool is psyched to be apart of their premiere, and below we chat with Sarah and Maddy about finding their artistic footing beyond suburbia, navigating gatekeeping in male-dominated spaces, and what it was like working as siblings first, and musicians second, to create this remix.

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Also Cool: Hi Maddy and Sarah! Thank you so much for being a part of Also Cool Mag and congratulations on the new release! To begin, can you tell us about your individual music styles and how you got your start in your respective fields? 

S/M: Thank you so much for letting us be a part of Also Cool! We’re super excited about this release and glad you are too! 

Maddy: I am a suburban-bedroom pop artist, which I’d describe more specifically as both a niche indie artist community, and a genre that bridges the gap between the artist, songwriter, and producer. I like to describe my specific style as suburban-bedroom pop because, having grown up in the most cliché suburb, I’ve found myself inspired by my own relatable experiences, which I tend to gravitate towards when writing. 

Sarah: I am an indie-techno pop artist making music within the algorave community. Algorave is a super niche movement of musicians that produce and perform music using code, who are slowly working their way into club scenes around the world. I picked up this skill about a year ago, and have been making music this way ever since. The deconstructed music production environment somehow made a lot more sense to me than a lot of the DAWs (digital audio workstations) I had tried, and it unexpectedly combined my interests in visual arts, coding and music.

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Sarah Davis a.k.a. DJ_Dave (top) and Maddy Davis (bottom), shot by Farah Idrees

AC: Both of you made the move to New York City, and now Los Angeles for Maddy, from your hometown in New Jersey: How did you both find a sense of community upon relocating, and has that had an impact on your creative process? 

M: I’ve found a sense of community in both New York and Los Angeles, which has greatly impacted my creative journey. I moved into New York right after high school, and quickly found my place in the music scene; playing shows, going to shows, collaborating with other artists, and just generally meeting and spending time with other young creatives. It was the first time in my life that I was around so many like-minded people who supported each other's art and worked so closely together.

I’ve only been in Los Angeles for a couple of months at this point, but I’m already finding that things are similar here. From these experiences, I’ve realized that learning from your peers is sometimes more valuable than learning from those who are already deeply established career-wise. I can’t express how much I’ve learned from simple conversations with people in these social circles, which has led me to further appreciate the creative environments of both cities.

S: When I moved to New York to go to college, I met most of the community I currently surround myself with through the city’s college scene. More than anywhere I’ve ever been, young people in New York have this incredible urgency to create. This resonated with me, which made finding a community easier than I anticipated. My friends, and the artists around me that I look up to, are some of the hardest workers I’ve ever met. We are always pushing each other to do more, while also acting as a support system for each other.

Living in the city and learning from the people around me has not only changed my creative process, but redefined the way I approach art and music. The arts scene is constantly changing, and being in New York is like having your finger on the pulse of society. It’s really incredible to get to live and create in New York.

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Sarah Davis a.k.a. DJ_Dave (left) and Maddy Davis (right), shot by Farah Idrees

AC: For Sarah, your work tackles the representation of femme artists in male dominated spaces, specifically in tech and rave communities. What aspects of these dynamics do you confront in your music, and how do you go about capturing your feelings on this subject? 

S: I first noticed this lack of representation when I would rarely see female DJs at my favorite clubs. Whether it was the most packed night of the week or a slow weekday, the DJs were almost always men. I was tired of seeing the same group of guys getting the spotlight, given the fact that womxn DJs are everywhere, so in my own work I collaborate exclusively with femme musicians and artists. Algorave as a community is actually very female dominated, so using this artform as my way of bringing more womxn representation into club scenes seems very appropriate. I’m surrounded by incredibly talented womxn in music, and it’s honestly just so exciting to collaborate with them and show people our work! 

AC: Branching off of that, we heard that you further combined your passion for technology and safer-space practices to develop an app. Can you tell us more about it? 

S: Yes! So when I was a sophomore in college, I conceptualized an app called Outro that acts as a safe space for women, the LGBTQIA+ community, and people of colour in nightlife. The app allows users to rate and review nightclub spaces based on safety and quality to prevent future unsafe situations from happening and promote spaces that consider safety their number one priority. Outro is available on the app store for whoever wants to check it out!

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Sarah Davis a.k.a. DJ_Dave, shot by Farah Idrees

AC: In a similar vein, Maddy, you strive to make space for womxn in not only performance spaces, but production spaces as well. How does having control over every aspect of your music, from songwriting to execution, impact your relationship with your art? 

M: I grew up with the understanding that producers were almost exclusively men.  As a result, I never considered production as something I could pursue, let alone learn. That is, until I saw iconic femme producers starting to emerge and realized that I could produce too. Fast forward five years or so, and now I’m producing all my own music, and repeatedly explaining to guys in my DMs that I don’t need them to send me beats. When I started producing, it unlocked an entire world for me to find my own sound as an artist. This allowed me to better articulate what I wanted to say with my music, and express myself as an artist entirely. 

AC: With this, what advice would you give to womxn trying to navigate gatekeeping in the music industry based on your experiences? 

M: Womxn are taught that men make more money, men are stronger, men are generally more successful, etc. … These same beliefs, unfortunately, exist even in creative industries. The advice I’d give to womxn trying to navigate the music industry, whether on the business side or the creative side, is to not feel intimidated by men. Don’t be afraid to speak up in a session or during a meeting, because your voice matters too. To this day, I still encounter imposter syndrome pretty much whenever I’m in a collaborative environment with men, but I try to always remind myself not to degrade myself and understand my worth as an artist, writer, and producer. 

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Maddy Davis, shot by Caity Krone

AC: Moving forward, the track you’re releasing today is a remix of Maddy’s song “Can’t Do This Alone.” What was it like collaborating together and what inspired you to combine your musical feats in the first place? 

S/M: We’d always written and performed music together growing up, so it was inevitable that we would eventually collaborate once we both started releasing music. One of us (Maddy) has this organic ethereal sound, while the other (DJ_Dave) uses a geometric method of music production, so we were inspired to see what the combination of our two contrasting styles would sound like. 

AC: What was the highlight of working on this track together? Did you encounter any challenges? 

M: I’d say the highlight for me was hearing the first versions of the remix. I loved that DJ_Dave was able to transform the song to fit her signature sound, while keeping some of my favourite elements from the original. I’d say the biggest challenge was deciding when the remix was actually finished between the two of us. It took a lot of different versions, but when the final was done, it was pretty obvious to both of us.  

S: “Can’t Do This Alone” is one of my favorite songs by Maddy, so the highlight for me was getting to work with the stems and combine our really different styles. I would say my biggest challenge was maintaining the message of the song, which is so strong and important, while manipulating the tracks.

AC: Before we let you go, is there anything you’d like to add? Are either of you working on any new projects at the moment?

S/M: Since being in quarantine, we’ve both been working on a ton of new music that we are super excited to share soon. Also, just a huge thank you to Also Cool for giving young emerging artists a platform and a chance to get their music heard! 

(Editor’s note: Thank you! We love hearing your music!)

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Sarah Davis a.k.a. DJ_Dave (left) and Maddy Davis (right), shot by Farah Idrees

Keep up with the sisters and their music!

DJ_Dave

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Maddy Davis

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Photos by Farah Idrees and Caity Krone

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