image+nation LGBT2SQueer Film Festival: Top Picks

 

Still from A Bird Hit My Window and Now I’m a Lesbian, directed by Carmela Marie Murphy + AJ Dubler

Tonight marks the opening of image+nation, Canada’s first LGBT2SQ+ film festival, now in its 37th year! This iconic festival continues to provide a platform for sharing the stories and experiences of LGBT2SQ+ voices. This year’s stellar lineup features exciting new and recurring film categories such as Indigiqueer, Focus Acadie, & Zeitgeist, to name a few.

The festival kicks off with the film Queer, directed by Luca Guadagnino of Call Me By Your Name fame. We don’t know about you but that is certainly enough for us to know we’ll want to be seated in that theatre, ready for heartbreak Luca!

Beyond opening night, there’s an incredible lineup of films to discover, and we’ve put together a list of works that are really jumping out at us this year.

Running from November 20th to November 30th, image+nation offers both virtual screenings and in-cinema screenings at venues including UQAM, Concordia, Cinéma du Musée, Éspace ONF, and the PHI Centre.


Still from A Mother Apart, directed by Laurie Townshend

A Mother Apart

We have been eagerly anticipating A Mother Apart ever since its appearance at Vancouver Queer Film Festival earlier this year. This documentary follows Staceyann Chin — a mother, poet, activist, lesbian, and more — as she grapples with her most challenging identity: the role of “daughter”.

While raising her own child, Staceyann struggles to reconcile the pain of being excluded from her mother’s life. Exploring themes of forgiveness, motherhood, and the lengths we go for love, this film seems to offer a deeply moving contemplation on family and healing.

We are excited to see what this powerful piece has in store!

A Mother Apart is screening in person at NFB's Alanis Obomsawin Theatre on November 30th at 5:00pm and is available online from November 20th to 30th.

Tickets

A Mother Apart

Trailer


Still from “Bubbling”, directed by Chang Che-Ming

Focus Beijing: Friends from Afar

In collaboration with the Beijing Queer Film Festival, image+nation presents a selection of LGBT2SQ+ films that explore the nuanced challenges and joys of queer life within the context of Chinese culture, where traditional values often intersect with contemporary expressions of identity. Among the films we’re most excited to see is the documentary feature Mama Rainbow, which profiles six mothers who once held more conservative views—one of whom believed being gay was just a 'fad' but now openly embraces her lesbian daughter. Another standout is the Taiwanese short Bubbling, which tells the story of a young boy in a school choir who becomes drawn to a new student.

Focus Beijing films are playing online-only and you can watch the entire collection at the link below.

Tickets

Focus Beijing: Friends from Afar

Mama Rainbow Trailer | Bubbling Trailer


Still from “La Rivière”, directed by Élise Levy

Sapphic Shorts

An unofficial category at image+nation this year, but a category in our Also Cool hearts nonetheless — looking through this year’s image+nation catalogue with a sapphic lens, there is no shortage of enticing options to explore.

Looking for campy New York sorcery? Don’t miss Bushwitches. Prefer lonely lesbian gas station voyeurism? Ephemera could be for you. For a deeper dive into history, Old Lesbians captures oral ‘herstories’ from elder lesbians in the United States.

If your taste leans toward stories of love interrupted by tradition, If follows lesbian romance disrupted by an arranged marriage. For something whimsical, A Bird Hit My Window and Now I’m a Lesbian, an animated short, turns a bird funeral into lesbian introspection. Meanwhile, La Rivière follows Catholic schoolgirls who skip class, enticed to jump in the river together.

Spurs Night queers may not want to miss Stud Country, which delves into the history of the largest queer country-western line-dancing event in America — and how gentrification is threatening this vital space.

And finally (there are so many good ones!), The Boxing Ring chronicles the journey of a Filipino-Canadian Muay Thai competitor as she navigates falling in love with her coach.

All shorts are available online from Nov 20th-30th. Passes are available to purchase also if you are looking to watch all sapphic shorts available like we are ;)

Tickets

Sapphic Shorts


Still from Drone, directed by Simon Bouisson

Drone

For fans of eerie, unsettling films, Drone reminds us of Thelma, another dystopic sapphic classic. The story follows Émilie, a student in the Paris suburbs, whose life is underconstant surveillance—from her drone (which pays her to follow her every move) to her peers and her camera. As she navigates a budding relationship with a classmate and the pressures of fitting in with her “filthy rich” counterparts, Émilie is forced to confront the blurred boundaries between autonomy and exploitation.

Drone is screening at UQAM | Salle de projection Jean-Claude Lauzon Friday, November 29th at 9:00pm.

Tickets

Drone

Trailer


Still from Gigi, directed by Cynthia Calvi

A Question of Gender - Shorts

Our final category to check out is A Question of Gender — a beautiful inquiry and one we are ready to explore from every angle.

From the perspective of transition, Dreams of Sunlight through Trees documents a middle-aged trans man who transitions at 44 set against the grim backdrop of an ongoing wave of anti-trans legislation (sadly not a work of dystopian fiction).

If gender and romance are more your speed, All Boys Do might be the pick for you — following a trans drag queen who reconnects with an old flame for a weekend.

Or for a self-discovery journey, Gigi, an animated short, follows a tender story of a mermaid finding her own gender identity.

The full collection of short films is available online at the link below.

Tickets

A Question of Gender


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Premiere: Ariana Molly's Short Film "MISS LIBRA" is a Romantic Fever Dream

 
Still from MISS LIBRA by Ariana Molly

Still from MISS LIBRA by Ariana Molly

Through a haze of smoke, horoscopes, and red wine, emerges Ariana Molly’s MISS LIBRA. You may know Ariana from Mutually Feeling, or from her ethereal photography, but this short film marks her directorial debut. As an artist, Ariana transitions effortlessly between mediums, and MISS LIBRA is an invites us to take a deep dive into the her creative world.

MISS LIBRA chronicles our heroine, Lees, as she recounts the sagas of her failed pursuits for love. Written as indulgently obscure as a daily horoscope, Lees reels in feminine divinity and smashes it at its core, expelling gender presentation as laughable, playful, chaotic, evil. She muses over the queer, the trans and the astrological experiences muddling make believe with reality. She is pouting and painting her lips in a blue-hued bathroom. She is wearing a wedding dress in a smokey bath. She is drinking endless red wine. She is laughing maniacally, tying ropes and cracking whips and she is smoking-smoking-smoking. The cryptic yet seductive monologue, when coupled with the film's distinct visual, transports viewers to a mystifying space of gender frenzy and chaos, beauty and celestial delight. This highly aestheticized, ethereal slice of desire, dazzles in all of its glam-queer glory.

Still from MISS LIBRA by Ariana Molly

Still from MISS LIBRA by Ariana Molly

The film was realized by an almost entirely female/non-binary cast and crew. It was shot in October 2018 and has it's premier in October 2019. It's now being released on IGTV October 1st 2020. We spoke to Ariana about her creative process for the film, and her transition into this new medium.

Still from MISS LIBRA by Ariana Molly

Still from MISS LIBRA by Ariana Molly

Malaika Astorga for Also Cool: What made you take the leap from photography to producing a film?

Ariana Molly: Making the move from photography to film was something I always fantasized about but felt intimidated by. The reverberating "you should do film!" would bounce at me from friends, colleagues and professors who felt that my aesthetic language would translate well. It was honestly a matter of fighting off that pesky inner monologue telling me I wasn't ready. If there's one thing I've learned it's that we NEVER feel ready for any new challenge. At a certain point, you just need to swan dive and believe that you're going to stick the landing, and also be okay with knowing that you might not, and that's okay too.

I originally started developing this project because I applied and was accepted to write/direct the film for a series out of Australia called "Calendar Girls" that is now defunct. Unfortunately, due to lack of funding, they had to cease productions for their second year (for which I was supposed to participate) but in my mind I was already making the film, I could see it and feel it and I really, really wanted to make it. So I went ahead with it anyways and self-funded it. I didn't want arbitrary circumstances to prevent me from realizing this project.

Still from MISS LIBRA by Ariana Molly

Still from MISS LIBRA by Ariana Molly

Also Cool: What are some of your favourite films and why?

Ariana Molly: I have always loved films that cultivate a particular mood and create their own universe. I am a huge sucker for opulent aesthetic, overboard production design, costuming, DIY special effects, faux gore, queer themes!!! Anything related to halloween will usually charm the shit out of me. One of my favourite films of all time is The Love Witch. I think it might be the most perfect film ever made. Escapism through cinema is bliss, give me give me more. 

Still from MISS LIBRA by Ariana Molly

Still from MISS LIBRA by Ariana Molly

AC: Reflecting on MISS LIBRA two years later, how do you think you’ve grown as a director and artist? Do you have any advice for your past self, or for anyone aspiring to make a short film now?

Ariana Molly: It feels crazy to me that two years have passed since I realized this film. In some ways it feels like centuries ago, probably in part due to the way the world has radically shifted since that time #ronaaaa But in all honesty, the advice I would have given myself then, is the same advice I give myself now: just. fucking. go. for. it. There are literally one hundred thousand million reasons not to do something, don't let your own self confidence be the thing that prevents you from giving it a go. I have always been a person paralyzed by fear of failure, major A-type personality complex. I always joke that I never do anything I'm bad at. But, at the same time, discovering that I was capable of something new was one of the most invigorating feelings, and I'm going to keep chasing that high.

For a long time, when I would look at work I made in the past, I would be horrified (yikes @ undergrad). But MISS LIBRA has never turned on me. I am as proud of this film now as I was two years ago and infinitely grateful that this one film gave me the confidence to do so many other film based projects. I hope I can continue to cultivate that sensibility for the rest of my career because self doubt will rot the soul. 

I will always advocate for the fake it till you make it lifestyle because imposteur syndrome has followed me, no matter where I've been in my career, and I've accepted it as a part of life. I've basically learned to slap on a smile, say "yes I can" and then figure out how to make it work. Thank god for YouTube tutorials, my partner and every person who's ever given me a helping hand or a shot. They're the real MVPs. 

Still from MISS LIBRA by Ariana Molly

Still from MISS LIBRA by Ariana Molly

MISS LIBRA will be available via Ariana’s IGTV on October 1st 2020. The release is also tied to a fundraiser for Taking What We Need. Ariana encourages anyone who enjoys the film to donate to their crowdfunding.

Still from MISS LIBRA by Ariana Molly

Still from MISS LIBRA by Ariana Molly

CREDITS

Written + directed by Ariana Molly I Starring Lees Brenson (Dregqueen) I "The Hands" Sophie Marisol + Eugenie Tutin I Produced by Nicole Richardson I Director of Photography Marie Chemin I Beauty by Jessica Cohen I Beauty Asst. Dahlia Bercovitch I Production Design by Ariana Molly I Wardrobe + Production Asst. Kaitlyn Woodhouse I MISS LIBRA Title Animation by Jason Voltaire I Original Score by Mutually Feeling I Sound recordist Monika Rekas I Audio mix + master by Autin Tufts


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