From Backwoods to Big City: Truck Violence's Debut is a Brazen Fusion of Hardcore and Folk

 

Truck Violence by SCUM

Recent heavy-hitter Violence by Truck Violence rips all the bandages off the skin of country living, exposing the raw, gritty wounds underneath. Released July 5th on independent label Mothland, Violence is the Montreal band’s debut record.  

From backwoods to big city, guitarist-banjoist Paul Lecours and singer-poet Karsyn Henderson moved to Montreal by way of Alberta in 2021. Joined now by Chris Clegg on bass and Ryley Klima on percussion, Truck Violence’s dark griefcore folk is embracing the more dire side of quaint, oft-romanticized backcountry life, tackling the realities of addiction and dysfunction that creep into the cracks of remote Western Canada. 

Lecours and Henderson are all experimental, all the time. Previously releasing a seriously twisted, probing electronic hardcore rap artpiece under the moniker No Cru5t (Hinterlands, 2023), these two know how to serve up gallant gloom on a platter. For this project, Lecours wraps banjo-tinged licks into an infernal hardcore burrito, swapping out experimental electro-beats for a dash of dulcet, melancholic folk.

Truck Violence by SCUM

But this album isn’t dark for the sole sake of darkness. “The album should inspire hope, just as much as it creates a sense of shame,” Henderson notes. Violence isn’t senseless. Deep inside those agonizing screams, sweet pangs of healing can be heard. “Through this project, we’ve recognized many shameful things in ourselves. These have been let go with much kicking into the music and the art, itself. This isn’t about accepting our faults, the way we hurt the people we care about, there is far more beauty in an honest bettering.” Henderson’s lyrics stretch out a hand to the community, hoping not only to be heard, but to grasp palms; binding together in solidarity. 

Underneath rattling blast beats, driving dissonant riffs, and dirty poetic shouts, the band’s opening track video, “Undressed you layn’t before” showcases this violent unity very literally. Shot on a fisheye camcorder—a possible homage to skate culture and a definite nod to DIY punk—the video exhibits a crowd egging on two humans slamming boxing mitt fists against each other. Under the nose of their charming, shit-eating grins reads the yellow lyric subtitle: “Tell me I’m good enough.” As the band begs to be part of something, to be interesting, to be written about—Henderson utters in anguish: “Ultimately, that’s my goal / to be written about”— bloody-toothed smiles shine on the faces of hugging friends. 

Fundamentally, that’s what it’s all about, isn’t it? Facing that human desire to feel “good enough” in a distorted dystopia does require a little bit of a fight. Being honest in this day and age requires a fine-tuned focus on the fissure of our fucked up reality. Truck Violence utilizes the sound of Violence to dig into their upbringing, fleshing out rural Canadian roots, but ultimately beckoning broader solidarity. Violence is not about violence. It’s about honesty and healing. It’s about family, be that blood-binding or chosen. It’s about community. And if I can be part of that greater reach, Truck Violence, here I am: writing about you.


VIOLENCE

Released July 5th, 2024 on Mothland

1. Undressed you layn't before

2. Lecture

3. Guns buried in the front yard

4. Drunk to death

5. The gash

6. He ended the bender hanging

7. I bore you now bear for me

8. Along the ditch till town

Credits:

All songs by Truck Violence

Chris Clegg - Bass

Karsyn Henderson - Vocals

Paul Lecours - Guitar & Banjo

Ryley Klima - Percussion

Production: Paul Lecours

Mixing & Mastering: Noah Baxter

Artwork: Truck Violence


Truck Violence

Instagram | Bandcamp | Spotify

Starly Lou Riggs is a queer agender visual artist, writer and musician from the United States, currently based in Montreal.

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PREMIERE: Night Lunch Trashes Post-Breakup Blues in "Junkyard of Love" (Music Video)

 

Night Lunch by Aabid Youssef

Suitcases packed for their SXSW debut, Montreal misfit pop entourage Night Lunch unveils their new music video for “Junkyard of Love.” Coming off the band’s 2023 sophomore album Fire in the Rose Garden, “Junkyard of Love” is a gritty reimagining of the Brill Building ballad for today’s broken-hearted. 

On “Junkyard of Love,” Night Lunch frontman and music video star Lukie Lovechild shares “‘Junkyard of Love’ is a song about loneliness and isolation. Cannon fire says just how silly we can be, planting us firmly as the butt of the joke.” 

The prescription for coping with a dying flame is different from person to person. Some indulge at the bar of a local watering hole, take up ping pong, or find themselves in the depths of Reddit rabbit holes in the middle of the night. For Night Lunch, a cynical personification being “down in the dumps” in their oddball Phil Osborne (Osborne Oddities) cut depicts Lovechild as a lover scorned, wrestling with stinging bruises in a psychedelic scrap yard. 

Watch the premiere of Night Lunch’s “Junkyard of Love” below!

Director Phil Osoborne on “Junkyard of Love”:

“Lukie gave me some footage that he and Marlee shot in a junkyard. I edited what I thought were the best parts then did some rotoscoping of Lukie over the footage using a computer screen as my rotoscope machine. Going frame by frame with paper on the screen, tracing him playing guitar or dancing. These parts were inspired by Rick Raxlen's animations. Then I decided to improvise some more animation based on what is said in the lyrics, including some junkyard-type creatures such as a love tank shooting hearts out of its eyes. All drawings were done using sharpies on 8.5” by 11” paper. At least 600 drawings in total.”

Catch Night Lunch on tour across the USA & Canada this spring:

March 12th, 2024 - Austin, TX @ SXSW (Swan Dive)
April 19th, 2024 - Québec City, QC @ Le Pantoum
May 10th, 2024 - Sainte-Thérèse, QC @ Santa Teresa

Night Lunch

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Zoë Argiropulos-Hunter (she/her) is the Co-Founder and Managing Editor of Also Cool Mag. Aside from the mag, she is a music promoter & booker, and a radio host & DJ.


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PREMIERE: Alix Fernz Enters a Black Lagoon Alternate Reality in "Muselière"

 

Alix Fernz by Antoine Giroux

Allo, and welcome to the world of Alix Fernz. The local post-punk artist has been taking over the Montreal scene over the past several months, most recently playing explosive sets at M for Montreal, Taverne Tour, and Le Phoque OFF. We've been fans of his work since seeing Alix perform at Système earlier last year, where he somehow managed to crowd-surf the dancefloor. It's also become the norm for us to greet each other by saying "AllO," inspired by Alix's song “Muselière”, so we couldn't pass down the chance to premiere the music video.

As we enter Alix's subconscious, we're greeted by a Black Lagoon-inspired version of himself, chasing him relentlessly in and out of his dreams. We follow Alix's alter ego as he robs a vintage shop, parties too hard, and gets kicked into another dimension where he gets into even more trouble.

"Through a character named Benjamin, the lyrics from “Muselière” recount my experience at a private school where freedom of speech was frowned upon. It's the first track of the album, a key song filled with intensity." – Alix Fernz

Alix Fernz by Antoine Giroux

“Muselière” gives us a taste of what's to come with his debut album Bizou, which is set to be released on April 19th via Mothland. Bizou depicts, through honest and anchored lyrics, a red-lit reality, the scene for nocturnal musings ranging from petty fantasies all the way to lurid nightmares. Singing about bar life, Alix delves into psychosocial disorders, drug addiction, and fear while drawing inspiration from high heels, lipstick, transvestism, fashion, and weirdos. He lays out along masqued syllabic beats the accounts of a coming-of-age in an era wherein likes and memes are all the rage. It's a beautiful delirium at the crossroads of art, pop, punk, and psychedelic rock, hitting the hearts of fans of Hubert Lenoir and Crack Cloud.

Catch Alix on tour across the USA & Canada in the coming months:

March 6th, 2024 - Montréal, QC @ La Sala Rossa (with Omni)

March 11th-16th, 2024 - Austin, TX @ SXSW

April 28th, 2024 - Toronto, ON @ The Baby G

May 16th, 2024 - Montréal, QC @ Pow Pow (Montréal Album Launch)

May 23rd, 2024 - Chicoutimi, QC @ Bar à Pitons

May 24th, 2024 - Québec, QC @ Le Pantoum (Québec City Album Launch) 

May 25th, 2024 - Rimouski, QC @ Les Bains Publiques


Alix Fernz

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Malaika Astorga is the Co-Founder & Creative Director of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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Also Cool's FME 20th Anniversary Top Picks: Round Two

 

OMBIIGIZI by Rima Sater

You thought we were done with FME top picks? Think again! The abundance of incredible artists playing the the festival this year made it impossible to fit all of our faves into one article. Honestly, two articles isn’t even enough but we’re doing our best to not overwhelm you.

To help you get into it (and maybe make that last-minute impulse festival pass purchase), we’ve also assembled an accompanying playlist to listen along as you discover our top picks.

OMBIIGIZI 

Together as OMBIIGIZI (om-BEE-ga-ZAY), Zoon (Daniel Monkman) and Status/Non-Status (Adam Sturgeon), steer Indigenous Futurism with their hard-hitting, yet vivid, unification of shoegaze, dream pop and post-rock. On their debut release Sewn Back Together, the pair establish a nurturing back-and-forth in sound and spirit, sharing stories of heritage, kinship and seeking truth through reviving and engaging Anishinaabe traditions in their creative process. Throughout Sewn Back Together, both melodic vocals and assertive spoken word lather in flanging drones and delicate, acoustic reveries. In Anishinaabemowin, ombiigiizi means “s/he is noisy,” and we couldn’t be more enthralled by the dynamism of distortion and murmurs these two have brought to the table thus far. 

OMBIIGIZI plays Diable Rond - 165 Avenue Carter on Sunday, September 4th at 6PM. 

OMBIIGIZI  

Instagram | Bandcamp 

CDSM by Ben Rouse

CDSM 

Does anyone remember Pop Rocks candy? CDSM (Celebrity Death Slot Machine) embodies the same kind of fizzy spike: with convulsing, darkwave undertones flirting with disco indulgences. Based in Atlanta, the collective jolts with a circus-like frenzy that is irresistibly sinister. The group’s most-recent EP, Hell Stairs, spirals into a feverish affair between angry-robot instrumentals, sneering saxophone and bombastic rhythms. For fans of skull-crushing acts like Viagra Boys and Black Midi, queue-up and spin out with CDSM. 

CDSM plays the basement of Petit Théatre du Vieux Noranda - 112 7e Rue Saturday September 3rd at 11:59pm. 

CDSM

Instagram | Bandcamp 

Pelada by Liza Kin

Pelada 

Montreal synth-punk fixture Pelada have gone viral in the nightlife canon after breaking out in their hometown’s warehouse afterhours scene in the 2010s. Composed of Chris Vargas and producer Tobias Rochman, the duo has garnered attention in diverse circles for their energetic and urgent arrangements dissecting power and injustice through pulsating, acidic agitation. Since their Soundcloud beginnings, Pelada have added notches to their raver belts since performing at the infamous Berghain, the iconic LGBTQiA2+ Zoom dance party Club Quarantine, and most recently, Primavera Sound. 

Pelada plays the basement of Petit Théatre du Vieux Noranda - 112 7e Rue Saturday September 3rd at 11:59pm. 

Pelada 

Bandcamp

Magi Merlin by FENG

Magi Merlin

Is it any surprise that we’re excited to see Mag Merlin? We’ve been obsessed with her music and creative expansion as an artist since we first interviewed her in 2020. Her most recent album Gone Girl has brought her international stages, nonstop shows, and well-deserved recognition. We’re looking forward to reconnecting with this rising star and self-described “cheeky nihilist.” 

Magi Merlin plays Scène Fonderie Horne - Guinguette Chez Edmund, Chemin de la Grande Place Friday September 2nd at 8pm.

Magi Merlin

Instagram | Spotify

NO WAVES

Barely old enough to get into the club, but punk enough to fill an entire skate park with moshing Montrealers, NO WAVES will play the closing party of FME. Known for their rowdy and respectful local shows, the group has been working hard to make a name for themselves these past few summers. With a sound that draws on 2014 surf rock and punk genres, NO WAVES is sure to shake Rouyn-Noranda to the core.

NO WAVES plays the basement of the Petit Théatre du Vieux Noranda - 112 7e Rue on Sunday September 4th at 11:59pm.

NO WAVES

Instagram | Spotify 

Gloin by Nikki Dicunto

Gloin

Gloin is a four-piece noise rock group from Toronto, known for their cathartic live sets and eclectic songwriting. Their latest single “Shoot to Kill,” sets the tone for their upcoming debut album We Found This (to be released via Mothland on October 21st). It’s a discotheque-friendly post-punkish scorcher about breaking the monotonous working life cycle, drawing on influence from Sonic Youth, Pixies, and Battles. 

GLOIN plays at Cabaret de la Dernière Chance - 146 8e Rue on Friday September 2nd at 11:59pm.

GLOIN
Instagram | Spotify

FME

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Also Cool's FME 20th Anniversary Top Picks: Round One

 

Elizabete Balčus by Zane Zelmene

Once again, we’re packing up and heading to Rouyn-Noranda over the Labour Day long weekend to hit FME in Abitibi-Témiscamingue! The jam-packed four-day festival never disappoints, and this year’s lineup in celebration of its 20th anniversary is stacked with familiar favourites and new must-see acts for us here at Also Cool (and maybe you, too!) Get a taste for the artists we’ll be catching this weekend in the first edition of our FME 20th Anniversary Top Picks below!

Mitch Davis by Richmond Lam

Mitch Davis 

Montreal producer and multi-instrumentalist Mitch Davis boasts a smooth take on indie rock that we’re excited to hear in a live context for the first time! We became acquainted with Davis’ sunny breakup songs over the pandemic, and have been hooked on his Easter egg-laden jams ever since. In our recent interview with Davis, we entertained touring his debut LP The Haunt with a full band, so it feels full circle to have this long-anticipated set on our list.

Mitch Davis plays Café L’Abstracto on Sunday, September 4th at 5PM. 

Mitch Davis

Instagram | Bandcamp

Alicia Clara by Tess Roby

Alicia Clara 

Dream-pop songstress Alicia Clara brings a delicate whimsy to her songwriting, refined on her brand new single “Only Fools Wish For Love”. The track invites anticipation for her next offering, her EP Velveteen, which arrives on October 28th via Hot Tramp. When guesting on our podcast Also Cool Sounds Like, Clara spoke to the isolation she was experiencing in contrast to the momentum of moving to Montreal from Switzerland. With a taste of what’s to come from Clara, we’re eager to hear new work from her at the festival. 

Alicia Clara plays Guinguette Chez Edmund - Scène Fonderie Horne on Sunday, September 4th at 2PM. 

Alicia Clara

Website | Instagram | Bandcamp

Elizabete Balčus by Zane Zelmene

Elizabete Balčus 

All the way from Rïga, Latvia, neo-psychedelic avant-gardist Elizabete Balčus weaves spectral vocals, flute and electronics into otherworldly sonic collages. We were introduced to Balčus’ Nina Hagen-meets-Björk compositions through our friends at Mothland and instantly fell in love with her surreal performance theatrics. Balčus plays FME hot on the heels of her upcoming album Hotel Universe, set to arrive September 16th via Mothland. We implore you to fall down the rabbit hole into Balčus’ fantastical daydream where she rules with innovative fascination. 

Elizabete Balčus plays the Videotron Stage - 200 Murdoch Avenue on Saturday, September 3rd at 8PM. 

Elizabete Balčus

Instagram | Bandcamp

Kee Avil by Lawrence Fafard

Kee Avil 

The brainchild of Montreal-based composer Vicky Mettler, Kee Avil combines guitar, voice and electronic production “to create songs that teeter on the edge of collapse while oozing forward, like sticky wax picking up and shedding disparate elements along the way.” Mettler’s intimate songcraft entrances listeners with whisper-like vocals and post-punk structures, transforming a space of any size into an immersive musical experience. Mettler’s striking stage presence struck a chord with us at the most recent edition of Ottawa-Hull’s PIQUE festival, making their debut LP Crease now a constant rotation. 

Kee Avil plays the Hub Desjardins - 218 Murdoch Avenue on Friday, September 2nd at 5PM. 

Kee Avil

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Sheenah Ko via Bandcamp

Sheenah Ko

Also a core member of Besnard Lakes, Montreal-based synth-pop artist Sheenah Ko’s work is “avant garde electronic pop for those who want to get into a trance, get into a vibe, get deep and get real”. We virtually co-presented Sheenah at Taverne Tour x Also Cool Present: Into the Matrix with Andy Jon and Sheenah Ko in early February of this year, and cannot wait to hear songs from her latest album Future is Now, released this past May.

Sheenah Ko plays Guinguette Chez Edmund - Scène Fonderie Horne on Friday, September 2nd at 9PM.

Sheenah Ko

Website | Instagram | Bandcamp

Grim Streaker via Mothland

Grim Streaker

Brooklyn’s Grim Streaker sport weirdo sing-talk rock that you cannot help but bop to. Their latest album MIND is described as “a surreal, subversive world of four songs that reflects on the current state of mental health, laughable social constructs and the inescapable working grind”. Grim Streaker, now signed to Mothland, have been making their way around the United States opening for acts like Idles and METZ.

Work for a dime/Get back in line/Zip up your mouth - MIND

Grim Streaker plays Cabaret de la Dernière Chance on Thursday, September 1st at 11:59PM.

Grim Streaker
Instagram | Bandcamp

Tamar Aphek by Rotem Lebel

Tamar Aphek

Israeli concert-pianist-turned-distortion-guitarist Tamar Aphek takes the stage at FME opening for Chad Vangaalen. She’s been a part of Israel’s underground scene for over a decade, known for asking her collaborators to “play as crazy as [they] can.”

Aphek thinks of her performances as plays or cinematic experiences and considers the characters and roles she and her bandmates play. In her song “All I Know”, she peels back so many layers of who they are and what the characters want that “eventually nobody knows who is who in the song.”

Tamar Aphek plays Scène Hydro Québec - 112 7e Rue on Friday, September 2nd at 9PM.

Tamar Aphek

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FME

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Magi Merlin, Milk Jennings, La Sécurité and Scarlet Rae - Also Cool's Playlist Refresh

 

Magi Merlin via Bonsound

Do you feel like a new chapter of your life has begun, but you don't quite have the soundtrack for it yet? Look no further than Also Cool's Playlist Refresh, a bi-weekly quickie roundup of all the new music we're listening to right now.

Starting off strong with Magi Merlin's fiery new track, "Pissed Black Girl" (released on Bonsound). The cathartic dance anthem follows "Free Grillz" and channels years of pent-up frustration, transforming the anger of dealing with fake progressives into something ecstatic and life-affirming. Magi subverts the tired trope of the 'angry Black woman' through her lyrics as a means to empower herself.

Stay tuned for her upcoming EP Gone Girl, which draws inspiration from 90s house, drum and bass, Motown and acid-flecked hip hop.

Next up, franco art-punk outfit La Sécurité join our friends at Mothland and have shared their first single, "Suspens." Their music is equal parts jumpy beats, efficient minimal hooks and scratchy melodic spouts ran through a ubiquitous insomniac filter; the result of excessive exposure to La Grande Métropole's neon lights.

La Sécurité via Mothland

"Suspens" is accompanied by an official music video filmed all in one shot with handheld camera work. Éliane (a contemporary dancer, singer and musician) expresses her desire through movement to step out in the dizzy and electric nightlife. Watch the video below.

Speaking of nightlife, Milk Jennings has released his third single, "Downtown" (produced by Sam Cohen). It's a classic romantic indie rock love song about sweeping your partner off their feet and dancing the night away — a cliche that Jennings portrays through a different lens.

Downtown by Milk Jennings

In Jennings’ own words:

"I wanted to be cliche with the romance here because in truth, the song is coming from the lens of someone feeling depressed and distant in their relationship, and longing for those sweet and simple moments of romance and intimacy - but not having the energy, or will to make them happen. "Downtown" is a fantasy land - a place far from reality, where you can dance the night away with your partner. The last words in the chorus are - "Lately I've been lost in my mind / So meet me Downtown tonight." It's romantic, sad, apologetic, and hopeful all in one."

Milk Jennings' full-length album Sleep Talker is out June 3rd via Telefono (Digital), ORG Music (Physical), and Modern Sky (China).

Last but not least, we have Scarlet Rae's "Built to Spill," named after the 90s indie post-modern rock group. Scarlet's take on the iconic name follows the languid, shoegaze sound set in place by her previous singles "Seems Like Forever" and "Incandescent Wonderland".

Scarlet Rae by Jason Renaud

The single is accompanied by a music video that brings her sombre lyrics to life, shot on the streets of New York City by Kristen Jan Wong and Jeremy Reynoso. Lofi handheld camera work follows Scarlet through the subway and bars of the city while droning guitar and heavy drums balance delicate vocals. "But I'm built to spill, falling on my knees like a little girl / whisper in my ear how much I'm not real, woke up in the basement think I'm happier here."

"Built to Spill" is off Scarlet's upcoming album, set to release sometime this year.

That's it for this first edition of Also Cool's Playlist Refresh. You can listen along to our playlist on Spotify, and stay tuned for the next round of new tunes.

Malaika Astorga is the Co-Founder & Creative Director of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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Visibly Choked Cut Their Teeth on 13-Minute Self-Titled Debut (Mothland)

 

Visibly Choked album artwork by Cassidy Johnson

Montreal experimental punk outfit Visibly Choked left us on the edge of our seats after their set at FME this fall; inciting head-banging amongst a chair-bound basement crowd amid COVID-19 restrictions. Last week, the band cut all anticipation full-stop with the delivery of their self-titled debut via hometown label Mothland. In all its thrashing, pantyhose-splitting glory, the six-track EP is turning heads for all the right reasons. 

Recorded off-the-floor with Steven Gibb at Lite Downs Studio, Visibly Choked immerses the listener in the five-piece’s fever dream—managing to capture the sweltering erraticism of their sorely-missed live sets, without compromising the integrity of their sound and their commandment of a room. 

Seducing us from the gate with gritty twister “Mother Tongue,” Visibly Choked reminisce punk’s legacy practice of pairing a driving beat with existentialism. Along with a Lynchian music video, “Mother Tongue” ponders estrangement from one’s heritage and the scars of cultural assimilation. 

Next, “Too High” shoots an exasperated eye-roll at a bedframe-less hookup. Between surfy guitars and the haze of the night before, Visibly Choked recount the all-too-familiar frustrations of dodging someone you didn’t expect to see at a show. 

The spiralling “Uneven Keel” follows: epitomizing the band’s self-described "five people having a panic attack" sound. Heavy in sentiment and atmosphere, the barely two-minute melter dissents into a paranoid frenzy, anxiously dissecting themes of identity, existence and trust. 

Visibly Choked courtesy of Mothland

Coming up for air on “A Snake Called Ean,” lead vocalist Gabby Domingue wraps listeners around her finger with each dragging sibilance. Building from the brooding bassline at its core, “A Snake Called Ean” waxes and wanes with Domingue’s repeated bitter lament: “It’s so much harder to love you than to need you.” 

The album’s final two tracks make sure to grab you by the collar on the way out. With “Third Time’s the Charm” and “Shit Lord,” the group return to gnarly hysterics to tie the bow on their first offering. 

In a scrumptious 13 minutes, Visibly Choked manage to indulge listeners without allowing us to get too comfortable. 

Visibly Choked

Instagram | Bandcamp | Spotify

Zoë Argiropulos-Hunter (she/her) is the co-founder and managing editor of Also Cool Mag. Aside from the mag, she is a music promoter & booker, and a radio host & DJ.


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Sunglaciers Release MGMT-Inspired Indie Pop Track "Draw Me In" (Mothland)

 
via Mothland

via Mothland

According to our recent Instagram polls and that one guy's TikTok, we've all been missing early 2010s indie-pop in a real way. MGMT, Phoenix, M83, and Passion Pit had held us with a vice grip for a while with their sparkly guitar riffs, upbeat vocals, and slightly dystopian lyrics.

Lucky for us, Sunglaciers (Mothland's latest signing) fill that nostalgic void with their latest single, "Draw Me In." The track is reminiscent of The Postal Service's "Such Great Heights" and embodies the band's self-blurring of dazzling indie-rock melodicism and icy post-punk experimentation genres. It's a departure from their earlier shoegaze sound and delves into MGMT-inspired pop.

Sunglaciers came together as a band in 2017 and are based in Calgary. The track was co-produced by Chad VanGaalen and mixed by acclaimed engineer Mark Lawson (Arcade Fire, Yves Jarvis, The Unicorns). It's also accompanied by a video directed by pluri-disciplinary artist Anthony Lucero.

"I went with the direction I did because the sound and spatial structure of the song was very fluid and encompassing. I found that when messing around with machine learning that flowers and daisies really fit the nature and energy of the song better than anything else could." -- Anthony Lucero

Watch "Draw Me In" below

Sunglaciers

Website | Bandcamp | Spotify | Apple Music | Youtube | Instagram | Facebook


Malaika Astorga
is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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Marilyne Lacombe (Mothland, Taverne Tour, DISTORSION, FME) Talks Music Industry Beginnings and Montreal's Alternative Music Scene

 

Image courtesy of Marilyne Lacombe

Live music is back with a vengeance, thanks to hardworking folks like Marilyne Lacombe. If you haven’t met Lacombe at L’Ésco already, you’ve definitely attended one of her brainchild events. For over a decade, Lacombe and her entourage have cultivated pillar projects at the core of Montreal’s alternative music scene, including Taverne Tour and DISTORSION psych-fest, as well as booking agency and indie label Mothland. We had the chance to meet Lacombe IRL at this year’s edition of FME, and catch her in action as a festival programmer and producer. Between sets, Lacombe graciously took the time to chat with us about her career beginnings, starting a label during a pandemic and her must-have essentials for any festival go-er. Check out our conversation with Lacombe below! 

Zoë Argiropulos-Hunter for Also Cool: Hi Marilyne! Thanks so much for chatting with Also Cool. To start, you've been around the block when it comes to the music biz. Tell us about your intro to this career path.

Marilyne Lacombe: I started to book shows in Montreal in 2008 when I was in charge of the music programming at Chez Baptiste sur Masson. Back then, the bar presented shows every week!  I had this idea of doing an alternative “St-Jean” that would celebrate the contemporary Montreal indie scene, in opposition to the nostalgia medley traditionally presented at Parc Maisonneuve. Then, “L’Autre St-Jean” was born. It created a whole media and political circus, as we were criticized for adding anglophone bands to the lineup. In the end, it really helped put the event on the map, and during the course of  five editions, we had close to 10,000 visitors coming every year at Parc du Pelican in Rosemont. We sadly had to end it because of the lack of funding; we were honestly taking huge financial risks for a one-day event.

A couple years later, I founded a multi-venue festival called Taverne Tour with my partner from “feu” L’Autre St-Jean, Pierre Thibault. Initially, it was just about creating a fun festival in the middle of winter that doesn’t take itself too seriously and trying to cure that January depression, all the while supporting small local businesses. The response was so great that it quickly became a staple in Montreal’s festival circuit. Over the years, we’ve presented some of my favorite bands, including: Deerhoof, METZ, A Place To Bury Strangers, Föllakzoid and Guerilla Toss, just to name a few.  

Image via Taverne Tour

Also Cool: When did Mothland come into the mix?

Marilyne Lacombe: Around the time of Tavern Tour, I joined some like-minded people —gravitating around L’Esco— and together we founded DISTORSION. We wanted to present a well-organized, independent, underground psych festival with modern and diversified art direction.  We quickly gathered a community around the festival and eventually, we decided to start Mothland to help further the bands that we were working with, as no other booking agency would work with them.  Back then, I was pretty adamant of not transforming this into a label… But when COVID-19 hit the music industry, we weren’t all that keen on organizing livestream events, as we felt they would not really connect with our audience… So. starting a label was a great way to move forward with our mission.  I’m not sure how we got here so quickly, but we’re currently working on our 17th release!

Image via Mothland

Also Cool: That’s amazing! Segwaying off of that, let’s talk about this year’s edition of FME, which was a long-awaited return to live music. Seeing as music festivals are certainly you're thing; what makes FME stand-out and what was your involvement with the festival? 

Marilyne Lacombe: I started programming for FME four years ago. At the time, I would book a handful of weirdo and wild card bands on the lineup. As of 2020, I've been directing the programming with the support of my Mothland colleagues. Since the festival is mainly focusing on new acts and music discoveries, we have almost infinite artistic leeway and are able to put forth cutting edge programming. The festival has been running for almost 20 years now and over the time, has built a solid and trustful relationship with the artistic community across Europe and North America. It’s truly an honour to take on curation duties for such a great event!

I think there is something very magical about FME. Doing the annual 8-hour pilgrimage to a remote mining town, up in northern Quebec, for 4 days of music, is always a highlight of the year. If you compare it to similar festivals in Montreal, I feel like there are so many other distractions. During FME, people really have one thing to focus on; going to concerts to discover new music. There is also something exciting about bringing international acts and inviting them to this northern region of Quebec, as they would never end up there otherwise. I also love that the local community is deeply involved in the festival, making it a communal event where everybody chips in! 

Image via FME

 AC: What was it like programming the festival this year and what acts were your favourite?

ML: There is something really weird and exciting about programming a festival in COVID times. Usually, you’d see pretty much all the bands live before booking them. This year, we programmed many artists that we’d never seen live!  Though it was a bit risky, I was really pleased with taking the leap overall. I loved seeing Toronto’s kulintang ensemble, Pantayo, for the first time; ‘’mockasin-gaze’’ outfit Zoon; Quebec-Atikamekw grungy indie-folk artist Laura Niquay; Jangle-pop duo Ducks Ltd.; and canadian shoegaze veteran No Joy.

 

AC: What are your music festival essentials that you can't live without during festival season? 

ML: Well, since we’re talking about FME here, I could not survive without my fall clothing essentials: a lot of sweaters, jackets, mittens, hats, and scarves! Fortunately this year wasn’t too bad, but I always come prepared because it has literally snowed during FME weekends in the past.

Other than that, I always have an iconic Taverne Tour flask in my bag, which also helps with the cold weather!

 

AC: In closing, are there any other current projects that you're working on that you'd like to shout out? 

ML: Definitely check out Mothland’s upcoming releases! I can’t tell you too much about them, but we really have some badass releases coming down the pipeline! Also, we’re preparing for the return of live music events in Montreal… Stay tuned! 

Taverne Tour

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DISTORSION

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Mothland

Website I Facebook I Instagram

FME

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Zoë Argiropulos-Hunter (she/her) is the co-founder and managing editor of Also Cool Mag. Aside from the mag, she is a music promoter & booker, and a radio host & DJ.


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Meggie Lennon's Debut LP "Sounds from Your Lips" is a Psychedelic Dream Pop Wonderland

 
Album art via M

Album art via Mothland

Are you in need of a 60s-inspired psychedelic soundtrack for your cottagecore botanical gardens date? Yeah, we thought so. 

Meggie Lennon's self-described "make-out-dream-pop" album “Sounds from Your Lips” is the perfect mélange of shimmering psychedelia and sensual chamber indie-pop. Released on one of our favourite local labels, Mothland, the record was produced by Samuel Gemme (Corridor, Anemone, The Brooks). It features the guitar-playing of The Besnard Lakes and Elephant Stones' Gabriel Lambert and additional contributions from her longtime friend and collaborator, Jules Henry (Super Plage). 

If you're a fan of Weyes Blood, Charlotte Gainsbourg, or Melody's Echo Chamber, we can guarantee you'll fall in love with Meggie. We got to know a bit more about the singer's world over email, and after meeting IRL at FME earlier this month, we can guarantee that the singer radiates as much sunshine and kindness in person as she does on her record.

Dive into Meggie's world below

Meggie Lennon by Mélissa Gamache

Meggie Lennon by Mélissa Gamache

Also Cool Mag: From the mellow sparkle of 'Night Shift' to the unapologetic seduction of 'Long Time,' this album is wrapped up in a sense of pleasure and hedonism. How did this thematic inspiration come to the surface, and what does it mean to you to create with indulgence? 

Meggie Lennon: I am very easy to please. Simple pleasures are the best, from a nice warm espresso to a gentle kiss on the neck. My songs are inspired by my own life. I like to have fun, eat well, and listen to vinyl. I am very fortunate to have the life I have and am very thankful.

AC: This album is the perfect fit for the heat of summer's haze, timing brilliantly with a reopening world and further avenues for exploration. If you could describe the perfect scene meant to be soundtracked by Sounds From Your Lips, what would it be? 

Meggie: It would be in a natural setting, where a couple would lay in the green grass and kiss passionately under the warm sun. Water would be nearby, ready to welcome these warm bodies in love.

AC: The music video for 'Night Shift' is such a dream, balancing kaleidoscopic sensations with coyness and intimacy. Tell us more about the process of creating this video. 

M: I am lucky enough to be surrounded by really creative friends. I had jotted down all my ideas and showed them to my friend Marielle Normandin Pageau. She really dug it and called her other friend Samuel to operate the cameras. We shot everything in two days. Four locations were needed: a parking lot, a lake, a bathtub and my basement. It was a lot of fun but was quite intense since it was in October and the water was crazy cold. Marielle is a real magician when it comes to editing. She really succeeded in conveying the psychedelic feel we wanted through her shot selections and image superpositions.

Meggie Lennon - Photo de presse 1 par Mélissa Gamache.jpg

Meggie Lennon by Mélissa Gamache

AC: How do you nurture yourself creatively and inspire artistic reflection? 

M: As I said, what I see around me and do every day inspires me greatly: a walk in the park, a feeling of depression or happiness, my flowers and plants growing, a crazy bar hopping adventure with my friends, a live show, anything. I like to keep it simple and straightforward. I am not a poet though I enjoy poetry. Leonard Cohen is amongst those I enjoy. And the music, always more music, passionate musicians like Weyes Blood and Kevin Parker greatly influence my writing.

Catch Meggie Lennon live at POP Montreal & DISTORSION’s showcase with Hot Garbage and ALIAS on September 25th! RSVP on Facebook

Meggie Lennon

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Rebecca L. Judd (she/they) is the features editor of Also Cool Mag. She writes and creates out of a studio apartment in Ottawa, kept company by vivid dreams and a cuddly grey kitty named Dora.


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Neo-Psych Rockers Hot Garbage Share Spooky Video for "Sometimes I Go Down" (Mothland)

 
Artwork by Derek McKeon

Artwork by Derek McKeon

Are you in need of some brain-melting psychedelic rock? Well, you've come to the right place. Toronto-based psych outfit Hot Garbage, who are newly signed to Mothland, meld their shiny metallic melodies with gritty krautrock and post-punk rhythms to bring us along on a gaseous neo-psychedelic trip. 

Their latest single, “Sometimes I Go Down,” takes inspiration from the sounds of Sonic Youth, and gives us a taste of their upcoming album Ride. The track is accompanied by a spooky music video featuring mysterious calls in parallel universes, tarot cards, and more

We caught up with the band in anticipation of their set at FME on September 3rd to chat about their music and what's to come in for Hot Garbage in 2021.

Photo by Alex Carre

Photo by Alex Carre

Malaika Astorga for Also Cool: Hi! It's nice to meet e-meet you. I'm interested to know how you all met and how that friendship turned into Hot Garbage.

J: You too. Alex is my brother, so I've known him since birth. He was putting a band together with Mark, who he had played with in bands throughout high school. I jumped in on bass, and Dylan, who I'd recently met through friends, joined shortly afterwards to fill things out on keys/synth.

A: Thanks for having us! That's pretty much it, yeah. We were hanging out and going to shows and listening to music together in Toronto. So we started experimenting with writing and playing together, and it was fun! We started doing little gigs and stuff around the city.

Also Cool: Your sound is unmistakably psychedelic. Can you give us some insight on where your inspirations are coming from and what those different genres' scenes are like?

J: Our musical inspirations are pretty varied. I think for this record we're putting out now, we delved into a lot of krauty / noisy territory - inspired by stuff like CAN, Gary Numan, Sonic Youth, Exploded View. We also draw a lot of inspiration from the local scene. There's a ton of quality music coming out of Toronto. Even without hanging with those people and seeing them at shows, I'm listening to amazing record after amazing record that people have been putting out during the pandemic.

A: Yeah, I think all of us really enjoy a lot of different types of music. From a writing standpoint, psychedelic is a great access point to play with musical ideas. The human experience can be so psychedelic, mysterious or strange at times, and those feelings are also so hard to put into words. So I often feel like psychedelic music is just music that is relatable in that way. We're extremely lucky to be a part of a great music community here in Toronto!

AC: Psych shows are often accompanied by crazy visuals that enhance the overall experience. Do you have any memorable/favourite psych shows that you've been to?

J: Definitely. Anything the Oscillitarium has done visuals for is memorable. They have this magical way of transforming any space. A Place To Bury Strangers at the last Crystal Lake was pretty amazing and intense. I've seen Black Angels a bunch, and they always have great visuals by the Mustachio Light Show. There are also a lot of sets that stick with me from Levitation and Desert Daze over the years, like Iggy Pop, 13th Floor Elevators, Jesus and Mary Chain, John Cale. The installation art and visuals are always really well done at those fests; it's clearly factored into the experience.

A: Yeah, it's interesting to see this live collaboration between visual artists and musicians! Oscillitarioum light shows in Toronto rule. With buds like Possum, Kali Horse, Vypers, Mother Tongues, and so many more. I also remember having a pretty profound experience seeing John Cale at Desert Daze a few years back. The visuals and music hit me so hard. It was such an expression.

AC: I'm curious about the mysterious phone calls in your most recent music video. Can you give us any hints of who the mystery caller might've been? I'd also love to know a bit more about the tarot symbolism in the video.

A: Good question... We were playing with the idea of these kinds of gross dudes (Dylan, Mark and myself) talking on the phone and maybe being warned about something and not taking it seriously. While we're being gross, we meet our demise. Juliana maybe heeds the warning and challenges fate by pulling the right card (mystical tarot magic). She's "in touch" with the caller.

Also for the record, we made this video like a year before the pandemic, so any parallels there were not planned… Last year, when the band could only talk on zoom, we were joking about how it looked just like our music video!

AC: We're very excited to see you play IRL at FME. What are you most looking forward to at the festival?

J: Thanks, we're really stoked to play. I'm looking forward to seeing Paul Jacobs and OBGM's for sure. There are a bunch of friends going who I haven't seen in a while, so I'm excited to just hang out and see some shows. I am going to try and catch Cadence Weapon on Thursday if we get in in time. 

A: Thanks! Yeah, I know Paul Jacobs and the OBGMs have such great energies, and I can't wait to soak that up! Also just to be able to play again and be at a show feels so good. This will be our first indoor gig since the pandemic started.

AC: Lastly, what are your plans for the next year, now that shows are happening again?

J: We will be playing shows around the release of our new record - fall/winter will be mostly local-ish but hoping to make it back down into the US to do some touring in the spring. There is also new material being passed around, so we're going to be working on putting that together for the next thing. 

A: Exactly, finally tour this record! We'll go to the USA again and play some shows as soon as we can. But we've been writing tons during the pandemic, so we'll also be working on new material.

Watch Ride below

Hot Garbage

Bandcamp | Spotify | Apple Music | Youtube
Instagram | Facebook

Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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Also Cool's FME Top Picks: Round One

 

Pierre Kwenders by Uproot Andy

If you haven’t already heard of Quebec’s FME (Festival de musique émergente), we’re thrilled to acquaint you. Founded in 2003, FME is an annual music festival held in the beautiful town of Rouyn-Noranda and exclusively highlights independent artists. Our team is grateful to be attending this year’s edition of FME, and leading up to the festival we will be rounding up our list of must-see (and hear!) acts from the 2021 lineup (which is top-tier all around, for the record). Take a peak at our first collection of FME Top Picks below, featuring Pierre Kwenders, Lido Pimienta, Pantayo and Crabe.

Pierre Kwenders by Fanny Viguier

Pierre Kwenders 

Pierre Kwenders is the stage-name of Congolese-Canadian singer-songwriter José Louis Modabi, who is somewhat of a living legend as a Juno-nominated and Polaris-longlisted after-hours king. After immigrating to Canada as a teenager, Kwenders attracted widespread attention for his guest appearance on Radio Radio’s 2012 album Havre de Grace and began releasing his own music shortly thereafter. The Montreal-based musician is celebrated for his music that “is a response to a world that so often asks people who fit comfortably in multiple boxes to pick only one.” Known for rapping and singing in multiple languages (English, French, Lingala and Tshiluba), Kwenders is also recognized for his percussive rhythms that command undeniable danceability. If you find yourself in Montreal, check out Kwenders’ after-hours Moonshine soirées, held every Saturday after the full moon in a location only disclosed via text message the day of the event. 

Pierre Kwenders will be performing at FME on September 2nd, 2021 at 7:00PM EST

Website | Instagram | Bandcamp | Spotify

Lido Pimienta by Daniela Murillo

Lido Pimienta 

Another trailblazer on our Top Picks list is Lido Pimienta, the Afro-Indigenous, Colombian-Canadian superstar who dazzles audiences with her artistry, while simultaneously confronting systemic toxicity that permeates society at large. With the 2016 Polaris-Prize win under her belt, Pimienta is known for her mesmerizing poetry, electronic soundscapes that embrace her Afro-Indigenous traditions, and a wholeheartedly punk stage-presence and outlook.  Now based in Toronto, Pimienta also works as a visual artist and curator who explores “the politics of gender, race, motherhood, identity and the construct of the Canadian landscape in the Latin American diaspora and vernacular.” To top it off, she has of the most eye-catching performance attire and visuals we have ever seen. 

Lido Pimienta will be performing at FME on September 2nd, 2021 at 7:00PM EST

Website | Instagram | Bandcamp | Spotify

Pantayo by Sarah Bodri

Pantayo 

Pantayo’s 2020 self-titled debut is constantly spinning for us. This Canadian queer quintet based in Toronto is made up of members of the Filipino diaspora. Formed in 2012, Pantayo combines of kulintang —an ancient form of Southeast-Asian instrumental percussion using gongs, drums and chimes— with elements of synth-pop, punk and R&B to create infectious rhythms as a basis for their ethereal soundscapes. Named as one of NOW Magazine’s Toronto Indie Musicians to Watch in 2018, their debut LP was shortlisted for the 2020 Polaris Music Prize. The group is perhaps the first ever act to fuse the rippling effect of a gong with pop sensibilities; a feat made clear by their name, which is Tagalog for “for us.” 

Pantayo will be performing at FME on September 2nd, 2021 at 7:00PM EST

Instagram | Bandcamp | Spotify

Photo credit: Crabe

Crabe

Self-described “présent-punk” duo Crabe are constantly pushing the envelope with their aggressive, experimental sound and work ethic. Known for their energetic, chaotic live performances and a career that spans over the last 15 years, the band has played over 250 shows and are a staple in Quebec’s experimental music roster. Their most recent release Sentients is described by Mothland as “a tribute to out-of-date sounds [due to] the band offloading their traditional rock n’ roll instruments to pursue new avenues of ‘crabisme.’” Possibly making the most noise between two people, Crabe are sure to wake us up from the quarantine haze with their industrial, thrashing expansion on punk’s skeleton.

Crabe will be performing at FME on September 3rd, 2021 at 10:00PM EST

Instagram | Bandcamp | Spotify

For more information on FME, to review the festival schedule and purchase tickets, please visit their website.


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Spaceface Ponders Alien Life, Alternate Realities & More With Disco Track Piña Collider

 
0a0092cd-5b8b-8fee-c624-bae5ef5589ef.jpg

Irresistibly funky and incredibly charming, the Spaceface crew are back with their latest summer track, "Piña Collider." The track fuses funky psychedelia with the upbeat energy of a classic summertime bop, making it the perfect anthem to keep your party going all night long. 

The track was inspired by a cosmic experience frontman Jake Ingalls had at the CERN Hadron SuperCollider.

"I was playing a show nearby, and CERN has a whole outreach program to bring artists in to show them what it's all about. After the show, I learned that the crew who showed us around are, in fact, in their own band, which we named the song after. Everyone who works there has to live on campus, and they had formed a group to play functions and holiday parties, etc. I decided to write a song and asked them if they'd like to be on the tune. They said yes, so the next free day at Blackwatch, I set to writing a disco tune about a mythic drink you can only get at CERN."

This track feels like the perfect dose of escapism that we're all craving right now, so I caught up with Spaceface about their own ideals of escapism, aliens, and a whole lot more.

Photo Credit: Erika Mugglin

Photo Credit: Erika Mugglin

Malaika Astorga for Also Cool: Spaceface tends to create entire worlds with each track. If Spaceface had its own planet, what would it be like?

Daniel: If Spaceface had its own planet, I imagine it would be like the music video for our song "Sun Kids." Vinyl Williams created this 3D computer-generated world full of giant purple and green plants and far-reaching meadows under blue skies. Then sprinkled in between the greenery are several structures and buildings with mind-bending, borderline impossible architecture. Some of the buildings were floating in the sky. The structures all had some version of ancient greek or roman influence, but with some mid-century modern architecture influence too. Kinda like if Javier Senosiain had re-designed the Parthenon.    

Eric: My planet would be a small party and leisure destination retrofitted with futuristic interpretations of 50's and 60's dream architecture. We have the technology to portal jump between hemispheres depending on your mood. There's plenty of pools and nightlife. Also, plenty of daylife, but it's chill. 

Jake: I think they both pretty much covered it. All peaceful beings are welcome.

Katie: Agreed, Daniel and Eric nailed it. But I'd like to propose we build an Ewok-style treehouse village where we can all live.

Also Cool: Do you think aliens exist, and if so, what do you think they're doing right now?

Daniel: Well, yes, I think aliens exist. It's a kinda numbers game. If there are so many other galaxies besides ours, then I imagine there are lots of different kinds of other life out on other faraway planets. It might be rare, but I feel like there probably is some. Not to mention the US Government fessed up that UFOs are real earlier this year. 

As far as what aliens or lifeforms on other planets are doing right now, it's kinda hard to answer. Just because there is other "life" in the universe doesn't mean it is anything like a human. I don't think that space is really like Star Trek. The other alien life out there could just be bacteria or microorganisms. Maybe some might resemble animals, but I fear they might be more like monsters like in the Alien movies or otherworldly beings that we can't understand, like in Arrival. Although it would be really cool if they moved through time and space differently than us.

Eric: I do believe in life beyond our own 100%. It blows my mind that people think we're the one and only. Life unimaginable to us exists, has existed and will exist endlessly through the cosmos. I dare not try to describe it more.

Jake: I'd imagine that the vast majority of what we call "Alien" life is a different form of what we've named consciousness and likely aren't really aware of us and thusly do things that are beyond our own comprehension. If they are aware of us, I'd imagine they look at humans with a mixture of pity and carnal envy - the way some angels/gods are described in old myths.

Katie: Contrary to my strict Christian upbringing, I've always believed that life exists outside our planet. If you haven't seen Close Encounters of the Fifth Kind: Contact Has Begun or the other films by Dr. Steven M. Greer yet, do so as soon as possible. His theory that all life on Earth and outside is connected through collective consciousness is very compelling. As for what they're doing right now? Probably having mischievous fun with some US Military pilots or hopefully coming up with ways to save Earth from its own inhabitants.

Photo Credit: Erika Mugglin

Photo Credit: Erika Mugglin

AC: You created a custom drink to go along with the release of the song. What was that process like, and do you have any tips/tricks for the people making it at home?

Daniel: A few of the band members are bartenders, so making up new drink recipes is just as enjoyable as writing music. It's always fun to imagine where you would be or what mood you would be in while listening to some of the Spaceface songs. Then thinking about matching a certain style of drink or liquor to that mood and location. The low-key goal is for each song to have a drink recipe, and we want to include a lil recipe book with the album. Each song has a different mood or feeling, and each song can take you to a different place in your mind. So naturally, each song needs a drink to match. 

As far as tips for making drinks at home, just make sure you have a shaker, a strainer, some ice, and know where your best local liquor store is. We can give you all the recipes you'll need. 

Eric: This drink was born by literally colliding a piña colada with a contemporary classic dubbed the "Trinidad sour" (equal parts, rye, citrus, mango, and orgeat (almond milk syrup).

You'll be best off getting proper tools: A shaker, jigger, and strainer. Make sure you have Angostura bitters and get some Coco Lopez for this one.

Jake: When we know we want to pursue a batch of songs, typically Eric and I talk for a while about how we want them to fit together in a cinematic way. For instance, "Sun Kids" was meant to be Earthy and evoke a feeling of what it was like to spend the day with us in Memphis. With this new batch of tunes, we wanted to evoke this imagery of what a party in the future would sound and look like through the lens of someone in the past. Sort of like those wacky images you see made by sci-fi artists in the '20s imagining what the year 2000 would look like. This lead us to imagine a sorta afro-futurist ecotopia where you can order a drink that reminds you of humankinds' oneness and thusly deciding we should make a cocktail for every song. Plus, Eric and Daniel are fantastic drinksmen, so we thought it best to share their other talents.

Katie: Jake, Daniel and Eric are the geniuses behind the drinks, so I leave that all up to them but timidly ask that they leave the cilantro out of the equation whenever possible. :) 

Spaceface_3_by_Erika_Mugglin_3000x2000.jpg

AC:. The music video is pretty much the definition of the retro-future aesthetic. What were some of your visual references or inspirations for the project?

Daniel: The song is about a drink that you can only get at the CERN Hadron Collider. So the idea was to have some scientists singing the song in a sort of educational TV setting, like Bill Nye, The Science Guy. The Scientists in the video act like they are filming for a PBS segment, and each scientist is from a different period in scientific discovery. It's fun and cool to showcase different types of science like Astronomy, Chemistry, Anatomy, and Botany. 

Eric: Mad scientists shuffling through notes and staggering through experiments. Beakers and lab coats with sparks.

Jake: When I stumbled on Maris Jones' IG in January of 2020, I just KNEW I wanted to get her team on board bc it was the perfect fit. Once we began emailing with The Jones Family Retro Show, we were sharing clips from this silly fake science education program called Look Around You and VHS rips of old actual Sci-Fi learning channel clips and lots of pseudoscience book covers. I knew they were gonna knock it out of the park. When they started texting me pictures of the sets they were making with the guitar, the star gazer's gear and Molly's excellent claymation, it began to feel like we had truly mind-melded.

AC: Now that shows *might* be happening again, will we be able to experience Spaceface IRL any time soon?

Daniel: Nothing is officially on the books yet, we have some offers in the fall, but they are not confirmed. The idea was to put lots of singles out this year, and after releasing the full album in early 2022, there will be a big spring tour. 

Eric: Yea, but no. .. maybe... but yes. 

Jake: I like Eric's answer the best, but if you wanna find out more and truly stay in the know, freed from the shackles of the algorithm - text us at the official Spaceface number to find out :) 901.519.2202

Katie: We definitely miss the thrill of performing live. Taking over a year and a half off of touring and performing has been hard on all of us. But, to elaborate on Eric's answer, yes, if certain members of the population *cough* get their heads out of their butts and get the vaccine, infection rates decrease and stabilize, we'll be back on stage soon...ish.


MAKE YOURSELF A "PIÑA COLLIDER"!
Spaceface's take on the classic Piña Colada


Ingredients:
• 1.5 oz Clear Rum
• .75 oz Lime Juice
• .75 oz Simple Syrup
• 1 oz Coco Lopez (Coconut Cream)
• .75 oz Pineapple Juice

How to make it:
◦ Combine all ingredients in a shaker tin with some ice and shake;
◦ Double strain over ice into collins glass, larger glass or coconut;
◦ Garnish with pineapple stems or wedges and a lime wheel;
◦ Add a dash of cinnamon.

Spaceface
Website | Bandcamp | Spotify | Apple Music

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Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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Yoo Doo Right Releases Title Track From Forthcoming Debut LP "Don't Think You Can Escape Your Purpose"

 

Yoo Doo Right by Stacy Lee

Montreal krautrock trio Yoo Doo Right have released the title track from their first full length Don’t Think You Can Escape Your Purpose, out on hometown label Mothland May 21st, 2021. This six-minute slow-burn propels the listener through a metamorphosis of sound; tethering between a surfy trip and an atmospheric, spaced-out drone, while remaining wholly contemplative from start to finish. The single hints at a refined stride for the group, presenting a masterful cocktail of soundscapes and experimentations that make it clear their debut LP will have a strong first impression. On the release, the band comments: "It’s about a person who is losing touch with reality. Who thinks he has a higher purpose, and is supposed to be an ambassador to a higher extraterrestrial race. It’s a looming atmospheric rhythm and crawl."

Yoo Doo Right by Stacy Lee

Alongside this anticipatory single, the band have also released an accompanying music video that is just as immersive as their otherworldly sound.

"In an attempt to achieve a higher purpose in life, the subject instead witnesses their own deteriorating mental posture. As a means of overcoming assumed existential risk (the hurdles of our great filter), the subject looks above and within believing that they alone have been chosen to solve the problems that our species faces. Images of Eva Szasz' 1968 short film Cosmic Zoom, produced by the National Film Board of Canada were cast over foliage to make for fitting imagery, complimenting the narrative."

- Justin Cober from Yoo Doo Right

Watch the video for “Don’t Think You Can Escape Your Purpose” below


DON'T THINK YOU CAN ESCAPE YOUR PURPOSE


Available in digital, LP & CD formats via Mothland on May 21, 2021

unnamed.jpg

1. A Certain Sense Of Disenchantment
2. 1N914
3. Marché Des Vivants
4. The Moral Compass Of A Self-Driving Car
5. Don't Think You Can Escape Your Purpose
6. Join, Be Curst
7. Presto Presto, Bella's Dream
8. Black Moth


All songs written by Yoo Doo Right.

Tracks 1, 2, 3, 7 and 8 recorded by Guillaume Chiasson at Le Pantoum, Québec City. Tracks 4, 5 and 6 recorded by Sébastien Fournier at Hotel2Tango, Montréal. Mixed By Guillaume Chiasson. Mastered by Harris Newman at Greymarket Mastering, Montréal. Artwork by Louis-Alexandre Beauregard.


Yoo Doo Right

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Bandcamp | Spotify | Apple Music

Zoë Argiropulos-Hunter (She/Her) is the Co-Founder and Editor of Also Cool Mag. Aside from the mag, she is a music promoter & booker, radio host & DJ, and a musician.


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Meet Me in Mothland: An Interview with the Label, Promoters, and Connectors of the Montreal Music Scene

 
Via Mothland

Via Mothland

Lately, I’ve been finding nostalgia in the mundane activities I once took for granted. I want nothing more than to text a friend to see if they’re going to l’Esco tonight, where one of our friends’ bands is undoubtedly playing.

I had the opportunity to delve deep into this nostalgia when I chatted with Mothland, (who released that banger compilation you love) about the Montreal music scenes, how they got started, and what they’re doing now that they’ve expanded into a label.

Malaika Astorga for Also Cool: Like many people in the city, the Mothland crew initially met at l’Esco and connected through the music scene. How did you first get involved in the Montreal scene? Can you describe what it was like then, and how it's changed?

Phil for Mothland: I used to go to l'Esco when I was underage to watch my friend's band play. We would come from the suburbs, and I'd come in with them for the soundcheck in the afternoon. That was in the old l’Escogriffe, it was smaller and a bit dirty but it became my favourite place in the world. L'Esco has changed a bit, it's cleaner now, but the spirit is still there. It evolved for the best.

I knew Michelle from the Night Owl in Toronto. She had sent me some touring bands that needed a Montreal gig, so I started to book touring punk & psych bands at l'Esco. Bands like The Auras, Moonwalks, Pet Sun, The Deadly Vipers (now called Shadow Show), and Heaters.

I met Marilyne around that time, and she had been in the music business for a while. She founded "L'Autre St-Jean," a pretty big outdoor festival when she was really young. She also co-founded Taverne Tour. It used to be a small event to kill the post-holiday boredom, and it became this huge thing. Now, the whole Mothland team is working on it. The 2020 edition was probably the last "real" festival in Montreal before the pandemic. 

When the old Montreal Psych Fest fell through, Max had the idea to build a team and create DISTORSION. He's been in a million bands, so he connected people from all over to build the team. Marilyne became the zoo-keeper to our lovely & dysfunctional family. 

Marilyne and I were getting more and more involved with bands that were gravitating around DISTORSION. We decided to create Mothland (the label) with local bands like Paul Jacobs, Atsuko Chiba, Yoo Doo Right, Crabe & Teke Teke, and our friends from around the world: Yonatan Gat, Spaceface & Sunwatchers.

We've been giving out mushrooms at festivals for years. It's a bit like planting seeds to make things groovier. Hopefully, it's had even a little impact on some people. I'd love to think that we've influenced other promoters to book more experimental acts in their line-ups. I feel like some part of the culture is becoming more "beige" and safe. We are dedicated to making things more edgy and weird. 

Via Mothland

Via Mothland

Also Cool: How did you become interested in DIY music scenes in the first place? When did you decide you wanted to become active members of these communities by putting on shows and getting involved in different ways?

Mothland: I met JP through Analogue Addiction. I would go to all their shows, which is how I discovered the punk scene and decided I wanted to be a part of it. It's really fun that we get to work together now at Mothland. I spent a weekend with him going to Osheaga to see Nick Cave & The Bad Seeds and The Replacements, some of our favourite bands. After the festival, we went to l'Esco, where there was an Analogue Addiction show with Paul Jacobs on the bill. Paul was a one-man band playing punk back then. He had a Daniel Johnston t-shirt, and I thought it was cool, so I went to talk to him. 

We became friends, and I started to help him out get some gigs. That's how I learned more about shows and the music business. Isa "La Terreur" also gave me an internship when she had a label/pr agency La Royale Electrique. I owe a lot to her. 

Via Mothland

Via Mothland

AC: You've often mentioned building bridges between scenes. Can you describe some of Montreal's different scenes, and why you think that they often operate separately from each other? How have you helped bridge those gaps?

Mothland: Well, it's hard to describe something like a music scene. It's not really concrete, and bands always overlap in different spaces, but I feel like the French acts and the English acts live in two different worlds. There are different venues, labels, festivals, promoters, grants.

I think a lot of English bands don't even try to make it in the mainstream Quebec ecosystem. They go to the USA or Europe, and if they get noticed there, maybe people will talk about them here.

We try to mix things up for our events and our releases. We go to as many shows as possible, trying to pay attention to everything going on in the city.  

We are dedicated to building a bridge between Montreal & Toronto too. We are so close, and yet it can be really hard for bands to make it to the other city. We've been booking bands like FRIGS, Hot Garbage, Kali Horse, Peeling, Nyssa, Bad Waitress, Odonis Odonis here for a while.

Distorsion staff and friends via Mothland

Distorsion staff and friends via Mothland

AC: Although Mothland had established itself as a booker in pre-pandemic times, the focus shifted to the project's label aspect when COVID hit. What have some of the learning curves been in the process of starting the label? How does the label currently operate in terms of supporting artists?

Mothland: Mothland wasn't supposed to be a label at first, even though it was always in the back of our minds. When we booked a tour for Le Prince Harry, I suggested we repress their split 12" with Duchess Says on tape so that they had a little bit of exclusive merch for the tour. The ice was broken, but it was just a fun sideline for us.

When the pandemic hit, we decided to make the label a priority. I feel like my knowledge of music history paid off to give the label a direction. I've been reading a lot about indie labels like 4AD, Sub Pop, Factory, Creation and Goner. Still, we had to learn how to adapt their DIY ethic in a digital era. We are also very lucky to have a strong community from DISTORSION supporting and our bands.

The Sounds from Mothland compilation was also a great way to spread the word about our different bands from around the world. The goal was to forge something greater than the sum of its parts. 

Via Mothland

Via Mothland

AC: What are your plans for 2021?

Mothland: More records. We have at least three more releases coming up.

We'll be announcing a really catchy sophisti-pop record from a local crooner. We've been playing it all year, and it made 2020 more bearable. We also have a really loud and cerebral LP coming up right after to balance our first pop release. It's the perfect soundtrack to our troubled times. These LPs will be followed by raw punk via 7" later in the year. The kind of music to scare suburban parents and make kids go nuts. 

Needless to say, we're really excited about these projects and can hardly wait to finally announce them! Hopefully, we can have a little DISTORSION as a treat…

M FOR MOTHLAND WEB.jpg

AC: What's your advice for someone who's new to the scene and unsure of how to get involved right now because of the current covidian conditions? 

Mothland: I'm really into Facebook fan groups! They are a great way to be part of the scene without going to shows. I'm in this No Wave group with tons of artists like Thurston Moore, Weasel Walter, Dougie Bowne, Fred Schneide. People post pictures of zines, posters, LPs, talk about shows they've been to, and share the music they've been doing. 

It inspired me to start one for the Canadian underground scene, I called it Les Durs de la Feuille. It's really nerdy, but it's a fun way to discover new stuff and communicate with your peers. The Internet can be really useful; there are no barriers between fans and artists. Blogs & social media are the new zines. It is easier for anyone to get involved and spread the word and support your favourite bands.

Via Mothland

Via Mothland

AC: I really like the idea of Mothland as a physical place. Since we're all in need of a little escapism, what would Mothland be like if it were an IRL spot we could visit?

Mothland: We want people to think of their own version of it.

The idea I had for the Sounds From Mothland cover was to ask Paul to draw his version of "Mothland." His version ended up being a person playing guitar in a small apartment with a cat and some wine. For each volume of the mixtape, we will ask an artist to draw their version of Mothland. It can be anything.

Mine is like a planet without a sun. It would be night time all the time but with a really bright moon. Moths & dogs everywhere, of course. The Flaming Lips & The Cure would play there sometimes. 

Everybody is dressed in black. That's really important, we have a strict dress code, but that's the only restriction. You are free to do anything else. Everybody is welcomed, you just have to follow the noise. 

Via Mothland

Via Mothland

AC: Closing out here, is there anything you'd like to mention or shout out?

Mothland: I'd love to tell everyone who is struggling to hang on. The world will heal soon. 

Mothland

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Sounds from Mothland Volume I: Montreal's Music Scene, Refreshed

 
Via Mothland

Via Mothland

As we settle into Montreal winter, music is, once again, one of the only things keeping us going. Lucky for us, Mothland has released Sounds From Mothland: Volume I, a compilation of bangers that provides the optimism needed to get through the season. 

The record features various artists and genres, including Yoo Doo Right, Paul Jacobs, VICTIME, Gladys Lazer (ex-Yonatan Gat trio), Spaceface (mem. of Flaming Lips), Red Mass, and more. It’s a roundup of everything your Spotify playlist has been missing, from disco tracks like Marcheé Pt. 3, to beautiful sparkling melodies by Gladys Lazer, and even krautrock post-punk tunes from Atsuko Chiba.

The compilation came out of a period of uncertainty about what the future might hold for Mothland, with each song touching on significant themes relatable to all of us contemplating our existences and missing our music scene.

"We found ourselves with more questions than answers," says Mothland, "But like the caterpillar-turned-moth we worship, we had to evolve and take flight into the night, trusting a distant light to guide us.

Guided by this light, we started putting together a compilation that would feature inspirational artists and dear friends we've had the pleasure of working with over the years. Because these are truly strange times, it meant the artists would have to further step out of their comfort zone, sharing budding ideas, and creating something new and spontaneous." 

And take flight they did. The compilation offers a fresh look at Montreal-favourites and a welcome introduction to all-new songs, all while supporting Montreal's music community. 

Mothland quotes their inspiration for the project coming from, "Legendary releases like This Mortal Coil's three albums via 4AD, Once Upon A Time In Shaolin by The Wu-Tang Clan, Brian Eno's No New York, and Subterranean Pop's classic Sub Pop cassettezines."

"We aimed for a gritty, community-oriented project. Much like homemade mixtapes consisting four-track demos punks would share amongst friends in an era when mistakes were kept on recordings, Sounds From Mothland Volume I is raw because rock & roll isn't supposed to be perfect. Living in the digital age, we also thought the physical cassette itself was a great way to showcase music as an art piece, the sum of many incredible creators."

Via Mothland

Via Mothland

The bands were also able to weigh in on the compilation's significance and the inspiration behind their featured tracks.

Yoo Doo Right: "This track was our response to Mothland's request for an irregular/b-side/demo that would put us outside of our usual comfort zones. With the thought of making a disco song, "Marche Pt. 3" is what came out of it. We immediately knew we wanted to collaborate with Jasmine Trails on this track, adding her breathy, enchanted approach to the song. All in all, we wrote, recorded and finished the track in a couple of weeks."

Spaceface: "For "Chemical Sea (Wash Me Away)", we revisited one of the tunes on our first EP that I wrote when I was 16. The intention for this redo was to give the weight of the lyrics more emphasis. While the original Spaceface version had a great rhythm, we felt the vibe made the content sound as if it were aggrandizing drug use to solve your problems. And while drugs are fun and can be used to expand your worldview, the lyrics from the chorus are meant to point towards a sense of hopelessness amidst chaos and loss while the verses offer small tokens of hope and light in dark times, which felt strangely appropriate in these times. The line "don't drown yourself in worry... even the brightest minds are in the dark" is meant to comfort while accepting the truth, which is often a little bleak. 

Vinyl Williams played bass over a mix of drum machine and standard drum kit. The song also features a blend of three pedal steel takes from three players: Ray Suen, Paul Taylor and Yohei Shikano. It was mixed and produced by Jake Ingalls & Omar Yakar, and engineered by Calvin Lauber."

Paul Jacobs: "I wanted to record some beats in 7/4 and track some bass on top. Figured I'd add some guitar since I have one. 

Then I thought, a shaker would really get this going. Next thing you know I'm singing on the dang thing. After that point, why not add some synth? It's a song about appreciating the moments of creative inspiration and acknowledging the fact that it comes and goes." 

"To us, Mothland exists to whoever needs it. It's a conceptual place where to be free, where to forget our troubled existence, and where to hide when need be. For this project, we've simply captured some of its beautiful and frightening sounds, hoping to share them with the rest of the world." -- Mothland

The compilation is dedicated in loving memory of Claire Vincent Larocque.

Listen to Sounds from Mothland: Volume I on Spotify below, or buy it as a limited edition cassette from the Mothland website