Get to know Montreal-based photographer Gabriella Scali, whose photos initially caught our eye with with their attention to texture and muted colour schemes. Read and experience Scali’s reflections on following the band Sorry Girls on their past North American tour in her photo essay below. Within, Scali shares the charming, intimate moments of touring with a band through a gentle lens, and discusses how her relationship with her work transformed through reminiscing these nostalgic moments a year later.

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One year ago, I left Montreal to follow Sorry Girls on their tour across North America. My boyfriend is one of the musicians in the group, and as a photographer sensing a great opportunity, I immediately bugged him to have me tag along. I knew I had to document the band and their adventures on the road, in motel rooms and behind stage curtains.

Only packing a handful of film stock with me, I had to be very meticulous about what I wanted to capture. This is one of the reasons I always prepare my ideas in advance by sketching scenes and images: It calms my anxiety before the actual shoots. But on tour, it was creatively difficult. I couldn’t easily have control over the scenes and create images following my drafted ideas like I usually do. Being shy to approach the subjects fully and the quick pace of the tour schedule made it difficult for me to take pictures I enjoyed.

At this point in time, I wasn't very well acquainted with the other musicians in the band, and the process of following and documenting people that I barely knew was unsettling. I feared that the results might be overly-reserved and inauthentic. When my photos came out of the lab, a sinking feeling of disappointment came over me. I realized I had kept a deliberate safe distance from the subjects, in order to disturb their experience as little as possible. I tossed my photos aside. It wasn't until later that I was able to find beauty in my polite, introverted approach. The artists’ faces were often obscured by flares and reflections, creating an effect as if they are in a different realm, like light peeking through a translucent curtain. I noticed, however, that in time this shy obfuscation, approached with a cautious veil towards the beginning of the journey, began to lift. The warmth of the California sunshine began to seep in, illuminating the subjects' faces and the shadows between us.

Now one year later, when I look at my photographs I am faced with nostalgia and a bittersweet sensation. I feel the desert wind on my legs, the yellow sun warming my arms, and I smell the sweet scent of gasoline as I picture the mountains swiftly passing by. I also recall the cramped 15 hour drives, the unhealthy road-meals and the poor sleeping habits. I see my personal transformation in these photos. I see the time it took me to reach my comfort level, and how I was eventually able to let go of my expectations and preconceived results and to instead embrace the music scene’s vibrant and spontaneous energy. Spirited, suddenly full of power and brightness. This trip was like a flare you had to quickly grasp, otherwise it is lost. I wonder if I will ever experience this feeling again.

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Gabriella Scali is a Montreal-based photographer who started taking pictures as a young teenager, always dreaming of travelling to quiet places and capturing people by creating mood and settings around them. In 2016, she received her BFA in Photography at Concordia University. She also found inspiration in new surroundings, studying design at Bauhaus University in Germany, where she travelled across Europe and displayed her work in exhibitions. She now works as a graphic designer for a non-profit organization and works on her photography projects on the weekend.