Also Cool's Project Nowhere 2024 Top Picks (Toronto)

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Also Cool has landed in Toronto! This time we’re covering the second edition of west-end fest Project Nowhere, taking west Dundas by storm with its “cosmic array of underground legends, modern vanguards and exciting up-and-coming talent from Toronto and beyond,” from October 3rd-5th, 2024. Based on this year’s lineup, it sounds like this project ain’t going anywhere. We did a deep dive into Project Nowhere’s curation and have hand-picked a collection of AC-certified top picks. After taking in the first night, discover new music with us and take a peek at just some of the acts that will guide us through the rest of the weekend.

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Leah Singer and Lee Ranaldo, credit Frey Ranaldo

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Leah Singer and Lee Ranaldo, from the archives via S8cinema

Partners in life and music, Leah Singer and Lee Ranaldo have been collaborating on evolving image and sound installations since the early 90s. The pair’s immersive performance sees Singer casting projections of live 16mm film manipulations alongside improvised, droning guitar from Sonic Youth founding member Ranaldo. Cornerstone to the duo’s shadow play is Lee’s electric guitar swinging from the ceiling, suspended like a pendulum.  

Leah Singer and Lee Ranaldo play St. Anne’s Parish Hall on Friday, October 4th. Doors at 8:00pm.  

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God’s Mom, credit Jacopo Paglione

After seeing their electrifying chainmail-clad performance at Le Système in Montreal, we can’t wait to see God’s Mom, especially with new music on the way. Their latest single Maddalena is a taste of what’s to come, playful, dancey, and synthy. 

God’s Mom plays The Garrison on Friday, October 4th. Doors at 8:30pm. 

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Pelada, credit Hendrik Schneider

Montreal’s beloved electro-punk duo Pelada are bidding farewell on their final tour, but not before one last rager. Composed of singer Chris Vargas and producer Tobias Rochman, Pelada just tore up the fall edition of Debaser’s Pique festival in Ottawa this past weekend. Promising to draw you into their world of hardcore, synth-based justice anthems, Pelada will spit you out, begging for more. Hear songs from their Polaris long-list nominated album Ahora Más Que Nunca before the pair’s sweaty sound becomes that of raver ephemera. 

Pelada plays The Garrison on Friday, October 4th. Doors at 8:30pm.

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SORB via Bandcamp

Toronto-based Farsi electronic duo SORB infuses genres of the underground—Industrial Techno, Dub, Gabber and others—with influences from Kurdish and Iranian music to rebel against the powers that be with confrontational rhythms. Channeling their rage towards experiences of exile, police brutality, facism and living under an authoritarian regime, SORB fosters a space to imagine collective hope on the dancefloor.  

SORB plays their final Toronto show at The Garrison on Friday, October 4th. Doors at 8:30pm.

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Moon King via Bandcamp

Between his straight-up excellent curation and hybrid live-DJ sets, Montreal’s Moon King always keeps our toes tapping. Check out his collaborative track “Turning (Inside Out)” with Visors for a taste of what’s to come! 

Moon King DJs Bambi’s, Friday October 4th, 2024. Doors at 9:00pm. 

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Y’KNOW via Bandcamp

Toronto duo Y’KNOW beam us into the silvery universe of Spiritual World with their digital downbeat deliciousness. Featuring Bally and M1_Sound (half of Toronto based dub post punk band UH HUH), Y’KNOW cooks up funky splendor with syrupy vocals, dubby depths, galactic sound effects and an effortless je ne sais quoi that evokes coolness from another realm. 

Y’KNOW plays BSMT254 on Friday, October 4th. Doors at 9:00pm.

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Crasher via Bandcamp

Always powerful and kind of spooky, Crasher is our favourite Bandcamp-only band. Catching this trio is always a treat, blending strange dark wave, leaning on the electronic side, with DIY grunge punk grit. 

Crasher plays BSMT254 on Saturday, October 5th. Doors at 10:30pm.

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Project Nowhere

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Popping Off: A Vibrant Dive Into POP Montreal's 23rd Edition

Beverly Glenn-Copeland performing at the Théâtre Rialto for POP Montreal

Another edition of POP Montreal has come and gone. The festival’s 23rd edition had us zooming around the city at top speed hitting at least five shows a night, enjoying the best indie music Montreal’s scene, and its invited guests, had to offer. Experience four nights of POP Montreal in true Also Cool fashion with our post-festival review, covering Bleu Vésuve, Beverly Glenn-Copeland, YHWH Nailgun, Laura Krieg and more. 

Day One 

Our festival opener was none other than hometown hero Amery. In a custom-made gold and fuschia sequined ensemble (complete with her matching sparkly monogrammed white tee), Amery belted the synth-pop standouts from her recently released debut Continue As Amery (Arbutus), with classics like “Boring Potion” sprinkled in-between. The sold-out audience at Casa del Popolo saw Amery confidently strut into the crowd backed by her equally bouncy bandmates to define indie pop perfection. Along with a well-received surprise guest duet with Fireball Kid, the scene support for Amery and co. was palatable, with show-goers unable to resist shimmying along, smiling from ear to ear. Just when we thought the bangers were over, Amery kept spirits high, closing out with a cover of Donna Summer’s 1979 hit “Hot Stuff”.  

In between acts, we caught up with Winter and The Spirit of the Beehive at Foufounes Électriques. Winter is a Brazilian-American artist who recently moved from Los Angeles to New York, and warmed the crowd up with her dreamy shoegaze set. She also had some psychedelic notebooks for sale at her merch table, which of course came home with us after her set. Philadelphia band The Spirit of the Beehive is a longtime Also Cool fav, and offered a solid performance to an eager crowd of indie rockers. 

Next up on the Casa del Popolo bill was fellow local act Bleu Vésuve. A new artist for Also Cool, Bleu Vésuve is the project of Montreal-based singer-songwriter and multi-instrumentalist Camille Rosset-Balcer. Upon Bleu Vésuve taking the stage, a haunting fog settled atop the hushed audience. It was almost as if the band was playing by candlelight, with Rosset-Balcer’s Mazzy Star-meets-Cat Power vocals gently meandering from the glow. Sharing entracing, dusky folk-psych from their first self-titled EP, Bleu Vésuve was a welcomed discovery from this year’s POP lineup.    

Day Two 

Spirits were high on day two of POP, knowing that living legend Beverly Glenn-Copeland would return to his university town of Montreal for a date on his final tour. The stained glass panels of the Théâtre Rialto were twinkling and the hall was filled with warmth from the anticipation of what was sure to be a magical performance. Aptly titled “The Salon Evening”, Copeland and his accompanying musical family shared an intimate performance that transported the Théâtre Rialto’s 1,500 person audience into what felt like a night of storytelling in the living room that he shares with his wife, Elizabeth.

Opening with “Ever New” from his 1986 album Keyboard Fantasies, Copeland’s otherworldly voice and presence kept our eyes glassy for the nearly two hour-long performance. Between poems written by Copeland and his wife, anthems from his latest release The Ones Ahead, and songs of perseverance and survival, Copeland’s playful storytelling and adorable back and forth with Elizabeth reminded us of the power of camaraderie and laughter. We could tell the band felt the same way, as two choir members clasped hands during Copeland’s heartfelt “(Harbour) Song for Elizabeth”. Along with fellow concert-goers, we were awestruck by Copeland’s gorgeous and humorous performance, and felt as though our lives may be forever changed. 

After wading through the post-Beverly Glenn Copeland swarm outside the Rialto, we booked it down to the Plateau to catch Nap Eyes. Shuffling shoulder to shoulder in the basement of La Sotterranea to Nap Eyes’ half-new, half-nostalgic discography felt so right. It’s been nearly a decade since we first encountered the pensive Halifax-raised indie outfit, yet it felt like no time had passed after the band’s three-year release hiatus. Songs that were the backdrop to Also Cool’s teenage years, like “Stargazer” and “No Fear of Hellfire”, were just as full of energy as if they were brand new, with the four guitars on-stage waltzing in harmony and singer Nigel Chapman’s delivery as endearingly earnest as we’d remembered. Montreal-based experimental sage Yves Jarvis joined Nap Eyes on rhythm guitar and synth, bringing welcomed oomph to the undeniably tight set. Having just signed to Paper Bag Records, Nap Eyes’ fifth record The Neon Gate is out on October 18th. 

Cecile Believe closed out the night with a stunning performance, gracing the stage in all white and butterfly wings fluttering around her eyelashes. Friends and fans screamed lyrics back at her as she performed tracks off of her most recent EP Tender the Spark along with classics like “Bitch Bites Dog” and “Show Me What”. Cecile also performed “My Forever”, her collaborative track on SOPHIE’s posthumous self-titled album, which had the crowd in tears. The show kicked off Cecile’s Canada-US tour, where she’ll perform alongside Sega Bodega in the coming weeks. Explore her tour dates here.

Day Three 

Freak Heat Waves kicked off day three at Théâtre Fairmount opening for HOMESHAKE. Set up in the middle of the stage, facing each other, the duo masterfully weaved live samples in with their various boards and blinking machines to create an enthralling set that had everyone grooving. HOMESHAKE started the set with a fake phone call before launching into their beloved stoner-rock sound, keeping cool despite a bit of a rowdy crowd screaming “let’s fucking go” in heavy Quebecois accents. The show began the band’s final tour in its current configuration, and felt like a nice call back to 2017-era Montreal.

We then marched over to Casa del Popolo, where Yves Jarvis put on a predictably beautiful show, before heading to La Sotterranea across the street just in time for YHWH Nailgun’s set. As predicted, the New York quartet quickly became one of our favourite discoveries from the festival, with their chaotic yet tightly controlled experimental set. Zack Borzone’s slightly possessed vocals paired with Sam Pickard’s immaculate drumming made for a captivating, high-energy musical force that had the whole room buzzing.

Day Four 

Laura Krieg opened the night at La Sala Rosa with a spooky dark-wave solo set, and got the room full of goths moving. We then ran downstairs to La Sotterranea for Ribbon Skirt (FKA Love Language), who’s newly-embraced grunge rock sound was amplified by their energetic stage presence. We also made sure to buy an embroidered camo hat from their new merch run before going back upstairs to see Mothland’s prince Alix Fernz, who commanded the crowd with his electrifying Queb-punk set. The night continued with Fireball Kid and Ura Star singing songs of friendship and quintessential partypop antics at L’Éscogriffe. 

We wrapped up our tour de POP with a swift BIXI across the Mile End back to the Théâtre Rialto. Selector and dreamscape conjuror, Nabihah Iqbal flawlessly spun icy, melancholic silk from her 2023 record DREAMER, followed by force of nature Ouri, who sheathed the audience in a transcendental, neoclassical mirage. 

POP Montreal

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Also Cool's POP Montreal 2024 Top Picks (Nabihah Iqbal, Beverly Glenn-Copeland, knitting and more)

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Amery via POP Montreal

The 23rd edition POP Montreal takes over the Plateau/Mile End this week from September 25th-29th. With over 200 artists performing across 20 venues, along with film screenings, a Kiki Ball, a panel symposium and more, the world-renowned music festival promises a five-day whirlwind of unforgettable programming. From living legends to POP first-timers, discover Also Cool’s must-see acts from this year’s lineup through our Top Picks selections below, along with our official POP Montreal playlist.

Pop star and illustrator extraordinaire Amery hits Casa del Popolo with her perfect soundworld, ready to hot wire the night. She began releasing music as Alpen Glow in 2020, after years playing in punk groups in Newfoundland and as half of Montreal pop duo Born At Midnite (Arbutus). Recorded in Montreal by David Carriere (TOPS, Marci), Patrick Holland and Kristian North, her debut album Continue As Amery is a blast of melodic joie de vivre. Sandford brings her punk and DIY credentials into sharp focus on 8 perfect pop odes to city living, making mistakes and figuring it out as you go along.

Amery plays Casa del Popolo on Wednesday, September 25th at 8:15pm.

Nap Eyes via POP Montreal

Nap Eyes have been on the AC playlist rotation since our high school era, with their 2015 album Whine of the Mystic serving as a soundtrack to our senior year. The Nova Scotian icons make crooked, literate guitar-pop, perfect for nostalgic self-reflection. Nap Eyes songs resonate because they manage to balance the cryptic and the quotidian delicately, rendering a compellingly honest equivocation without evasiveness, a relatable ambivalence without apathy. As a result, both lyrically and musically, their music articulates the urgency of youthful grace. It’s the sound of being young and alive in the city, a tenuous and impermanent counterpoise of recklessness and anxiety, archness and earnestness.

Nap Eyes play La Sotterenea on Thursday, September 26th at 7:30pm. 

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Beverly Glenn-Copeland by Brianna Roye

New-age vanguard and living legend Beverly Glenn-Copeland returns to Montreal with his first collection of new music in nearly two decades. With his recently released full-length The Ones Ahead, the Canada-based, Philadelphia-born singer-songwriter and composer rediscovers his breakout 1986 album Keyboard Fantasies. Having just celebrated its one-year anniversary, The Ones Ahead is Glenn Copeland’s captivating piano ballad opus. Now in his late 70s, The Ones Ahead is a prolific testimonial to the artist being told that he “would not be successful until [he] was very old” by his mother at a young age. 

Beverly Glenn Copeland plays Théâtre Rialto on Thursday, September 26th at 7:45pm. 

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Los Bitchos via POP Montreal

Los Bitchos is back, better than ever, and ready to get you dancing. Since the launch of their much-loved debut album, Let the Festivities Begin, with City Slang in February 2022, the London-based, pan-continental women instrumental four-piece (featuring Western Australian-born Serra Petale, Uruguayan Agustina Ruiz, Swede Josefine Jonsson, and South London-born Nic Crawshaw) has captivated audiences worldwide. If you’re into 70s-80s-inspired cumbia, you’ll love this dynamic girl group.

Los Bitchos play MDP sur De Gaspé on Friday, September 27th at 7:00pm.

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Freak Heat Waves via POP Montreal

Weirdo sonic collagists Freak Heat Waves take the stage with their delightfully uncategorizable Mondo Tempo for an anticipated live performance alongside Montreal expat Homeshake. Hailing from Victoria, British Columbia, the pair’s refined collaboration is palpable on their ambitious 5th release. Dusky, burned-out and deliciously groovy from top to bottom, Mondo Tempo effortlessly glides between steamy disco and hits of dub on Freak Heat Waves’ astral FM dial. 

Freak Heat Waves play Théâtre Fairmont on Friday, September 27th at 8:00pm. 

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YHWH Nailgun via POP Montreal

YHWH Nailgun translate a primitive raw spirit into a modern form. The New York-based quartet hit hard and fast, and have been making the rounds at festivals like SXSW all year long.

YHWH Nailgun plays La Sotterenea on Friday September 27th at 8:30pm.

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Sydanie via POP Montreal

Toronto-born hip-hop savant Sydanie made an everlasting impression on Also Cool since she graced the stage at the 2021 summer edition of Debaser’s Pique festival in Ottawa. With her unapologetic flow and electric dexterity, the Jamaican-Trinidadian rapper delivers gripping verses within her inventive spin on hazy trap meets grime meets electronica. With a long-anticipated LP Electric Circus in the works for 2025, we’re itching to catch this masterly emcee take the stage before its release.

Sydanie plays Piccolo Rialto on Friday, September 27th at 11:00pm.

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Alix Fernz via Pop Montreal

Get your liptstick out for punk scene sweetheart Alix Fernz, taking over La Sala Rossa alongside Edith Nylon and our darkwave crush Laura Krieg. Singing about bar life, psychosocial disorders, drug addiction and fear, while drawing inspiration from high heels, lipstick, transvestism, fashion and weirdos, the singer-songwriter lays out along masqued syllabic beats the accounts of a coming-of-age in an era wherein likes and memes are all the rage.

Alix Fernz plays La Sala Rossa on Saturday September 28th at 8:00pm.

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knitting via POP Montreal

Hot off the press is knitting’s debut full-length Some Kind Of Heaven, produced by Scott Monro of Preoccupations. Released earlier this month on Canadian west coast label Mint Records, Some Kind Of Heaven is the Montreal band's best (yet). Some Kind Of Heaven serves up fizzy-yet-tense alt-rock with an uncompromising spirit, both wrestling and embracing the familiar woes and self-discoveries of the 20-somethings years. Needless to say, the group’s delightful pairing of self-deprecation and crescendoing, grungy instrumentals have us hooked. 

knitting plays L’Hemisphère Gauche on Saturday, September 28th at 8:00pm.  

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Nabihah Iqbal via POP Montreal

Musician, writer and beloved NTS radio broadcaster Nabihah Iqbal travels all the way from London, England to share her celestial fusion of shoegaze and cold wave. Her sophomore LP DREAMER was one of Also Cool’s top albums of 2023 for “[traversing] spacey dream sequences with 80s synth pop sensibility,” with Iqbal’s ethereal vocals embroidered throughout. Iqbal will follow her live set with a DJ performance to close out the night. 

Nabihah Iqbal plays The Rialto Hall on Saturday, September 28th at 10:00pm, followed by a DJ set at Piccolo Rialto at 11:30pm.

POP Montreal

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Debaser's Pique Continues to Shine with Summer 2024 Edition

Alice Longyu Gao by Rebecca Judd

In the three years since its inception, the artist-driven event series known as Pique has evolved with spectacular speed. As you can tell by the AC archives, we (and many others) have come to celebrate Debaser’s creative ingenuity and their collaborative spirit, anticipating this quarterly function with all that we have. Although the summer 2024 edition was threatened by gloomy weather, the collective joy of this season’s creators and attendees proved enough to temper the storm.

Approaching the Arts Court at around 6:00 PM, I first encountered a swarm of art and food vendors sprawling the side of Daly Avenue. The smells of BBQ wafted through the air as people strolled along the sidewalk, browsing a plethora of handcrafted wares ranging from screen printed tees to custom press-ons. The Art Market brought Pique’s magnetic aura to the streets, appetizing event-goers and delighting passerbys.

Moving through the Courtyard entrance, I was greeted by the beginning of the Montreal Steppers’ buoyant performance. Enlisted as part of guest curator Chukwubuikem Nnebe’s musical programming for The Seeds We Carry, the Montreal Steppers use movement to communicate stories of Black history and futurity, ultimately promoting a vision of interconnectedness and justice for all. Performers Kayin Queeley and Shaina Thornhill showcased the magic of step while guiding the audience through several exercises, with Queeley reminding the audience that “...it’s a gift every time we make music with our bodies.”

The Seeds We Carry by Kosisochukwu Nnebe, photo by Rebecca Judd

In the SAW Gallery, conceptual artist Kosisochukwu Nnebe’s exhibition for The Seeds We Carry celebrated its grand opening, and Pique attendees flowed through the gallery with awe and appreciation. As noted by curator Joséphine Denis, the video works and installations that comprise this collection serve as a testament to “the methodologies of enslaved Black women.” Drawing inspiration from her sister Nnedimma’s thesis on the presence of cyanide in cassava, as well as her Igbo ancestry and the displacement of Igbo communities, Kosisochukwu’s work depicts manifestations of anti-colonial resistance and ancestral interlinkage. This exhibition—along with the dynamic musical programming by Chukwubuikem, her brother—stood out as a compelling element of the festival.

Cynthia Pitsiulak and Charlotte Qamaniq of Silla, photo by Rebecca Judd

Back in Club SAW, Inuit throat singers Silla delivered a vibrant and intimate set to a delighted crowd. The duo of Charlotte Qamaniq and Cynthia Pitsiulak exuded warmth as they performed songs such as “Imigluktaq (the Button Song)” and “Kitturiaq (Mosquito).” It was a privilege to learn from Silla about the background of this practice, and to celebrate their cultures through an interactive sing-along.

Tangerine by Rebecca Judd

Upstairs in the Alma Duncan Salon, PURE PULP kept the party going with hours of crowd-pleasing jams. This new dance party series, led by Mars Souleil (DJ Trinidaddy) and CONTRA, uplifts the creativity of South Asian communities by facilitating the sonic expression of artists from across the diaspora. I particularly enjoyed DJ Tangerine’s set, which featured throwbacks from the likes of Kid Cudi and Soul II Soul.

But standing out as the evening’s show-stopper was none other than Alice Longyu Gao. From the moment the NYC-based multidisciplinary artist took to the stage, xe enchanted the masses with xyr command of the harp and relentless enthusiasm. Gao shrieked in sweaty faces and flailed xyr limbs about, performing songs like the electric “Come 2 Brazil” and xyr new release “Lesbians ˂3.” What made the night even more memorable was Gao’s last-minute DJ set, having stepped up to replace Pelada. Many had mourned the missed opportunity earlier on in the night, but something truly shifted when Gao returned. Xe oscillated between remixes of Camila Cabello and Rihanna with ease, searching for a cigarette while maintaining razor-sharp concentration. Switching gears to the enduring power of SOPHIE’s “Immaterial,” Gao held all of the Arts Court in the palm of xyr hand.

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Pique

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Debaser

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Rebecca Judd is the features editor of Also Cool Mag.

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“We’re on the Come Up”: What the Capital Music Awards Mean for Ottawa’s Vibrant Music Industry

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The Angelique Francis Band performing at the Capital Music Awards, photo by Laura Collins

"This city has talent," JUNO Award-winning Ottawa singer Angelique Francis declared as she kicked off the 5th annual Capital Music Awards. The awards ceremony, recently held at the Bronson Centre Music Theatre, recognized a diverse range of Ottawa artists, bands, venues, and music industry players across 13 categories. Winners were selected through international juries and public voting, showcasing the city’s global appeal as an establishing music capital. The room was full of musicians and industry champions nominated for categories including Newcomer of the Year, Best Production and Arrangements of the Year, Video of the Year and Music Educator of the Year. Organized by the Ottawa Music Industry Coalition (OMIC), the awards highlighted the excitement around music coming out of the city. 

The Awards indicate growing opportunities for Ottawa artists to make a name for themselves and propel their careers while staying true to their hometown. Francis, for example, hosted the Capital Music Awards as a proud member of the local scene just weeks after walking the Grammys’ red carpet in Los Angeles.

Angelique Francis hosting the 2024 Capital Music Awards, photo by Laura Collins

Indie rock band Pony Girl—nominated in five categories—energized the crowd with the first performance of the night, and later took home Single of the Year for “Laff It Off.” Their returning presence at the Capital Music Awards speaks to the success of their recently-released albums on Paper Bag Records, playing shows across the country and continuing to tour internationally this year. 

Reflecting on the band’s experience as an Ottawa-based group, Pascal Huot of Pony Girl shares: “We are part of a community here. We’ve found support and other folks to work with. Working on this project in Ottawa over the last ten years has helped us expand our network in town. Lately, we’ve been meeting more people we don’t know at shows — and that’s exciting!” He acknowledges the many pockets of creative people throughout the city and events like Pique and the Capital Music Awards for helping further a sense of culture in Ottawa.

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Pony Girl posing with their Single of the Year trophy, photo by Thai Duy Cuong Nguyen

“The Awards are more than an event,” Huot emphasizes. “There are many moving parts to putting on events and bringing together the community. Especially in an industry context, it’s not particularly easy or fun to bring resources into the arts.” Huot stresses the importance of these events and organizations that create profitable opportunities for artists working in Ottawa. He also highlighted the need to advocate for higher standards, professionalism, and accountability in the music industry. However, he believes one of the biggest things people can do to show their support is to simply show up: “Go to shows. Buy merch. Reach out to your network and see if you can find opportunities [to support] your favourite local artists.”

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Pony Girl performing at the Capital Music Awards, photo by Laura Collins

N'nerjie, an emerging R&B-soul artist and winner of the Songwriter of the Year award for her smooth, heartfelt storytelling on "Tug of War," expressed her love for Ottawa's music scene: “Honestly, I love being an artist in Ottawa. I think the music scene here is incredible. The community is beautiful, and there’s so much talent in this city." As someone who didn’t grow up in Ottawa, N’nerjie says she’s grateful to have found her way in the city and expresses the significance of celebrating all facets of the city’s music ecosystem. 

“Events like the Capital Music Awards show not only artists, but other people in the city, that we are being recognized and our work matters, our talents matter, and it’s not going unnoticed. People can think that nothing really happens in Ottawa and it’s this small little city, but honestly, there’s a lot of great stuff happening here,” they add. 

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N’nerjie winning Songwriter of the Year at the Capital Music Awards, photo by Laura Collins

Arts and culture are at the heart of any city. It’s how stories get told, communities are strengthened and opportunities are created. Erin Benjamin, President and CEO of the Canadian Live Music Association (CLMA) (and this year’s recipient of the Community Impact award), highlights the broader implications of supporting Ottawa’s music industry. “A thriving music scene adds exponentially to the quality of life in Ottawa, creating a place where people want to live and visit. Ottawa’s live music community is a major part of the solution as we work together across all sectors to overcome challenges, seize opportunities, and build a world-class city.” 

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Erin Benjamin winning the Community Impact award at the Capital Music Awards, photo by Laura Collins

Benjamin emphasizes how bolstering the industry benefits not only those within it, but also citizens and visitors alike. “Music doesn’t just impact us emotionally, but also economically, socially, and culturally. By understanding our local music ecology and finding ways to nurture and foster it through collaboration and effective policy, we can leverage all that being a true music city means.”

With performances throughout the night and wins from artists including Hannah Vig, Grey Brisson, LeFLOFRANCO, School House, Joly and The Commotions, the 2024 Capital Music Awards proved the talent is here to make Ottawa a music city, with an audience poised to support its growth every step of the way. 

As Scott Ruffo, co-owner of The Brass Monkey, said in his acceptance speech for the Live Music Venue of the Year award, “Ottawa needs to be put back on the map, and that’s what we are trying to do.”

See the full list of winners here.

Valerie Boucher is a writer based in Ottawa, Canada. You can follow her on Instagram and learn more at valerieboucher.ca.

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Exposé Noir Ushers in Summertime with a Three-Day Festival

Exposé Noir closes out its 2023/2024 season with its first-ever three-day program. The electronic music collective will take over the Montreal Science Center from May 17-19 with more than 41 hours of musical programming.

The mini-festival in the Vieux Port de Montréal's belvédère, terrace, rooftop, and hangar is a melting pot of musical talent. It features all of the city's DJ sweethearts, including Marie Davidson, Esther Côté, Regularfantasy, and many more.

The program will also include the groundbreaking UK techno artist Surgeon, as well as three members of the esteemed Berlin collective Mala Junta and long-time Panorama Bar resident Massimiliano Pagliara. Catering will be provided by Fleurs & Cadeaux, one of Montreal's best Japanese restaurants.

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For the occasion, Exposé invites acclaimed photographer Sven Marquardt, the iconoclastic bouncer known as the "face" of Berlin's most renowned nightclub, for the second-ever presentation of his innovative large-scale photo installation "DISTURBING BEAUTY."

The DISTURBING BEAUTY exhibition will feature a selection of his first photo works captured in 1980s East Berlin, shortly before Marquardt took a hiatus from photography following the fall of the Berlin Wall and the subsequent explosion of unified Berlin's club scene. The cutting-edge installation uses artificial intelligence to shift and rearrange the haunting black-and-white photo works in dynamic and inventive ways.

In Sven's words, "For more than thirty years, club culture has determined both my life—as a curator of countless nights—and, of course, my life as a photographer. In a city in transition after the wild eighties and the fall of the Berlin Wall, I had put my camera aside for the first time. It was at the end of the 1990s that my camera again became a stylistic device for expressing our attitude towards life. Berlin has always been the setting and inspiration for my pictures and projects."

Exposé Noir

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Malaika Astorga is the Co-Founder & Creative Director of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.

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Win Tickets to Ciel Noir Featuring Codeine, Duster, Pelada, Model/Actriz & Snow Strippers

All your favourite bands, in the same place? For free? 

You heard us right. We know you've been eyeing Ciel Noir tickets for a minute now, and we've got you. The lineup is expertly curated, and feels like it's straight from our Spotify algorithms, featuring everything from slowcore to 2006 adjacent electronic music.

We've partnered with Ciel Noir and Blue Skies Turn Black and are giving away two tickets to the event! 

RULES:

Follow @alsocolmag & @cielnoirmtl on IG

Repost this post to your story & tag us @alsocoolmag

Winners will be announced on March 25th, bonne chance!

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In the meantime, get to know the bands. We've put together a sampler playlist to get you in the mood.

Ciel Noir is a series of special events produced by Blue Skies Turn Black. This edition features lowcore legends Duster and Codeine for rare Canadian appearances and some of the most exciting acts straddling the lines between electronica, post-punk, hyperpop, and techno with Snow Strippers, Model/Actriz and Pelada. 

Duster

Duster is a reclusive, experimental electronic slowcore band from California. They have been around for a long time. 

Snow Strippers

Snow Strippers is an electronic music duo formed by Graham Perez and Tatiana Schwaninger based in Detroit, Michigan. The duo seems to have time-travelled to 2008 in reminiscence of Crystal Castles, placing the duo squarely in the electronic underground's resurgence. 

Codeine

Codeine is an American indie rock/slowcore band formed in 1989 by Stephen Immerwahr (vocal/bass), Chris Brokaw (drums), and John Engle (guitar). The band pioneered the slowcore and sadcore subgenres of indie rock but with a more experimental attitude. 

MODEL/ACTRIZ

Model/Actriz is an American rock band whose music has been described as visceral post-punk. Its music features a pulsing blend of danceable noise and a live performance that mirrors the way its records unravel. The band is an experiment in the primal aspects of human experience.

PELADA

Pelada, the duo of singer Chris Vargas and producer Tobias Rochman, broke out of Montreal's underground warehouse rave scene in 2014 after uploading tracks to Soundcloud, which caught the attention of the global dance music scene. Their collaboration is a blend of urgent Spanish language vocals centred around power, control, and social justice themes with hardware samplers, synths and drum machines. 

Ciel Noir I Blue Skies Turn Black

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Malaika Astorga is the Co-Founder & Creative Director of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.

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The Dandy Warhols Go The Distance at Le Studio TD

The Dandy Warhols’ setup at Le Studio TD

2024 marks 30 years of The Dandy Warhols. The Portland psych-rock group have achieved a truly remarkable feat, with 11 studio albums and two compilations thrown into the mix. But with such a legacy comes the responsibility to uphold it, which poses its own challenges; many musicians hide behind the enduring glow of their greatest hits, while others grasp so tightly onto the notion of reinvention that it slips through their fingers. Where do the Dandy Warhols go from here? 

Last night at Le Studio TD, they attempted to chart this very course. Montreal marked the halfway point of The Dandy Warhols’ Spring 2024 tour, with this stop falling just days before the release of their twelfth record ROCKMAKER. An occasion full of promise for the Dandys and their devotees – and one that fortunately (mainly) delivered.

The Dandy Warhols capitalized on a roaring welcome by settling nicely into “Ride,” dousing the audience with a sea of shoegaze. Keyboardist/percussionist Zia McCabe commanded the stage all night, handling multiple instruments with ease as her auburn hair billowed in the air. Moving through the ROCKMAKER single “I’d Like To Help You With Your Problem” and synth-disco smasher “We Used To Be Friends” felt similarly organic.

Zia McCabe of The Dandy Warhols

Zia McCabe of The Dandy Warhols

Despite the heavy fluorescent haze, the middle of the set is where things hit a slump. For something that boasts such a distinctive distortion, new tune “Danzig with Myself” (a Frank Black collab) felt lost in the shuffle. A string of Dandy classics seemed to melt into each other, though fans who prefer the band at their breeziest may not have minded. I was grateful for the jolt of B-52’s-esque “The Summer of Hate” and the clarity of “The Last High” to lift the spell. At least Courtney Taylor-Taylor’s obligatory French quips proved charming to the crowd, with the lead vocalist joking that he was working his way up to “chewing out a waiter.” Priorities!

Judging by the resounding reaction, it was the seething bite of “Godless” that brought the Dandy Warhols back to where they needed to be. Just in time, too, for the sticky-sweet “Bohemian Like You” deserved such respect. (I am a Gen-Z music writer – I would be remiss if I did not attach great significance to the soundtracks of DreamWorks Animation films.)

Brent DeBoer and Courtney Taylor-Taylor of The Dandy Warhols

17 songs later, many fans would have been content to keep going, but McCabe drew the night to a close on her MS-20. “Let’s not wait so long,” urged McCabe, offering “je t’aime” before she departed the stage. While several people scattered around to try and find Taylor-Taylor’s guitar pick, other groups could be heard eagerly speculating on ROCKMAKER’s sound. 30 years have come and gone, but the Dandy Warhols continue to juggle an illustrious catalogue with that trademark satirical spark.

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The Dandy Warhols

Instagram | Bandcamp | Spotify

Rebecca Judd is the features editor of Also Cool Mag.

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What's Cool at Taverne Tour 2024

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It goes without saying that Taverne Tour is our go-to fest for thawing the wintertime slump. In line with years past, the 7th edition of the Montreal music festival is packed from brim to brim with stellar inter-genre programming, highlighting artists from the city’s local music scene and beyond. On this weekend from February 8th-10th, here is our list of must-see acts from the festival’s lineup. Read along while jamming to our offical Taverne Tour playlist below.

Full disclosure: Some shows have already sold out — we hope you scored your tickets in time!

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Ben Shemie via Taverne Tour

Montreal’s Ben Shemie—known as lead vocalist and guitarist of art rock outfit SUUNS—moonlights with his experimental solo pursuits. Playing on his classical compositional training, Shemie dabbles in astral string arrangements, frenzied, yet melodic, feedback loops and contorted vocals in his latest avant-pop feat. 

Shemie plays La Sala Rossa Thursday, February 8th.

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DahL via Taverne Tour

With their forthcoming album That’s It in the works for March, Montreal’s DahL has perked up our ears with their savvy splicing of trip hop know-how, post-punk textures and arresting flow. The project is the brainchild of Nassir Liselle and Purplefield, who have joined forces with long-time collaborator and producer William Winston on synthesizers and Edward Scrimger on drums for an unparalleled live performance. 

DahL plays La Sala Rossa on Saturday, February 10th. 

Tickets are sold out!

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Daniel Romano’s Outfit via Taverne Tour

Daniel Romano’s Outfit is road tripping once again in anticipation of their next release, Too Hot To Sleep, arriving March 1st on You’ve Changed Records. Sporting power pop sensibility on Too Hot’s first two offerings—“Field of Ruins” and “Chatter”—we’re keen to experience the Welland, Ontario group’s newfound spunk alongside their longtime country flare. 

Daniel Romano’s Outfit plays La Sotterenea on Saturday, February 10th. 

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Marie Davidson via Taverne Tour

Reigning queen of Montreal’s clubscape, Marie Davidson, made an impressionable comeback performance at M For Montreal this past fall. The local electronic music producer, singer, songwriter and poet floored the audience with her coy stage presence and enthralling beats. Knowing that we’d accept a taste, but are eager for more, Davidson’s appearance at Taverne Tour is sure to bring the house down. 

Marie Davidson plays Le Belmont on Saturday, February 10th. 

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Pantayo via Taverne Tour

Toronto ensemble Pantayo promises to entrance audiences with its harmonious dialog of kulintang, electronica and indie pop. Combining traditional Filipino music with contemporary influences and experiential sounds, the queer, diasporic Filipinx quintet inspire mesmerizing, powerful and grooving atmospheres through collaborative percussive magic.

Pantayo plays Le Ministère on Friday, February 9th.

Tickets are sold out!

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Safia Nolin via Taverne Tour

Revered Quebec City singer-songwriter Safia Nolin is a breath of fresh air amidst our heavier Taverne Tour selections. Strumming with tenderness, Nolin’s stilling voice is like a reverie paired with her uncluttered, frank acoustic compositions. Nolin’s recent EP ET SI, DE/main l’oiseau chills with its poignant dexterity — charting fragility and renewal all at once. 

Safia Nolin plays Le Quai des Brumes Thursday, February 8th. 

Tickets are sold out! 

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Slash Need via Taverne Tour

Our standing review of Toronto’s Slash Need is that we would gladly let them step on us. The duo’s floorboard-thumbing crossover of industrial punk and performance art is always a treat. For seduction, camp, leather, lace and hounding instrumentals, look no further than this spectacle of daring debauchery.

Slash Need plays Le Ministère Thursday, February 8th. 

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Sun Entire via Taverne Tour

Sun Entire is a three piece shoegaze outfit made up of Montrealers June Moon, Nico Serrus and Ivan Urueña. Hot on the heels of their debut LP Fit To Break, the band intrigues with their honeyed sound — awash with 90s-tinged, luminous whimsy.

Sun Entire plays L’Escogriffe on Thursday, February 8th. 

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Sweeping Promises via Taverne Tour

All the way from Lawrence, Kansas, post-punk pair Sweeping Promises charms with their playful take on raw angularity. The band’s 2023 LP Good Living is Coming For You inspires shoulder shimmying from back to front, complete with surfy bass riffs, vintage synths and Devo-esque vocals. 

Sweeping Promises plays La Sala Rossa Friday, February 9th.

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Roost.World via Taverne Tour

Fall into a dark wave rabbit hole at our Taverne Tour co-pro with Burlington, Vermont synth troopers Roost.World. Shake the week’s edge off with the Roost.World’s intergalactic goth rhythms, and introspective sets from special guests Lola 1:2 and Marontate.

Join us at Casa Del Popolo on Friday, February 9th!

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Taverne Tour

Website | Instagram | Festival App

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What's Cool at M For Montreal 2023

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What better way to curb the effects of daylight savings than a weekend of music? The wide-ranging curation of the M For Montreal music festival returns from November 15th-18th, 2023. Offering exceptional programming from two distinctive lineups, the shows from the festival’s Official Selection are available exclusively to festival delegates and pro pass holders, while the Marathon bills are open to music fans alike. Discover Also Cool’s M For Montreal top picks in the highlight below, featuring never-before-seen artists for the mag to keep on your listening radar. Also Cool’s official M For Montreal playlist will be updated with more must-see acts in the week leading up to the festival.

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Cartel Madras via Bandcamp

Marathon

Calgary-raised, Chennai-born Cartel Madras promises to stir a fervent atmosphere. The Desi experimental hip hop duo, composed of sisters Eboshi and Contra, commands audiences with their explosive blend of trap, punk, house and South Indian aesthetics - a genre they’ve coined as “Goonda rap.” For bold flows and anthems of resistance, hit Sala Rossa for the Consequence showcase on Saturday, November 18th.

Cartel Madras at M For Montreal

Alix Fernz via Instagram

Marathon

Sainte-Thérèse expat Alix Fernz (AKA Blood Skin Atopic) is the latest mistfit darling of Montreal indie label Mothland. Thriving in the allure of mischievous freak-pop, Fernz’s debut single “Wax” intrigues with its tightroping of post-punk and synthwave. Fernz plays alongside Hippie Hourah, presented by Simone Records, at Ausgang Plaza on Saturday, November 18th.

Alix Fernz at M For Montreal

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Blesse by Gaëlle Leroyer

Official Selection

blesse is the sonic renaissance of former Zen Bamboo members Léo Leblanc, Charles-Antoine Olivier, and Xavier Touikan. Hot off the arrival of their debut album normal (Simone Records), the Montreal trio recently rocked Festival De Musique Émergente and Le Phoque Off with their distinctive garage-meets-hyperpop flare. See what all the fuss is about on Thursday, November 16th at Quai des Brumes.

blesse at M For Montreal

Heaven For Real by Beatrice Scharf-Pierzchala

Marathon* (available to pro and festival pass holders)

Quaint Toronto-via-Halifax art rock outfit Heaven For Real is the brain child of twins Mark and J. Scott Grundy. Between jangly rhythms and playful musings on every day life, the group has endeared audiences with their breezy, yet contemplative, songwriting for over a decade. Embrace the warm and fuzzies at their M gig, presented by The Current, at Café Cléopâtre on Saturday, November 18th.

Heaven For Real at M For Montreal

Poolblood by Kate Killet

Marathon* (available to pro and festival pass holders)

Polaris long-lister poolblood—the nom-de-plum of Toronto singer-songwriter Maryam Said—has made a splash with their full-length debut mole (Next Door records). Recorded entirely analog, poolblood’s mole is a tender, lush collection of bedroom-folk introspections. For a moment of poignant stillness, catch them alongside Heaven For Real at Café Cléopâtre on Saturday, November 18th.

poolblood at M For Montreal

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M For Montreal

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Ten Seasons of Pique – Ottawa's Finest Multidisciplinary Festival (Debaser)

Pique at Arts Court in downtown Ottawa

Last Saturday night, Pique returned to Ottawa’s Arts Court for a triumphant fall edition.

Produced by the renowned arts organization Debaser, Pique has built something of a cult following across the National Capital Region. Each chapter of the underground music and arts festival has seemingly hypnotized audiences, showcasing dynamic rosters of programming across seven stages while maintaining a humble, community-oriented atmosphere. With this most recent iteration of Pique, which marked its milestone tenth edition, this appears to have still rung true.

Dorothea Paas performing on the Terrace stage

The first standout set of the evening was Dorothea Paas, who performed an intimate outdoor set on the Terrace stage. Her chilling vocals and ruminative lyrics, reminiscent of artists like Weyes Blood and Phil Elverum, brought the crowd to a standstill. It was a pleasure to see her return to the Terrace as part of the Marker Starling ensemble, fronted by acclaimed musician Chris A. Cummings. Known for his signature funk and ample Wurlitzer backings, Cummings delivered a soft rock summer sendoff to a delighted audience.

Syana performing in the Alma Duncan Salon

The Alma Duncan Salon hosted luscious techno treats, emerging as the other top stage of the evening. DJ Don’t Trust Ryan drew in an incredible crowd with his magnetic blends of Y2K pop and frenzied electronica. Multidisciplinary artist Syana kept up the momentum, commanding the room with tracks from her album 19 Years of Rage alongside surprise guest Mossy Mugler. Illuminated by Dayglo patterns of all shapes and sizes, the dance floor remained packed with festival-goers for most of the night.

The Ottawa arts scene—the Canadian arts scene!—awaits this festival with bated breath, and for good reason. As Pique continues to outdo its promising reputation, it is difficult not to dream of the next one before fully savouring the last. Its inclusive atmosphere and curatorial boundlessness will be beloved for seasons to come.

Pique event poster by Ajeeb Sir

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Pique

Website

Debaser

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What's Also Cool at FME 2023

FME’s full schedule

As August comes to a close, we’re counting down the sleeps until the most glorious festival of the year… FME. The Festival de Musique Émergente returns to Abitibi-Témiscamingue this weekend! 

Featuring 81 artists, this four-day frenzy offers entrancing programming for music lovers from every pocket of the country. We couldn’t be happier to take part in the 21st edition of the festival. Whether you need some help planning your itinerary or you’re looking to shake up your playlists, we’ve got you covered with our top picks!

THURSDAY

N NAO by Naomie de Lorimier and Charles Marsolais-Ricard

N NAO

We had the pleasure of witnessing N NAO opening for P'tit Belliveau a few months back, and it was nothing short of the most ethereal goblin mode music we’ve heard in a while. Generally leaning more towards shoegaze fairy-pop, N NAO brings her dreamy world to life through her strange and wonderful compositions.

Pressure Pin via Taverne Tour

Pressure Pin

High-strung and minimally angular, art-punk group Pressure Pin are sure to hit the grounds of FME with a bang. Originally a pandemic-born solo project of multi-instrumentalist Kenny Smith, the project has since expanded to a full band operation. For fans of Devo, NOV3L, and Eastern Canadian post-punk.

Yocto via Bandcamp

Yocto

Yocto is one of Montreal’s supergroups, and legendary bands emerging from the Esco-Quai Des Brumes-Rockette Bermuda triangle. Inspired by the underground rock of the mid-70s (think Television and the Talking Heads), they credit their creativity to the sci-fi soap operas of the same era.

FRIDAY

Elisapie by Leeor Wild

Elisapie

The ethereal Inuk singer-songwriter Elisapie is set to take the stage in Rouyn-Noranda. Elisapie’s performance comes just weeks away from her release of Inuktitut, a cover album featuring selections from artists like Blondie and Queen that will pay homage to her youth in Nunavik.

Fraud Perry by Alex Apostolidis

Fraud Perry

With an exceptional knack for melding genres, rapper-singer-songwriter Fraud Perry has set her sights on Rouyn-Noranda. Prepare to be charmed by the Montreal artist’s fiery delivery and dance-ready beats.

La Sécurité by Aabid Youssef

La Sécurité

As steadfast fans of Montreal art-punkers La Sécurité, there was no question in our minds about proclaiming them a top pick. Their frenetic arrangements and provocative lyrics make for captivating live performances that are guaranteed to please.

Nora Kelly by Gabie Che

Nora Kelly Band

Previously known for her success at the helm of Montreal punk trio DISHPIT, Nora Kelly has hit a compelling stride with her shift to alt-country. With sickly-sweet vocals and atmospheric instrumentation, Nora Kelly Band offers the perfect complement to fading summer skies.

SATURDAY

Les Louanges by Sacha Cohen

Les Louanges

The poignant lyricism and signature funk of singer-songwriter Les Louanges (also known as Vincent Roberge) are not to be missed. Known for his charming melange of R&B and jazz, the artist has transfixed audiences from Quebec and back again.

Night Lunch via Bandcamp

Night Lunch

Night Lunch are bringing the 80s to Abitibi for their 5 à 7 performance at Les Mooses. Known as light-and-dark pop rockers, Night Lunch sing of the vices of the big city, big romance, and anarchist fantasy. We saw them open for LUCY (Cooper B. Handy), and can confirm that their show is not to be missed.

Truckviolence and Jodie Jodie Roger via FME

Truckviolence and Jodie Jodie Roger

If you’re in the mood for something loud and rowdy, the fin de soirée show at Cabaret de la Dernière Chance will give you the fix you need. Jodie Jodie Roger will kick off the show with her metal-infused punk energy, followed by Truckviolence’s gloomy hardcore sound. Bring your earplugs and get ready to get sweaty.

SUNDAY

Knitting by Alex Apostolidis

Knitting

Bounce around the last day of the festival with Knitting, an indie bedroom pop/rock group from Montreal. By choosing knitting as a metaphor, the band aims to enhance the relaxed, artisanal side of the business. Sit back, relax, but also maybe get up and dance.

SAMWOY via sam-woy.com

SAMWOY

Closing out the festival, SAMWOY comes to rock the cabin with dark hues, on assaults of guitar, sharp synths and cavernous voices, as it should be. Inspired by Division, Bauhaus and Iggy Pop, it’ll be a perfect show to end the weekend.

We can’t wait to run from show to show at FME! Keep an eye on our socials to catch our daily live coverage of our favourite small-town festival.

Get your tickets below if you haven’t already, and as always, we’ll see you in the pit.

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FME

Tickets
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Interview: The Return of Montreal's Suoni Per Il Popolo is an Intergenerational Celebration of Musical Escape

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Suoni Per Il Popolo 2023 poster

Montreal’s world-renowned experimental music and art festival, Suoni Per Il Popolo, returns from June 1st to 23rd, 2023. The 23rd edition of the festival plans to animate the city’s beloved venues as a homecoming for music-makers, composers and the sonically curious. From the festival’s Plateau-bound nebulous and beyond, festival goers can expect a profusion of over fifty intimate concerts from local, national and international artists, and genre-defying programming spanning free jazz, avant-rock, noise/post-punk, avant-folk, afro-futurism and more. Along with concerts, the festival features sonic meditations, exhibitions, screenings, comedy shows, parties and a street fair. 

In anticipation of this year’s festival launch, we caught up with Kiva Stimac, Suoni Per Il Popolo’s co-founder and co-owner of Casa del Popolo and Sala Rossa. 

On this year’s edition, Stimac reiterates the significance of Suoni’s avant-garde programming as a means of community restoration: 

“With regards to anything in arts presentation right now, we have to consider the power and importance of music and creativity in healing from the turmoil of this global pandemic. What I’ve always looked for in experimentation and play is the questioning and liberation that you get from not only being a musician, but an audience member as well.”

Along with fellow festival co-founder and business partner Mauro Pezzente (Godspeed You! Black Emperor), Stimac established Casa del Popolo and Sala Rossa, two pillar venues in Montreal’s music scene. Acting as the festival’s homebase since its foundation, Stimac says their atmosphere brings Suoni’s values to life.

“As venues and as places, it has always been really important that we serve food and drink that is delicious and that when artists come, we provide them with a good stage and good lighting…and somewhere to stay in a really familial way! [Pezzente] is a musician and I’m a chef and a visual artist, so our model is based on both of us being artists and wanting to invite artists that we love to our home to celebrate and create with us.” 

While Suoni has expanded since its humble beginnings of “beer sales and selling sandwiches,” its DIY ‘til death mentality remains, with all of the festival operations continuing to happen behind the scenes at Casa and Sala on St Laurent boulevard. Likewise, the project continues to be funded by grants and unique collaborations, which Stimac feels fuels, rather than limits, Suoni’s spirit year after year.

“Though we have a limited budget, it forces us to look for money in other ways for special projects to do with artists. Like grants to fund local and international artists coming together to create a project,” identifies Stimac. “For example, this year we’re doing a deep listening sound walk with Pauline Oliveros’ life partner, IONE. It’ll be led by Ayelet Gottlieb, an Israeli-Canadian deep listening practitioner and vocalist,” she adds. “This makes it so there’s a multitude of ways you can experience the festival: You could go to a free meditation, a film screening, or a deep listening mountain walk, and then come to a performance.”

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Suoni Per Il Popolo 2023 poster

Of course, Suoni’s “by artists, for artists” grit has also willed its vibrant and off-beat curation. This has set the festival apart since day one, making it the premiere event for testing boundaries through music. At the same time, Stimac and her team’s willingness to take creative risks with their programming set an interesting precedent for Montreal, which hasn’t always been the hub for out-of-town acts we know today. 

“When Casa del Popolo opened in 2000, a lot of artists were actually skipping Montreal on their tour routes,” she articulates. “So, people would play Toronto… and they would play Boston… And eventually, [my partner] Pezzente reached out to his agent, who was managing a bunch of cool artists at the time, and was like, ‘Why aren’t these bands coming to Montreal? Why don’t we try having them come to Montreal?’”  

From this phone call, Stimac and Pezzente went on to put together their first show with Scottish indie rock group Arab Strap at the newly opened Casa del Popolo. To their surprise, it sold out in 10 minutes.

“From that show and eventually starting to program at Sala Rossa across the street, we realized there was a demand for international touring artists here. Another major incentive [to book these acts], especially in the experimental and avant-garde worlds, was to invite them to Montreal in the first place.”

This effort has remained integral to Suoni’s raison d’être, and a way for communities, both local and international, to work together and “transgress the physical space” through creative innovation, according to Stimac. 

While the definitions of experimental and avant-garde have evolved throughout the years, Stimac maintains that Suoni attendees can still anticipate generations coming together to appreciate underground and outsider art.

“The size of our rooms limit you to new and up-and-coming artists, or unheralded elders at the end of their careers. This year, we have three different groups performing who are in their eighties—and on the other end of the spectrum—local groups in their twenties performing and a piano recital for young kids who are just starting out. Inviting all ages has always been important to me because you can see the trajectory of their career, and that is impactful to so many.”

Likewise, the intergenerational aspect of the festival remains integral for Stimac, due to the universally transformative power of music. 

“The release of listening to or making music can really heal trauma, and that’s the music I’m drawn towards. Whether it be the free jazz of my dad’s generation or the punk rock music of my generation… Music is made for liberation,” she explains. “My vision for the festival has always been challenging revolutionary good times.” 

Expand your listening palette and attend this year’s edition of Suoni Per Il Popolo. The festival kicks off June 1st at Casa del Popolo. Tickets are available online below. Follow Also Cool on socials for more festival updates and coverage in the coming weeks. 

Festival Information

Artists | Schedule | Tickets

Suoni Per Il Popolo

Website | Instagram | Facebook | Twitter

Zoë Argiropulos-Hunter (she/her) is the co-founder and managing editor of Also Cool Mag. Aside from the mag, she is a music promoter & booker, and a radio host & DJ.

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3 Queer Happenings: Cosmic Drag-Pop Double Feature Review

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Photo by Emm Pics You

Last month, Montreal, arts interculturels (MAI) transformed their gallery space to be the thrust stage of our dreams for 3 Queer Happenings: Cosmic Drag-Pop Double Feature and we haven’t been able to stop thinking about the cosmic duo BiG SiSSY & Bijuriya.

The two drag artists and musicians came together for two sets of live music featuring their original songs, collabs, and cosmic covers as part of the greater series.

Starting off the evening was Bijuriya, inspired by her South Asian heritage and appreciated for her proud, festive, wacky, and critical outlook on Bollywood and other elements of Desi culture.

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Photo by Emm Pics You

Her performance brought us through many different emotional moments. She began with her melancholic baroque opera piece Cold Genius Aria, composed by Henry Purcell, to having the audience laughing hysterically through her throwback original song “Les bouchées doubles”.

Bijuriya closed the performance off with a magical piece called “Geeta”, written from the perspective of Geeta Dutt, one of her favourite Indian singers from the ‘50s and ‘60s film industry. Geeta’s husband was a filmmaker and had cast another woman in Geeta-like roles while having Geeta sing for the character. Allegedly, there was a love triangle between the two of them and this other woman — a story that has since inspired this beautiful piece by Bijuriya to give Geeta her voice back.

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Photo by Emm Pics You

Popping-in for a duet with Bijuriya in the first act—and dominating the second act with her witchy prowess—was BiG SiSSY, a favourite of Also Cool. BiG SiSSY is a drag/performance artist, vocalist, and producer who makes pro-Black, pro-sex, and beat-driven music. Mixing post-disco beat machines and electro-clash looped guitar riffs, SiSSY's subversive lyrics are drenched in Afro-futurism, humour, and blunt honesty.

The performance started out with some classics, contextualizing BiG SiSSY as an alien from the fictional “Black Starr Planet”. The songs are stars of her upcoming EP release Black Star, including the song “Black Supremacist”: “Whiteness will be your demise / Salvation lies between my thighs… / She was a Black Supremacist / The worst, reverse-racist queen.”

BiG SiSSY dazzled with her signature green glowing hair and stellar vocals.

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Photo by Emm Pics You

The duo collaborated on two songs throughout the eve. There was one original by Bijuriya called “Problematic Fantasy”, which was an ode to the objectification of men whose morals/existence are objectionable (hilarious), as well as a cover of Jamiroquai’s “Virtual Insanity”.

A highlight of the performance was when BiG SiSSY asked for a volunteer from the audience. A very enthusiastic volunteer raised their hand; she then deemed them “Cilantro”, and reminded everyone that it was Black History Month and Cilantro would be bringing around a hat for the audience to fill with their cash.

The lighting and costumes were beautiful – the stage at the MAI really elevated the performances, and made sure audience members were soaked in red for one of BiG SiSSY’s climactic pieces: “The Period Song”. After this performance, BiG SiSSY and her assistant blasted red party-poppers out into the audience as we all shouted “free bleed”.

The show ended with BiG SiSSY’s latest release “Cake”, featuring BACKXWASH (another Also Cool favourite), where she wants to “have [her] cake and eat it too.” You’ll have to listen to the lyrics for that one to get the full picture…

To experience the fun for yourself, join us at the BiG SiSSY EP release on April 6th. We’re also looking forward to seeing Bijuriya again quite soon – stay tuned!

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BiG SiSSY

Black Starr EP out on all platforms April 6

Instagram | Bandcamp | Website

Bijuriya

Bijuriya Chamke out now

Instagram | Bandcamp

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Also Cool Presents: NO WAVES, Whoredrobe, Beamskii, 1800pastamoney, Mayalabae and Corinita

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Poster by Vasco Cavalheiro

Though flooding dancefloors in spring attire may be hard to imagine in midst of this week’s major snow dump, we’re asking you to save the date—and potentially bear the cold—for our next show! We promise, it’ll be well worth your while.

On Thursday, March 30th, hit Bar le Ritz to experience both the gig and the rave in true Also Cool fashion. Open the pit with surf punk trio NO WAVES, taking the stage with fishnet-tearing hardcore ensemble Whoredrobe, followed by a deepcut dance party led by DJs Beamskii, 1800pastamoney, Mayalabae and Corinita,

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Also Cool presents: NO WAVES, Whoredrobe, Beamskii, 1800pastamoney, Mayalabae and Coronita at Bar le Ritz

Thursday, March 30th, 2023

Doors — 7:30PM | Show — 8:30PM | 18+

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In a recent interview, NO WAVES is described by Also Cool contributor Uma Nardone as:

Maybe a kaleidoscope of indie sleaze, where Blink-182 and Surf Curse intersect? Their sets radiate a joyousness and respect that's rare in the industry. They want to be there as much as the audience does, and it shows. 

Joining the bill is up-and-coming hardcore band Whoredrobe. “Never taking themselves too seriously,” Whoredrobe uses riot grrl, punk and metal influences combined with humour and irony to create music that is uniquely their own.

Get ready to mosh, dance and let loose at our punk show-turned-after at Bar le Ritz! Save the date and see you on March 30th.

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Also Cool Presents: Frankie Rose & Chiara Savasta at Taverne Tour on Feb 11th

It may be the coldest month of the year, but Taverne Tour is hitting the streets of Montreal this weekend to warm us up with too many good shows to count. 

We're excited to co-promote a Taverne Tour show of our own featuring Frankie Rose and Chiara Savasta at Casa del Popolo on February 11th. Almost all of the Also Cool core team will be in town, and we'd love to see you!

Get your tickets here. 

Taverne Tour will be taking over the many bars and music venues of Avenue du Mont-Royal, Boulevard St-Laurent and Rue St-Denis, and present the very best music from Montréal and abroad. Headliners include of Montreal, Lydia Lunch Retrovirus, BACKXWASH, The King Khan & BBQ Show, and Choses Sauvages.

The lineup also includes a ton of Also Cool forever favs, including Piss for Pumpkin, Laura Krieg, NO WAVES, Yoo Doo Right, La Sécurité, Boyhood, and SO many more. 

Good luck in the cold, we'll see you in the pit!

Taverne Tour

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Kickdrum & Also Cool present: Late Nite Laundry, Sophie Ogilvie & Lucy's Delirium at La Sotterrenea

Our favourite Chicago psychedelic soul band Late Nite Laundry is coming to Montreal, and we're happy to be co-presenting their show on February 12th at La Sotterrenea alongside Kickdrum. We recently interviewed the band about their self-titled EP,  Late Nite Laundry (released via Acrophase Records), which you can read here.

Late Nite Laundry will be joined by Sophie Ogilvie (feat. members of Helen Paradise and Bodywash) and Lucy's Delirium, who played our holiday charity event for the Mile End Mission. 

Sophie Ogilvie is a singer and songwriter based in Montréal, Quebec. Approaching songwriting with the confessional lyricism of folk and an indie rock penchant for pop song structures, Ogilvie's sound is set apart by her deft command of the voice. Ogilvie has performed in Montreal's synth-pop and indie-rock scenes with the band Helen Paradise, with whom she recorded their External World EP (2021). On her upcoming EP Coming Up, Crocus, Ogilvie uses both electronic and acoustic instrumentation, borrowing from downtempo, singer-songwriter, and R&B genres. 

Lucy's Delirium is an alternative rock band from Montreal, made up of members Addie, Franky, Lila and Hanak. They want to dance, jump, cry and yell with the audience while keeping the scene open and inclusive. They'll be releasing music this year and can't wait to scream on stage.

Portes/Doors – 20h30 I Spectacle/Show – 21h I $12 adv / $15 door

***Nobody will be turned away for lack of funds***

Tickets

*** ACCESSIBILITÉ / ACCESSIBILITY ***

Le lieu est appelé La Sotterrenea, situé dans le sous-sol de La Sala Rossa (4848 St. Laurent Blvd.). Des escaliers sont nécessaires pour se rendre au lieu. Il n’y a pas d’ascenseur.

The venue is called La Sotterenea, located in the basement of La Sala Rossa (4848 St. Laurent Blvd.). Stairs are required to get to the venue. There is no elevator.

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Enter Palingenesis: A Night of Independent, Genre-Defying Creative Expression

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To start off 2023, we’re unveiling the lineup of Palingenesis: a night of independent, genre-defying musical performances and multimedia installations animating multiple levels of church-turned-event space allsaints – 330 Laurier Avenue East, on Saturday, January 21st, from 7:00PM-2:00AM in Ottawa. Presented by Congrego in collaboration with Also Cool and Debaser, Palingenesis brings together cutting-edge talent evading the cultural mainstream from the curators’ hometown scene and beyond, including musical acts Pony Girl, Fraud Perry, Treus Jones, Crasher, Lesser Evil, maxime., DJ TRINIDADDY, Dimitri Georgaras and DJ Russ Plus, accompanied by works from local artists SLVR, Cheru Pompey and Andrew Doxtater.

Advance tickets are available for purchase here. Limited quantities available at the door. 

Excited? Us too. Save the date and meet the Palingenesis musical guests below and get ready for the hottest event of the season (on the coldest day of the year)!

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Pony Girl

Pony Girl are masters of artpop, invigorating stages with a prismatic sound that’s all their own. Hailed for their “evocative soundscapes” (CBC Radio), “ability to push the boundaries that define pop-rock” (Mixtape Magazine), and “musical depth quite astonishing to experience in person” (Exclaim!), Pony Girl is a rare gem worth uncovering.

Instagram | Bandcamp | Spotify

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Fraud Perry

“Fraud Perry is a vibe, a don't take shit type. Emerged from her chrysalis to ride a beat like a dick type...”

Instagram | Bandcamp | Spotify | SoundCloud

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Treus Jones

Instagram | Spotify | SoundCloud

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Crasher

“Crasher is a new three-piece electronic punk band fronted by Airick Asher Woodhead (Doldrums, errhead). Crasher formed during COVID while ‘bubbling’ in a shared jam space, and recorded the tape Street Cleaning Machines of the World, which released in spring 2021. They performed it live at Montreal’s OXYGEN outdoor rave event series in summer 2021.” — Suoni Per Il Popolo

Bandcamp

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Lesser Evil

Lesser Evil is Ariane and Christophe, who grew up strangers in houses next to one another in the same small town, met years later and morphed into a haunted two-headed beast of a musical duo as if it was always in the cards. Driven by Ariane's vocals, Christophe's electronics and a shared propensity for refined-meets-broken production, they plumb the depths of sound and mind in ways equally intense, intricate and immediate.

Instagram | Bandcamp | Spotify

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maxime.

maxime., born Maxime Trippenbach, is an alt-pop artist (self-released/AWAL) who writes, records, produces and engineers his music in his bedroom in Montreal. For his live show, he is accompanied by two friends: James Clayton on guitar and Lucas Kuhl on drums.

Instagram | Spotify | SoundCloud

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DJ TRINIDADDY

“DJ TRINIDADDY (they/he) is an Odawa based and Tkaronto-born DJ, musician, & overall multidimensional artist. As a queer & trans Coolie femme boy in the DJ & music community, they aim to make party & gathering spaces accessible & safe(r) for QTBIPOC, and hope to inspire & create community through their sounds. From soca, chutney, & dancehall to afrobeats & sick club edits, there's no way yuh cah free up & feel up yuhself when they're spinning!” — Pique

Instagram | Mixcloud

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Dimitri Georgaras

Ottawa-born composer, sound artist, and instrument builder. Dimitri's compositional voice is informed by deconstructing the fundamentals, limitations, and chaotic behaviours of analog electronics and digital signal processing, creatively exposing their musical potential through composition and performance.  

Instagram | Website | Bandcamp

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DJ Russ Plus

Instagram | SoundCloud

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Palingenesis Floor Plan

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NO WAVES, Sweet Flood, Büntsa, and Lucy's Delirium Play La Sotterenea for the Mile End Mission

What's better than an all-ages show? An all-ages show for the Mile End Mission! Join Also Cool for our last show of the year at La Sotterenea this Friday, December 16th, with NO WAVES, Sweet Flood, Büntsa, and Lucy's Delirium. Tickets are $10 at the door, or $5 with two or more food donations, with all sales and donations going to the Mission.

Now to tell you a bit more about the bands...

NO WAVES are our favourite surfy punk rock Gen Zs, who recently appeared on our N10.as radio show. They played the most chaotic combination of tracks, ranging from blink-182 to Ellie Goulding, in preparation for this week's set.

Sweet Flood began by organizing DIY shows and events in Montreal's punk scene. The name Sweet was inspired by combining two songs that heavily influenced the band's sound. The heavy sludge-sounding tones of "Sweet Leaf" by Black Sabbath and the melodically atmospheric composition of "Floods" by Pantera. You can find the band at Traxide, an underground punk venue, with an energetic crowd smiling and moshing at the same time.

Büntsa is a three-piece progressive alt-metal band from Montreal. In 2020 during the "red zone" of COVID, Chris and Matthew began meeting up in a backyard shed, composing a hybrid of progressive metal and noisy grooves with a punk rock sensibility. They soon recruited the "old guy," Eric (Chris's dad), to flesh out the sound with heavy beats and rhythmic flourishes. They then moved into Eric's recording studio, practicing their unique blend of fast, heavy grooves and tight, gritty riffs.

With high-energy riffs and their instrumental prowess, Büntsa will make you want to jump, mosh, and slip into a barnyard square-dance adrenaline-fueled ecstasy.

Lucy's Delirium is an alternative rock band from Montreal. Made up of members Addie, Franky, Lila and Hanako, the band is hitting the scene with bratty songs and an energetic attitude. They want to dance, jump, cry and yell with the audience while keeping the scene open and inclusive. They'll be releasing music in the next year, as well as playing more local shows, so keep an eye out!

All Ages Dec 16TH 8PM $10 at the door/$5 with a donation of 2 or more food items.

See you in the pit.

Malaika Astorga is the Co-Founder & Creative Director of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.

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Also Cool's M For Montreal Top Picks: Round Two

Priors by Lynn Poulin

The 17th edition of M for Montreal begins tomorrow, November 16th, and the city’s music scene is positively buzzing with anticipation. With emerging and established artists from coast-to-coast (and then some!) expected to set the night on fire, it’s hard to resist a taste for what’s to come. Luckily, you don’t have to – Also Cool is here to help, with our second round of selections from this year’s M for Montreal lineup. Be sure to check out our first round, too, and then get busy with your own scheduling… accompanied by our festival playlist, of course.

Priors 

Montreal mainstay punk quintet Priors nose-dived into this past spring with their latest EP NEWNEWNEW. Complete with signature lassoed thrashing and low-fi grit, the band’s punchy ardour remains as they return to the stage from an all-too-familiar pandemic lull. We’ve been parched for a loud gig and are ready to be tossed around by Priors’ angular flirtations. Sandwiched on an absolutely stacked festival lineup—co-presented by Mothland—including Crasher, Absolutely Free, Gloin and Grim Streaker, Priors and their entourage of feather-rufflers are guaranteed to stir up an evening of danceable DIY fervor. 

Priors plays La Sala Rossa on Friday, November 18th at 10:00 PM. 

Tickets

Priors

Instagram | Facebook | Spotify | Bandcamp

Emma Beko by Samuel Fournier

Emma Beko

If you’re not already familiar, the sinister stylings of Montreal-based rapper Emma Beko are bound to break your heart. Since rising in the scene as one-half of Heartstreets, Beko has refined her solo sound and tilted heads for her candid and grungy stream-of-consciousness flow. The release of Beko’s latest EP Superficial Stains fits comfortably into her catalogue, fresh off the heels of Digital Damage from earlier this year, so expect a show filled to the brim with lyrical gut-punches. Catch Emma Beko alongside SLM, Lary Kidd, and more for an unforgettably dynamic hip-hop showcase.

Emma Beko plays Club Soda on Friday, November 18th at 8:00 PM.

Tickets

Emma Beko

Instagram | Facebook | YouTube | Spotify | Bandcamp

NO WAVES by Malaika Astorga

NO WAVES

Our favourite Montreal Gen-Z punks will be playing the festival this year, so naturally we couldn’t help but add them to the group. From playing absolutely packed free outdoor shows where the crowd takes over the stage, to opening for NOFX and playing FME over the summer, NO WAVES continues to hold their own in the local rock scene. Stay tuned for an upcoming interview with the band by one of their peers, and in the meantime, catch them at M!

NO WAVES plays with Mobina Galore at Turbo Haüs on Saturday, November 19th at 10:00 PM.

Tickets

NO WAVES

Instagram | Bandcamp | Spotify | YouTube

Grim Streaker by Kevin W Condon

GRIM STREAKER

Playing alongside many of our faves—like Gloin and Priors—in the Mothland showcase this week, Grim Streaker made an impactful first impression on Also Cool at this year’s FME Festival in northern Quebec. Singer Amelia Bushell’s stage presence is direct and haunting – a worthwhile experience to feel totally undone by her stare. The band’s song “Mind” captivated us for a month after the festival, and they’re here in Montreal for more to see! Grim Streaker specializes in the genre-bending punk tunes that seem to reach out and grab you by the collar – they would be a shame to miss.

Grim Streaker plays at La Sala Rossa on Friday, November 18th at 9:00 PM.

Tickets

Grim Streaker

Instagram | Facebook | YouTube | Spotify | Bandcamp

M For Montreal

Website | Instagram | Twitter