FME 2025 Recap: Baby Berserk, Empanadas Illegales, & More

 

Photo by Malaika Astorga

We've returned from our yearly pilgrimage to FME (or almost at least, this recap is being written on the very long bus ride back home to Montreal). Despite the distance, the festival remains one of our favourites of the year. Another delegate put it perfectly, FME feels like summer camp, but if you were to swap out the friendship bracelets with secret punk shows and an abundance of beer.

The festival ran from Thursday, August 28th to Sunday, August 31st, and hosted a variety of acts, both Canadian and international. Every year, the festival chooses a theme that takes over the town, and this year, we were greeted by mysterious craters, dinosaur footprints, aliens, and more, with photo-op stands in front of each venue. In terms of the musical highlights, here's the day-by-day summary.

Photo by Malaika Astorga

Thursday welcomed delegates from around the world, and despite the long travel day for many, everyone made it out to the first shows of the festival. Crasher kicked off the night with a shimmering and electric performance, so electrifying, actually, that it blew the subwoofer. However, Bibi Club had it sorted in no time and had the crowd dancing along in the freakiest ways.

Population II at the Bonsound BBQ by Malaika Astorga

The iconic Bonsound BBQ is always hosted on the Friday morning of the festival, and this year's poolside performance was by Population II, whose crusher performance made the perfect soundtrack for our hungover hotdog brunch. We had the opportunity to speak with Crasher at the BBQ on a giant chess set for a video interview, which will be released very soon. Then we grabbed one last sparkling paloma before heading to Meggie Lennon's show. She had the crowd captivated and singing along till the last song. 

Baby Berserk by Malaika Astorga

Baby Berserk followed up shortly after with a killer secret show at the local favourite poutine spot, Chez Morasse. Arguably dance punk, and provenly incredible performers, the lead singer was climbing up street posts and storage units in heels, all while keeping everyone dancing and screaming. La Flemme, a punk group from Marseille, took over Le Petit Theatre, drawing on classic punk references, while keeping the hardcore spirit alive with a wall of death and probably the friendliest mosh pit we've ever seen. 

Poolgirl by Malaika Astorga

Saturday, welcome our own DJ Flleur to the main stage area of the festival, with three diverse sets throughout the night, spinning everything from Fontaines D.C. dance edits to darkwave to Strawberry Switchblade's cover of Jolene. Empanadas Illegales took to the stage first, with an incredible cumbia set. The OBGMs were up next, introducing themselves as a Celine Dion cover band, and demanding the crowd to "open up the pit for Celine!" They also publicly shamed a crowd member's shitty ex-boyfriend, and helped everyone process their emotions. Les Trois Accords closed out the night on the main stage with Quebec classics that had everyone singing their hearts out. Around the corner, Boutique Feelings did a secret show across from Cabaret de la Derniere Chance in an alleyway, and Poolgirl pulled off a killer riot girl-style set down the street, with pool floaties flying through the crowd. 

Les Freaks de Montréal by Malaika Astorga

Empanadas Illegales returned to the stage, or more specifically to the garden, on Sunday with a beautiful secret show at Parc Botanique À Fleur d'eau. Automelodi closed out the festival in the main stage area, with a perfectly spooky darkwave set that had all the local teens dancing like proper goths.

As always, we had the best time at FME, and can't wait for next year. We hope to see you then! In the meantime, stay tuned for video interview with Crasher, Meggie Lennon, and Poolgirl, to be released on the site & our YouTube.


 

What's Cool at FME 2025 (Crasher, Ada Lea, DJ Flleur & More)

 

It’s our favourite time of year again, where we journey to Rouyn-Noranda Abitibi for FME (Festival de musique émergente en Abitibi-Témiscamingue) to see some of the best local and international music of the year. 

We at Also Cool have been big fans, and attendees, of the festival since 2021, and are happy to head back again this year for its 23rd edition. As always, we like to keep our festival schedules organized, so we’ve broken down our FME Top Picks for the weekend ahead. 

Listen along below:

Crasher via FME

Crasher, the electro-punk trio from Montreal, play on Thursday at 8pm at Cabaret de la Dernière Chance. The band is fronted by Airick Asher Woodhead (Doldrums / Errhead), and formed during COVID while ‘bubbling’ in a shared jam space. Their 2021 tape STREET CLEANING MACHINES OF THE WORLD made major waves, and we’re eager to hear new songs from their to-be-released debut full-length ODDITI POPULAIRE. It’s easy to get freaky to Woodhead’s caustic lyrics and melodic singing, and is a perfect way to kick off the festival.

Yoo Doo Right via FME

Yoo Doo Right take over the same venue on Friday at 9pm with their hypnotic wall of sound (also known as krautrock). Bring your earplugs and settle in for noisy, melodic guitar parts, effects-laden synthesizer soundscapes, deep bass grooves and patented percussive furies into sprawling, cathartic musical pieces. Drawing inspiration from post-rock, krautrock, shoegaze, classical music, electroacoustics, and musique concrète, they create a unique sound where “towering monoliths of roaring riffs crash against swarms of restless rhythms”

The OBGMs via FME

The mainstage welcomes one of our very own Also Cools, DJ Flleur, on Saturday, who plays 7–8pm, and in between sets by Empanadas Illegales (cumbia/surf), The OBGMs (punk/rock), and Les Trois Accords (pop-rock). Pull up and dance hard, this won’t be your typical DJ set. 

Sunday welcomes a more laid-back vibe to wrap up the weekend, with a set from Ada Lea at Apéro Air Canada at 6:30pm. Alexandra Levy, known as Ada Lea, is a Montreal-based multidisciplinary artist whose third album, when i paint my masterpiece, blends music and visual art through a deeply intuitive and imagistic lens. Levy’s lyrics explore transformation, dreams, and the act of observing oneself. 

Insider Tip: Keep an eye out for the “secret shows” that tend to pop up all weekend! Make sure to download the app to stay up to date with all of the festival’s surprises. 

Get your tickets here, we’ll see you in the pit. 


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Also Cool's Project Nowhere 2024 Top Picks (Toronto)

 

Also Cool has landed in Toronto! This time we’re covering the second edition of west-end fest Project Nowhere, taking west Dundas by storm with its “cosmic array of underground legends, modern vanguards and exciting up-and-coming talent from Toronto and beyond,” from October 3rd-5th, 2024. Based on this year’s lineup, it sounds like this project ain’t going anywhere. We did a deep dive into Project Nowhere’s curation and have hand-picked a collection of AC-certified top picks. After taking in the first night, discover new music with us and take a peek at just some of the acts that will guide us through the rest of the weekend.

Leah Singer and Lee Ranaldo, credit Frey Ranaldo

Leah Singer and Lee Ranaldo, from the archives via S8cinema

Partners in life and music, Leah Singer and Lee Ranaldo have been collaborating on evolving image and sound installations since the early 90s. The pair’s immersive performance sees Singer casting projections of live 16mm film manipulations alongside improvised, droning guitar from Sonic Youth founding member Ranaldo. Cornerstone to the duo’s shadow play is Lee’s electric guitar swinging from the ceiling, suspended like a pendulum.  

Leah Singer and Lee Ranaldo play St. Anne’s Parish Hall on Friday, October 4th. Doors at 8:00pm.  

God’s Mom, credit Jacopo Paglione

After seeing their electrifying chainmail-clad performance at Le Système in Montreal, we can’t wait to see God’s Mom, especially with new music on the way. Their latest single Maddalena is a taste of what’s to come, playful, dancey, and synthy. 

God’s Mom plays The Garrison on Friday, October 4th. Doors at 8:30pm. 

Pelada, credit Hendrik Schneider

Montreal’s beloved electro-punk duo Pelada are bidding farewell on their final tour, but not before one last rager. Composed of singer Chris Vargas and producer Tobias Rochman, Pelada just tore up the fall edition of Debaser’s Pique festival in Ottawa this past weekend. Promising to draw you into their world of hardcore, synth-based justice anthems, Pelada will spit you out, begging for more. Hear songs from their Polaris long-list nominated album Ahora Más Que Nunca before the pair’s sweaty sound becomes that of raver ephemera. 

Pelada plays The Garrison on Friday, October 4th. Doors at 8:30pm.

SORB via Bandcamp

Toronto-based Farsi electronic duo SORB infuses genres of the underground—Industrial Techno, Dub, Gabber and others—with influences from Kurdish and Iranian music to rebel against the powers that be with confrontational rhythms. Channeling their rage towards experiences of exile, police brutality, facism and living under an authoritarian regime, SORB fosters a space to imagine collective hope on the dancefloor.  

SORB plays their final Toronto show at The Garrison on Friday, October 4th. Doors at 8:30pm.

Moon King via Bandcamp

Between his straight-up excellent curation and hybrid live-DJ sets, Montreal’s Moon King always keeps our toes tapping. Check out his collaborative track “Turning (Inside Out)” with Visors for a taste of what’s to come! 

Moon King DJs Bambi’s, Friday October 4th, 2024. Doors at 9:00pm. 

Y’KNOW via Bandcamp

Toronto duo Y’KNOW beam us into the silvery universe of Spiritual World with their digital downbeat deliciousness. Featuring Bally and M1_Sound (half of Toronto based dub post punk band UH HUH), Y’KNOW cooks up funky splendor with syrupy vocals, dubby depths, galactic sound effects and an effortless je ne sais quoi that evokes coolness from another realm. 

Y’KNOW plays BSMT254 on Friday, October 4th. Doors at 9:00pm.

Crasher via Bandcamp

Always powerful and kind of spooky, Crasher is our favourite Bandcamp-only band. Catching this trio is always a treat, blending strange dark wave, leaning on the electronic side, with DIY grunge punk grit. 

Crasher plays BSMT254 on Saturday, October 5th. Doors at 10:30pm.

Project Nowhere

Website | Instagram


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Enter Palingenesis: A Night of Independent, Genre-Defying Creative Expression

 

To start off 2023, we’re unveiling the lineup of Palingenesis: a night of independent, genre-defying musical performances and multimedia installations animating multiple levels of church-turned-event space allsaints – 330 Laurier Avenue East, on Saturday, January 21st, from 7:00PM-2:00AM in Ottawa. Presented by Congrego in collaboration with Also Cool and Debaser, Palingenesis brings together cutting-edge talent evading the cultural mainstream from the curators’ hometown scene and beyond, including musical acts Pony Girl, Fraud Perry, Treus Jones, Crasher, Lesser Evil, maxime., DJ TRINIDADDY, Dimitri Georgaras and DJ Russ Plus, accompanied by works from local artists SLVR, Cheru Pompey and Andrew Doxtater.

Advance tickets are available for purchase here. Limited quantities available at the door. 

Excited? Us too. Save the date and meet the Palingenesis musical guests below and get ready for the hottest event of the season (on the coldest day of the year)!


Pony Girl

Pony Girl are masters of artpop, invigorating stages with a prismatic sound that’s all their own. Hailed for their “evocative soundscapes” (CBC Radio), “ability to push the boundaries that define pop-rock” (Mixtape Magazine), and “musical depth quite astonishing to experience in person” (Exclaim!), Pony Girl is a rare gem worth uncovering.

Instagram | Bandcamp | Spotify


Fraud Perry

“Fraud Perry is a vibe, a don't take shit type. Emerged from her chrysalis to ride a beat like a dick type...”

Instagram | Bandcamp | Spotify | SoundCloud


Treus Jones

Instagram | Spotify | SoundCloud


Crasher

“Crasher is a new three-piece electronic punk band fronted by Airick Asher Woodhead (Doldrums, errhead). Crasher formed during COVID while ‘bubbling’ in a shared jam space, and recorded the tape Street Cleaning Machines of the World, which released in spring 2021. They performed it live at Montreal’s OXYGEN outdoor rave event series in summer 2021.” — Suoni Per Il Popolo

Bandcamp


Lesser Evil

Lesser Evil is Ariane and Christophe, who grew up strangers in houses next to one another in the same small town, met years later and morphed into a haunted two-headed beast of a musical duo as if it was always in the cards. Driven by Ariane's vocals, Christophe's electronics and a shared propensity for refined-meets-broken production, they plumb the depths of sound and mind in ways equally intense, intricate and immediate.

Instagram | Bandcamp | Spotify


maxime.

maxime., born Maxime Trippenbach, is an alt-pop artist (self-released/AWAL) who writes, records, produces and engineers his music in his bedroom in Montreal. For his live show, he is accompanied by two friends: James Clayton on guitar and Lucas Kuhl on drums.

Instagram | Spotify | SoundCloud


DJ TRINIDADDY

“DJ TRINIDADDY (they/he) is an Odawa based and Tkaronto-born DJ, musician, & overall multidimensional artist. As a queer & trans Coolie femme boy in the DJ & music community, they aim to make party & gathering spaces accessible & safe(r) for QTBIPOC, and hope to inspire & create community through their sounds. From soca, chutney, & dancehall to afrobeats & sick club edits, there's no way yuh cah free up & feel up yuhself when they're spinning!” — Pique

Instagram | Mixcloud


Dimitri Georgaras

Ottawa-born composer, sound artist, and instrument builder. Dimitri's compositional voice is informed by deconstructing the fundamentals, limitations, and chaotic behaviours of analog electronics and digital signal processing, creatively exposing their musical potential through composition and performance.  

Instagram | Website | Bandcamp


DJ Russ Plus

Instagram | SoundCloud


Palingenesis Floor Plan


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