What's Cool at Taverne Tour 2024

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It goes without saying that Taverne Tour is our go-to fest for thawing the wintertime slump. In line with years past, the 7th edition of the Montreal music festival is packed from brim to brim with stellar inter-genre programming, highlighting artists from the city’s local music scene and beyond. On this weekend from February 8th-10th, here is our list of must-see acts from the festival’s lineup. Read along while jamming to our offical Taverne Tour playlist below.

Full disclosure: Some shows have already sold out — we hope you scored your tickets in time!

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Ben Shemie via Taverne Tour

Montreal’s Ben Shemie—known as lead vocalist and guitarist of art rock outfit SUUNS—moonlights with his experimental solo pursuits. Playing on his classical compositional training, Shemie dabbles in astral string arrangements, frenzied, yet melodic, feedback loops and contorted vocals in his latest avant-pop feat. 

Shemie plays La Sala Rossa Thursday, February 8th.

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DahL via Taverne Tour

With their forthcoming album That’s It in the works for March, Montreal’s DahL has perked up our ears with their savvy splicing of trip hop know-how, post-punk textures and arresting flow. The project is the brainchild of Nassir Liselle and Purplefield, who have joined forces with long-time collaborator and producer William Winston on synthesizers and Edward Scrimger on drums for an unparalleled live performance. 

DahL plays La Sala Rossa on Saturday, February 10th. 

Tickets are sold out!

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Daniel Romano’s Outfit via Taverne Tour

Daniel Romano’s Outfit is road tripping once again in anticipation of their next release, Too Hot To Sleep, arriving March 1st on You’ve Changed Records. Sporting power pop sensibility on Too Hot’s first two offerings—“Field of Ruins” and “Chatter”—we’re keen to experience the Welland, Ontario group’s newfound spunk alongside their longtime country flare. 

Daniel Romano’s Outfit plays La Sotterenea on Saturday, February 10th. 

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Marie Davidson via Taverne Tour

Reigning queen of Montreal’s clubscape, Marie Davidson, made an impressionable comeback performance at M For Montreal this past fall. The local electronic music producer, singer, songwriter and poet floored the audience with her coy stage presence and enthralling beats. Knowing that we’d accept a taste, but are eager for more, Davidson’s appearance at Taverne Tour is sure to bring the house down. 

Marie Davidson plays Le Belmont on Saturday, February 10th. 

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Pantayo via Taverne Tour

Toronto ensemble Pantayo promises to entrance audiences with its harmonious dialog of kulintang, electronica and indie pop. Combining traditional Filipino music with contemporary influences and experiential sounds, the queer, diasporic Filipinx quintet inspire mesmerizing, powerful and grooving atmospheres through collaborative percussive magic.

Pantayo plays Le Ministère on Friday, February 9th.

Tickets are sold out!

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Safia Nolin via Taverne Tour

Revered Quebec City singer-songwriter Safia Nolin is a breath of fresh air amidst our heavier Taverne Tour selections. Strumming with tenderness, Nolin’s stilling voice is like a reverie paired with her uncluttered, frank acoustic compositions. Nolin’s recent EP ET SI, DE/main l’oiseau chills with its poignant dexterity — charting fragility and renewal all at once. 

Safia Nolin plays Le Quai des Brumes Thursday, February 8th. 

Tickets are sold out! 

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Slash Need via Taverne Tour

Our standing review of Toronto’s Slash Need is that we would gladly let them step on us. The duo’s floorboard-thumbing crossover of industrial punk and performance art is always a treat. For seduction, camp, leather, lace and hounding instrumentals, look no further than this spectacle of daring debauchery.

Slash Need plays Le Ministère Thursday, February 8th. 

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Sun Entire via Taverne Tour

Sun Entire is a three piece shoegaze outfit made up of Montrealers June Moon, Nico Serrus and Ivan Urueña. Hot on the heels of their debut LP Fit To Break, the band intrigues with their honeyed sound — awash with 90s-tinged, luminous whimsy.

Sun Entire plays L’Escogriffe on Thursday, February 8th. 

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Sweeping Promises via Taverne Tour

All the way from Lawrence, Kansas, post-punk pair Sweeping Promises charms with their playful take on raw angularity. The band’s 2023 LP Good Living is Coming For You inspires shoulder shimmying from back to front, complete with surfy bass riffs, vintage synths and Devo-esque vocals. 

Sweeping Promises plays La Sala Rossa Friday, February 9th.

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Roost.World via Taverne Tour

Fall into a dark wave rabbit hole at our Taverne Tour co-pro with Burlington, Vermont synth troopers Roost.World. Shake the week’s edge off with the Roost.World’s intergalactic goth rhythms, and introspective sets from special guests Lola 1:2 and Marontate.

Join us at Casa Del Popolo on Friday, February 9th!

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Taverne Tour

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What's Cool at M For Montreal 2023

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What better way to curb the effects of daylight savings than a weekend of music? The wide-ranging curation of the M For Montreal music festival returns from November 15th-18th, 2023. Offering exceptional programming from two distinctive lineups, the shows from the festival’s Official Selection are available exclusively to festival delegates and pro pass holders, while the Marathon bills are open to music fans alike. Discover Also Cool’s M For Montreal top picks in the highlight below, featuring never-before-seen artists for the mag to keep on your listening radar. Also Cool’s official M For Montreal playlist will be updated with more must-see acts in the week leading up to the festival.

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Cartel Madras via Bandcamp

Marathon

Calgary-raised, Chennai-born Cartel Madras promises to stir a fervent atmosphere. The Desi experimental hip hop duo, composed of sisters Eboshi and Contra, commands audiences with their explosive blend of trap, punk, house and South Indian aesthetics - a genre they’ve coined as “Goonda rap.” For bold flows and anthems of resistance, hit Sala Rossa for the Consequence showcase on Saturday, November 18th.

Cartel Madras at M For Montreal

Alix Fernz via Instagram

Marathon

Sainte-Thérèse expat Alix Fernz (AKA Blood Skin Atopic) is the latest mistfit darling of Montreal indie label Mothland. Thriving in the allure of mischievous freak-pop, Fernz’s debut single “Wax” intrigues with its tightroping of post-punk and synthwave. Fernz plays alongside Hippie Hourah, presented by Simone Records, at Ausgang Plaza on Saturday, November 18th.

Alix Fernz at M For Montreal

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Blesse by Gaëlle Leroyer

Official Selection

blesse is the sonic renaissance of former Zen Bamboo members Léo Leblanc, Charles-Antoine Olivier, and Xavier Touikan. Hot off the arrival of their debut album normal (Simone Records), the Montreal trio recently rocked Festival De Musique Émergente and Le Phoque Off with their distinctive garage-meets-hyperpop flare. See what all the fuss is about on Thursday, November 16th at Quai des Brumes.

blesse at M For Montreal

Heaven For Real by Beatrice Scharf-Pierzchala

Marathon* (available to pro and festival pass holders)

Quaint Toronto-via-Halifax art rock outfit Heaven For Real is the brain child of twins Mark and J. Scott Grundy. Between jangly rhythms and playful musings on every day life, the group has endeared audiences with their breezy, yet contemplative, songwriting for over a decade. Embrace the warm and fuzzies at their M gig, presented by The Current, at Café Cléopâtre on Saturday, November 18th.

Heaven For Real at M For Montreal

Poolblood by Kate Killet

Marathon* (available to pro and festival pass holders)

Polaris long-lister poolblood—the nom-de-plum of Toronto singer-songwriter Maryam Said—has made a splash with their full-length debut mole (Next Door records). Recorded entirely analog, poolblood’s mole is a tender, lush collection of bedroom-folk introspections. For a moment of poignant stillness, catch them alongside Heaven For Real at Café Cléopâtre on Saturday, November 18th.

poolblood at M For Montreal

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M For Montreal

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Ten Seasons of Pique – Ottawa's Finest Multidisciplinary Festival (Debaser)

Pique at Arts Court in downtown Ottawa

Last Saturday night, Pique returned to Ottawa’s Arts Court for a triumphant fall edition.

Produced by the renowned arts organization Debaser, Pique has built something of a cult following across the National Capital Region. Each chapter of the underground music and arts festival has seemingly hypnotized audiences, showcasing dynamic rosters of programming across seven stages while maintaining a humble, community-oriented atmosphere. With this most recent iteration of Pique, which marked its milestone tenth edition, this appears to have still rung true.

Dorothea Paas performing on the Terrace stage

The first standout set of the evening was Dorothea Paas, who performed an intimate outdoor set on the Terrace stage. Her chilling vocals and ruminative lyrics, reminiscent of artists like Weyes Blood and Phil Elverum, brought the crowd to a standstill. It was a pleasure to see her return to the Terrace as part of the Marker Starling ensemble, fronted by acclaimed musician Chris A. Cummings. Known for his signature funk and ample Wurlitzer backings, Cummings delivered a soft rock summer sendoff to a delighted audience.

Syana performing in the Alma Duncan Salon

The Alma Duncan Salon hosted luscious techno treats, emerging as the other top stage of the evening. DJ Don’t Trust Ryan drew in an incredible crowd with his magnetic blends of Y2K pop and frenzied electronica. Multidisciplinary artist Syana kept up the momentum, commanding the room with tracks from her album 19 Years of Rage alongside surprise guest Mossy Mugler. Illuminated by Dayglo patterns of all shapes and sizes, the dance floor remained packed with festival-goers for most of the night.

The Ottawa arts scene—the Canadian arts scene!—awaits this festival with bated breath, and for good reason. As Pique continues to outdo its promising reputation, it is difficult not to dream of the next one before fully savouring the last. Its inclusive atmosphere and curatorial boundlessness will be beloved for seasons to come.

Pique event poster by Ajeeb Sir

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Pique

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Debaser

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FME Take 3: The Also Cools' Return to Rouyn-Noranda

The Festival de musique émergente celebrated its 21st birthday this past weekend, returning to the northern city of Rouyn-Noranda. Surrounded by lush greenery and vibrant murals, the Also Cools unpacked our suitcases and jumped straight into four outstanding days of live performance.

Featuring over 350 artists from across Quebec and beyond, FME sprawled across every sidewalk, and we are pleased to report that it shone as bright as the end-of-summer sun. As we bounced between venues, chilled Sapporos in hand, it became progressively more obvious that identifying our favourites would be no small feat – that every memory of this edition deserved to live forever. 

Our adventures included secret shows with sunset backdrops, car parking lots, chalk drawing late into the night, the Bonsound pool-side BBQ, making toast out of a Darth Vader toaster with Truckviolence, and enjoying some of the best music that the indie scene has to offer. Here are just some of the sets that made the séjour a success.

La Sécurité

Although La Sécurité marked our seventh show of the day on Friday, the art-punk quintet packed a rejuvenating punch. Rocking a pair of gas station visor shades, band member Éliane Viens-Synnott exuded carefree cool from the moment she took the stage. Her eccentric delivery and free-flowing choreography commanded the Diable Rond – as did bandmate and drummer Kenny Smith, whose technical precision was impossible to ignore.

Les Louanges

Emotive yet unserious, mellow and multidimensional – Les Louanges held Rouyn-Noranda in the palm of his hand. The Lévis native has garnered praise at lightning speed for his soulful stylings, and his appearance on the main stage certainly justified the hype. Backed by groovy basslines, howling flutes, and a slew of rapturous Queb teens, the artist floated to and fro with a captivating sense of swagger. Catching Les Louanges at this dynamic moment in his career was nothing short of a privilege.

TUKAN

Without question, TUKAN is the name on every festival-goer’s lips. The Belgian group delivered three palpitating performances over the course of the weekend, taking FME by storm with vivid post-rock arrangements. While their jam-packed set at Le Petit Theatre was a strobey-sweet affair, the magic of TUKAN’s final show will be something to remember. Lining 7ème rue with an air of bittersweet anticipation, a sea of glistening bodies gathered to transcend one last time, folding into each rhythm with the desire to make it last forever. And TUKAN? They did too.

AMMAR 808

We met AMMAR 808 on one of the many volunteer-run shuttles we took from our hotel to the main festival grounds. He told us about his long journey from Amsterdam, and mentioned he would be playing a set “somewhere, sometime soon”. Little did we know, our humble new friend is the acclaimed Tunisian producer Sofyann Ben Youssef. We caught his show at the electronic night at Le Petit Theatre, and were absolutely blown away by his masterful blend of traditional African beats and hardcore techno.

Milk TV 

Another post-punk favourite of the festival was Milk TV, a trio hailing from Brussels. Initially not knowing where they were from, we thought they must have emerged from either the Canadian West Coast post-punk scene (think NOV3L, Pottery, and Crack Cloud), or somewhere from the world of Omni, Deeper, or Parquet Courts. Their no-wave energy was electrifying and had the whole crowd moshing by the end of the set.

Myst Milano

Absolutely slayful, and a new discovery for Also Cool, is Myst Milano. The DJ and multi-instrumentalist captivated their audience with their 90s-inspired beats and hard-hitting lyrics, not to mention killer dance moves. Their album Shapeshyfter, which made the Polaris Prize longlist in 2022, now has a permanent spot on the Also Cool daily Spotify rotation.

We once again had a beautiful time in Rouyn-Noranda, surrounded by good music, new friends, and the most incredible end-of-summer vibes we could ask for.

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FME
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What's Also Cool at FME 2023

FME’s full schedule

As August comes to a close, we’re counting down the sleeps until the most glorious festival of the year… FME. The Festival de Musique Émergente returns to Abitibi-Témiscamingue this weekend! 

Featuring 81 artists, this four-day frenzy offers entrancing programming for music lovers from every pocket of the country. We couldn’t be happier to take part in the 21st edition of the festival. Whether you need some help planning your itinerary or you’re looking to shake up your playlists, we’ve got you covered with our top picks!

THURSDAY

N NAO by Naomie de Lorimier and Charles Marsolais-Ricard

N NAO

We had the pleasure of witnessing N NAO opening for P'tit Belliveau a few months back, and it was nothing short of the most ethereal goblin mode music we’ve heard in a while. Generally leaning more towards shoegaze fairy-pop, N NAO brings her dreamy world to life through her strange and wonderful compositions.

Pressure Pin via Taverne Tour

Pressure Pin

High-strung and minimally angular, art-punk group Pressure Pin are sure to hit the grounds of FME with a bang. Originally a pandemic-born solo project of multi-instrumentalist Kenny Smith, the project has since expanded to a full band operation. For fans of Devo, NOV3L, and Eastern Canadian post-punk.

Yocto via Bandcamp

Yocto

Yocto is one of Montreal’s supergroups, and legendary bands emerging from the Esco-Quai Des Brumes-Rockette Bermuda triangle. Inspired by the underground rock of the mid-70s (think Television and the Talking Heads), they credit their creativity to the sci-fi soap operas of the same era.

FRIDAY

Elisapie by Leeor Wild

Elisapie

The ethereal Inuk singer-songwriter Elisapie is set to take the stage in Rouyn-Noranda. Elisapie’s performance comes just weeks away from her release of Inuktitut, a cover album featuring selections from artists like Blondie and Queen that will pay homage to her youth in Nunavik.

Fraud Perry by Alex Apostolidis

Fraud Perry

With an exceptional knack for melding genres, rapper-singer-songwriter Fraud Perry has set her sights on Rouyn-Noranda. Prepare to be charmed by the Montreal artist’s fiery delivery and dance-ready beats.

La Sécurité by Aabid Youssef

La Sécurité

As steadfast fans of Montreal art-punkers La Sécurité, there was no question in our minds about proclaiming them a top pick. Their frenetic arrangements and provocative lyrics make for captivating live performances that are guaranteed to please.

Nora Kelly by Gabie Che

Nora Kelly Band

Previously known for her success at the helm of Montreal punk trio DISHPIT, Nora Kelly has hit a compelling stride with her shift to alt-country. With sickly-sweet vocals and atmospheric instrumentation, Nora Kelly Band offers the perfect complement to fading summer skies.

SATURDAY

Les Louanges by Sacha Cohen

Les Louanges

The poignant lyricism and signature funk of singer-songwriter Les Louanges (also known as Vincent Roberge) are not to be missed. Known for his charming melange of R&B and jazz, the artist has transfixed audiences from Quebec and back again.

Night Lunch via Bandcamp

Night Lunch

Night Lunch are bringing the 80s to Abitibi for their 5 à 7 performance at Les Mooses. Known as light-and-dark pop rockers, Night Lunch sing of the vices of the big city, big romance, and anarchist fantasy. We saw them open for LUCY (Cooper B. Handy), and can confirm that their show is not to be missed.

Truckviolence and Jodie Jodie Roger via FME

Truckviolence and Jodie Jodie Roger

If you’re in the mood for something loud and rowdy, the fin de soirée show at Cabaret de la Dernière Chance will give you the fix you need. Jodie Jodie Roger will kick off the show with her metal-infused punk energy, followed by Truckviolence’s gloomy hardcore sound. Bring your earplugs and get ready to get sweaty.

SUNDAY

Knitting by Alex Apostolidis

Knitting

Bounce around the last day of the festival with Knitting, an indie bedroom pop/rock group from Montreal. By choosing knitting as a metaphor, the band aims to enhance the relaxed, artisanal side of the business. Sit back, relax, but also maybe get up and dance.

SAMWOY via sam-woy.com

SAMWOY

Closing out the festival, SAMWOY comes to rock the cabin with dark hues, on assaults of guitar, sharp synths and cavernous voices, as it should be. Inspired by Division, Bauhaus and Iggy Pop, it’ll be a perfect show to end the weekend.

We can’t wait to run from show to show at FME! Keep an eye on our socials to catch our daily live coverage of our favourite small-town festival.

Get your tickets below if you haven’t already, and as always, we’ll see you in the pit.

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FME

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Interview: The Return of Montreal's Suoni Per Il Popolo is an Intergenerational Celebration of Musical Escape

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Suoni Per Il Popolo 2023 poster

Montreal’s world-renowned experimental music and art festival, Suoni Per Il Popolo, returns from June 1st to 23rd, 2023. The 23rd edition of the festival plans to animate the city’s beloved venues as a homecoming for music-makers, composers and the sonically curious. From the festival’s Plateau-bound nebulous and beyond, festival goers can expect a profusion of over fifty intimate concerts from local, national and international artists, and genre-defying programming spanning free jazz, avant-rock, noise/post-punk, avant-folk, afro-futurism and more. Along with concerts, the festival features sonic meditations, exhibitions, screenings, comedy shows, parties and a street fair. 

In anticipation of this year’s festival launch, we caught up with Kiva Stimac, Suoni Per Il Popolo’s co-founder and co-owner of Casa del Popolo and Sala Rossa. 

On this year’s edition, Stimac reiterates the significance of Suoni’s avant-garde programming as a means of community restoration: 

“With regards to anything in arts presentation right now, we have to consider the power and importance of music and creativity in healing from the turmoil of this global pandemic. What I’ve always looked for in experimentation and play is the questioning and liberation that you get from not only being a musician, but an audience member as well.”

Along with fellow festival co-founder and business partner Mauro Pezzente (Godspeed You! Black Emperor), Stimac established Casa del Popolo and Sala Rossa, two pillar venues in Montreal’s music scene. Acting as the festival’s homebase since its foundation, Stimac says their atmosphere brings Suoni’s values to life.

“As venues and as places, it has always been really important that we serve food and drink that is delicious and that when artists come, we provide them with a good stage and good lighting…and somewhere to stay in a really familial way! [Pezzente] is a musician and I’m a chef and a visual artist, so our model is based on both of us being artists and wanting to invite artists that we love to our home to celebrate and create with us.” 

While Suoni has expanded since its humble beginnings of “beer sales and selling sandwiches,” its DIY ‘til death mentality remains, with all of the festival operations continuing to happen behind the scenes at Casa and Sala on St Laurent boulevard. Likewise, the project continues to be funded by grants and unique collaborations, which Stimac feels fuels, rather than limits, Suoni’s spirit year after year.

“Though we have a limited budget, it forces us to look for money in other ways for special projects to do with artists. Like grants to fund local and international artists coming together to create a project,” identifies Stimac. “For example, this year we’re doing a deep listening sound walk with Pauline Oliveros’ life partner, IONE. It’ll be led by Ayelet Gottlieb, an Israeli-Canadian deep listening practitioner and vocalist,” she adds. “This makes it so there’s a multitude of ways you can experience the festival: You could go to a free meditation, a film screening, or a deep listening mountain walk, and then come to a performance.”

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Suoni Per Il Popolo 2023 poster

Of course, Suoni’s “by artists, for artists” grit has also willed its vibrant and off-beat curation. This has set the festival apart since day one, making it the premiere event for testing boundaries through music. At the same time, Stimac and her team’s willingness to take creative risks with their programming set an interesting precedent for Montreal, which hasn’t always been the hub for out-of-town acts we know today. 

“When Casa del Popolo opened in 2000, a lot of artists were actually skipping Montreal on their tour routes,” she articulates. “So, people would play Toronto… and they would play Boston… And eventually, [my partner] Pezzente reached out to his agent, who was managing a bunch of cool artists at the time, and was like, ‘Why aren’t these bands coming to Montreal? Why don’t we try having them come to Montreal?’”  

From this phone call, Stimac and Pezzente went on to put together their first show with Scottish indie rock group Arab Strap at the newly opened Casa del Popolo. To their surprise, it sold out in 10 minutes.

“From that show and eventually starting to program at Sala Rossa across the street, we realized there was a demand for international touring artists here. Another major incentive [to book these acts], especially in the experimental and avant-garde worlds, was to invite them to Montreal in the first place.”

This effort has remained integral to Suoni’s raison d’être, and a way for communities, both local and international, to work together and “transgress the physical space” through creative innovation, according to Stimac. 

While the definitions of experimental and avant-garde have evolved throughout the years, Stimac maintains that Suoni attendees can still anticipate generations coming together to appreciate underground and outsider art.

“The size of our rooms limit you to new and up-and-coming artists, or unheralded elders at the end of their careers. This year, we have three different groups performing who are in their eighties—and on the other end of the spectrum—local groups in their twenties performing and a piano recital for young kids who are just starting out. Inviting all ages has always been important to me because you can see the trajectory of their career, and that is impactful to so many.”

Likewise, the intergenerational aspect of the festival remains integral for Stimac, due to the universally transformative power of music. 

“The release of listening to or making music can really heal trauma, and that’s the music I’m drawn towards. Whether it be the free jazz of my dad’s generation or the punk rock music of my generation… Music is made for liberation,” she explains. “My vision for the festival has always been challenging revolutionary good times.” 

Expand your listening palette and attend this year’s edition of Suoni Per Il Popolo. The festival kicks off June 1st at Casa del Popolo. Tickets are available online below. Follow Also Cool on socials for more festival updates and coverage in the coming weeks. 

Festival Information

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Suoni Per Il Popolo

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Zoë Argiropulos-Hunter (she/her) is the co-founder and managing editor of Also Cool Mag. Aside from the mag, she is a music promoter & booker, and a radio host & DJ.

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Also Cool's M For Montreal Top Picks: Round Two

Priors by Lynn Poulin

The 17th edition of M for Montreal begins tomorrow, November 16th, and the city’s music scene is positively buzzing with anticipation. With emerging and established artists from coast-to-coast (and then some!) expected to set the night on fire, it’s hard to resist a taste for what’s to come. Luckily, you don’t have to – Also Cool is here to help, with our second round of selections from this year’s M for Montreal lineup. Be sure to check out our first round, too, and then get busy with your own scheduling… accompanied by our festival playlist, of course.

Priors 

Montreal mainstay punk quintet Priors nose-dived into this past spring with their latest EP NEWNEWNEW. Complete with signature lassoed thrashing and low-fi grit, the band’s punchy ardour remains as they return to the stage from an all-too-familiar pandemic lull. We’ve been parched for a loud gig and are ready to be tossed around by Priors’ angular flirtations. Sandwiched on an absolutely stacked festival lineup—co-presented by Mothland—including Crasher, Absolutely Free, Gloin and Grim Streaker, Priors and their entourage of feather-rufflers are guaranteed to stir up an evening of danceable DIY fervor. 

Priors plays La Sala Rossa on Friday, November 18th at 10:00 PM. 

Tickets

Priors

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Emma Beko by Samuel Fournier

Emma Beko

If you’re not already familiar, the sinister stylings of Montreal-based rapper Emma Beko are bound to break your heart. Since rising in the scene as one-half of Heartstreets, Beko has refined her solo sound and tilted heads for her candid and grungy stream-of-consciousness flow. The release of Beko’s latest EP Superficial Stains fits comfortably into her catalogue, fresh off the heels of Digital Damage from earlier this year, so expect a show filled to the brim with lyrical gut-punches. Catch Emma Beko alongside SLM, Lary Kidd, and more for an unforgettably dynamic hip-hop showcase.

Emma Beko plays Club Soda on Friday, November 18th at 8:00 PM.

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Emma Beko

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NO WAVES by Malaika Astorga

NO WAVES

Our favourite Montreal Gen-Z punks will be playing the festival this year, so naturally we couldn’t help but add them to the group. From playing absolutely packed free outdoor shows where the crowd takes over the stage, to opening for NOFX and playing FME over the summer, NO WAVES continues to hold their own in the local rock scene. Stay tuned for an upcoming interview with the band by one of their peers, and in the meantime, catch them at M!

NO WAVES plays with Mobina Galore at Turbo Haüs on Saturday, November 19th at 10:00 PM.

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NO WAVES

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Grim Streaker by Kevin W Condon

GRIM STREAKER

Playing alongside many of our faves—like Gloin and Priors—in the Mothland showcase this week, Grim Streaker made an impactful first impression on Also Cool at this year’s FME Festival in northern Quebec. Singer Amelia Bushell’s stage presence is direct and haunting – a worthwhile experience to feel totally undone by her stare. The band’s song “Mind” captivated us for a month after the festival, and they’re here in Montreal for more to see! Grim Streaker specializes in the genre-bending punk tunes that seem to reach out and grab you by the collar – they would be a shame to miss.

Grim Streaker plays at La Sala Rossa on Friday, November 18th at 9:00 PM.

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Grim Streaker

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M For Montreal

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Also Cool's Official POP Montreal 2022 Playlist

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It’s finally here! POP Montreal begins today for an extended weekend of concerts, panels, exhibitions, film screenings and all-nighters in the name of barrier-busting creativity. Whether you’re bouncing between venues in Montreal or experiencing the highlight reels from afar, get in on the POP Montreal spirit with our official festival playlist—featuring 40 tracks from our first and second lineup top picks, as well as Also Cool fixtures and new discoveries.

Bon festival, Montreal! We’ll see you at the show and on the dancefloor.

POP Montreal

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FME Celebrates its 20th Anniversary with Animal Collective, Hubert Lenoir, Magi Merlin and More!

Have you been waiting for your chance to go to an incredible festival in a beautiful town in rural Northern Quebec? Well, now's your chance! FME is back and better than ever, returning for its 20th anniversary that fulfills not only your late-2000s indie dreams but also supports Montreal's up-and-coming talent. 

On September 1-4, 2022, FME strikes again with an eclectic selection of artists offering alternative, novel and singular music while presenting a diverse array of genres. In all, no fewer than 100 performances are taking place in the premium concert venues and other unique locations of Rouyn-Noranda. This year's headliner is none other than Animal Collective, who will play alongside Hubert Lenoir, Magi Merlin, No Waves, and many more.

At every edition, the FME team sets up a place at the centre of their main site, the Hub Desjardins. This year, thanks to the support of Desjardins, festival-goers will be able to get their bearings and profit from the many points of interest, featuring exciting new initiatives, including two "5 à 7" shows.

The hub will host kiosks from local stores, FME promotional items, and a bar fully stocked with regional products. There will also be kombucha with red fruit and black spruce flavours, courtesy of local company Ékorce from Val-d'Or. The Brasserie du Bas-Canada, situated in Outaouais, has created a pale ale-style beer for the festival's anniversary – Ultime. It will be available in limited quantities exclusively from the Hub Desjardins bar during the event.

FME has also set up a safe space with social workers from the Point d’appui and La Coalition d’aide à la diversité sexuelle de l’Abitibi-Temiscamingue.

Also Cool will be doing various coverage for the festival, including top pics, video recaps, a playlist and more! Passes for the 20th edition of FME are available via the festival's website. Keep an eye on FME’s Facebook, Instagram and Tik Tok for future announcements!

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Taverne Tour x Also Cool Present: Into the Matrix with Andy Jon and Sheenah Ko

Hey, you on the Internet, wanna go to a show? Why not take a trip with us into the Matrix with Also Cool and Taverne Tour!

From February 4th (that's today) to 5th 2022, Taverne Tour takes on the Internet void with an interactive and free festival spanning across every genre you could ever want. 

Festival-goers will be able to explore this vintage video game-inspired 2D model of La Grande Métropole, meeting up with friends at various Plateau venues and bars while catching virtual concerts.

Also Cool is proud to virtually co-present Sheenah Ko (The Besnard Lakes, Antoine Corriveau, Le Couleur) and trip hop singer-songwriter Andy Jon, hosted on Aire Ouverte. 

Andy will be performing at Baptiste on Friday at 8 pm, followed by Sheenah who starts at 8:30 at Le Verre Bouteille. Later that night, garage rock prodigy Gus Englehorn will perform songs found on his forthcoming album via Secret City at Taverne Saint-Sacrement, followed by enigmatic artist Julia Daigle (from electro-pop outfit Paupière) who sings a selection of tracks from her recent critically-acclaimed opus at Diving Bell.

Friday will also see the queen of underground hip-hop, Emma Beko, warm up audiences everywhere with a set at La Sala Rossa. In terms of high decibels, the programming features post-rock/krautrock armada, Atsuko Chiba, accompanied by real time projections by video artist Anthony Piazza, at Le Ministère, and to conclude this first night of broadcast, Toronto-based industrial trio, Odonis Odonis, performing titles from their latest release, Spectrums, at l’Escogriffe Bar Spectacle.

The first artist on Saturday night will be Hot Tramp signee, Alicia Clara, who will share with attendees her clever decoction of bedroom-pop at Diving Bell. Her concert starts at 8 pm. Fans of spitting will be able to catch rapper Skiifall, whose singular alloy of hip hop got him a record deal with prestigious label XL Recording (Radiohead, Tyler, the Creator, Kaytranada, etc.). He performs at 10pm at Belmont.

Also on Saturday, the curators offer an absolute treat for fans of heavy, experimental sounds as Montrealers thisquietarmy and Away (from Voïvod) present their new sci-fi drone metal project Thisquietarmy x Away at La Sala Rossa. The festival also presents “left field” artists N NAO (who also plays with Klô Pelgag and Laurence-Anne) and SEULEMENT (ex-Technical Kidman). The former picks from her ethereal pop repertoire, performing at Quai des Brumes, while the latter provides avant-garde electronic vibes at l’Escogriffe Bar Spectacle.

Last but not least, the fourth wall shall be broken when singer-songwriter Alias dishes out his incendiary and psychedelic take on rock’n’roll at Pub West Shefford, to be followed by neo-disco/rock band BPR a.k.a. Barry Paquin Roberge, an orchestra featuring members of Les Deuxluxes and Les Breastfeeders, who are tasked with closing out this 2022 edition at Le Ministère.

The complete programming, as well as links to all free virtual events and Aire Ouverte, are available via the festival's website: https://www.tavernetour.ca

See you in the Matrix!

Andy Jon I Sheenah Ko

Taverne Tour is first and foremost the result of a collaboration and synergy between local cultural event organizers and business owners of Plateau Mont-Royal. By programming up-and-coming as well as established artists from here and abroad, in the neighbourhood’s many cultural establishments and other unusual locations, this year again, the event maintains its primary mandate: to energize the Plateau musical scene. In light of the pandemic that struck the World in the early 20s, this edition of Taverne Tour is more than ever a must for the many communities and artists who reside in the neighbourhood. So it is with great enthusiasm that we unveil, in tandem with Aire Ouverte, this unique interactive edition of the event!

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Friends Interview Friends: Janette King and Maryze for All My Friends Fest

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Maryze (left) and Janette King (right) by Sabina Roman @darksight

Best friends Janette King and Maryze are two of Montreal’s finest femme vocalists, and their friendship is straight out of a musical heroine biopic (when theirs hits theatres one day, we’ll let you know!): they’re both managed by their pal and local powerhouse Sarah Armiento of Hot Tramp Management, they’ve toured together, and now they’re continuing to raise each other up despite being on Canada’s opposite coasts. In a brand new feature for Also Cool Mag called “Friends Interview Friends,” Janette and Maryze interview each other and discuss their musical beginnings, the eternal cultural value of Britney Spears, and how COVID-19 has impacted their creative process in promotion for All My Friends Fest on Saturday, May 30th.

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Maryze (left) and Janette King (right) via Janette’s Instagram

Janette King: Blessings. I have some questions for you! My first question is: what brought you to music? 

Maryze: My dad was a DJ for a world music show in the 90s, and he was always bringing home albums from all over the world in different languages and we would play them in our living room and dance around. He introduced me to all these different styles and sounds. So, maybe that’s what first made me connect with music. Honestly, pop music as well. I was thinking about the first time I heard “Baby One More Time” on the radio, and I remember thinking, “This is the BEST song I’ve EVER heard.” I don’t know how old I was, maybe 7, but I thought “wow magic is possible!” Just listening to music, and liking how it made me feel, and wanting to recreate that.

J: That actually brings me to my second question, which I had already written: what is your favourite Britney Spears song?

M: No way! I’m having such a Britney Spears moment right now. I feel like popular culture is really appreciating her as she deserves these days. The other day I was telling my partner how much I love her, and I actually started crying because I feel like she’s had it so unfair. Aside from all of that, I think… Can I choose two? A more popular one and a deeper cut? For the more popular one, I would definitely say “Toxic.” It’s such a banger and I feel like it’s definitely transcended time. It can be sung in so many different styles, I don’t care how you feel about pop music, you just have to recognize that it’s a great song. 

J: Truth.

M: Then a deep cut. So off that album that “Toxic” was on, In The Zone, there’s a few that just kill me. This question is the hardest I've ever had to answer... Damn. Maybe “Touch Of My Hand?” I think it’s about self-pleasure, which was a really bold song for her to put out.

 J: Do you do any other form of art other than music, and if so, what do you get from doing it?

M: I write poetry! I studied poetry and creative non-fiction in university, so writing is definitely my big one. I really miss writing more long-form, and I also really love doing photography. I’ve recently gotten into video-editing for my latest video as well.

J: At what age did you write your first song, and what was that experience like for you?

M: I wrote my first song when I was probably around 6 years old. My great aunt Tina passed away, and it was the first time that I had really experienced death in my life, so I wrote this really sad song about how I didn’t think it was fair that she had to go. It was also the first time that I felt I could use my sadness in a more positive way. It helped me feel better and helped me channel my emotions.

J: In what ways has the quarantine made you a better artist, and in what ways has it made you worse?

*both laugh*

M: It taught me that we always have the time for the things that we prioritize. Often through life, especially when we have other jobs, we’re focused on getting by financially and making art at the same time. Personally, there are always so many things I want to do, but I’ll put them off by saying “I’ll do this when I have time.” Now, having time in quarantine, being faced with all this time, I thought, “Okay, I can finally do all these things if I just set aside a few hours each day for them.” 

How it’s made me a worse artist… it goes hand in hand. When you have this indefinite period of rest, you kind of just keep putting things off. It's made me way more aware of time management, but has also made me procrastinate a lot more.

J: My last question for you is: how do you think music can change the world?

M: I think it can change the world by reminding us how we are more similar than we are different. People from all different places and mindsets can hear a song and feel so powerfully... its sadness or its joy, and that's just such an amazing thing that it can reach people from all walks of life, if we let it. I think that music is really powerful if we just open ourselves to feeling what it has to offer and how it brings us together with others.

For the second part of the interview, Maryze and Janette traded places, with Janette now in the interviewee seat. 

Maryze: Now I get to ask you some questions! You’re currently on the West Coast [of Canada], where you’re from. I was wondering if the environment inspires what you want to write about, and if you feel more inspired to write about things on the West Coast versus the East Coast, or wherever you are in general? 

Janette King: I would say that I’m inspired to procrastinate more on the West Coast *laughs*. The energy here is just so chill, which is great because it’s definitely been healing for my body and mental space. But in terms of being productive musically, being on the West Coast has inspired me to take things slow and to kind of go more inwards. It’s inspired me to be more experimental, playing for the fun of it and seeing what comes up. It's a longer way to write instead of being practical. I’m playing a lot more, which is good.

M: Can you describe an early music memory where a song just really hit you and left a major impact?

J: The first time I heard “Smooth Criminal” by Michael Jackson, it was over. My uncle had the album and was taking me to the store, and put the album on, and it changed my life. I had never heard anything that had hit me so hard in my chest before. It made me a dancer and a singer. That was when I was 8 or 9.

M: What was the first form of art you got into when you were younger?

J: I was a dancer for seven years. I studied hip hop, street jazz, and contemporary for a few years. It was my first art form, and then I played electric bass as well.

M: If you could collaborate with any artist, dead or alive, who would it be?

J: Amy Winehouse and Beyoncé.

M: If your music was an animal, it would be a….

J: It would be a raven! Very dark but beautiful.

M: This is my last one. If you could only write one last song, and get one last message out there, what would it be?

J: It would be to quit looking for happiness in the external world. My message would be to search for all your answers within yourself. 

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Maryze (left) and Janette King (right) via Maryze’s Instagram

You can catch both Maryze and Janette King back-to-back at All My Friends Fest on May 30th via Instagram live. Janette King will be performing on the Also Cool Mag Instagram from 4:30PM-5:00PM EST, and Maryze will be performing on the Canvas and Cassette Instagram from 5:00PM-5:30PM EST.

Donate to the All My Friends Fest GoFundMe here!

All proceeds directly compensate all artists on our festival lineup.

Follow Janette King: Instagram | Twitter | Facebook

Follow Maryze: Instagram | Twitter | Facebook

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VAULT Unlocked: How Montreal Raving Builds Community

Visual by Malaika Astorga

From the organizers of the infamous tunnel rave that entranced Montreal this past summer, VAULT: Unlocked brings you almost 24 hours of pure rave bliss and community events. NON/BEING is the collective behind some of the best underground raves in the city. Over the past few years, they’ve brought the community together -  from their early days at Barbossa (FKA Blizzarts), to the depths of an abandoned tunnel in Griffintown. 

Tickets are selling fast, be sure to pre-order here to avoid the increased ticket price at midnight. The daytime events are free, and open to the public.

VAULT: Unlocked is a celebration of the collective’s forthcoming compilation album Certified Reality, which features international artists such as Murder Pact (NY, USA), Tati Au Miel (Montreal, Canada), Jaclyn Kendall (CA, USA), Minimal Violence (Germany), and many others.  The festival itself is centered around sharing knowledge and resources, and bringing various scenes, practices, and communities together. The event experiments with the relationships and sentiments shared on the dancefloor, but this time recontextualized in daytime events and community-oriented activities. 

VAULT events are known for their excellent rave-invite websites, all created by Remote Access. You can catch their radio show “Digital Hell” on N10.as Radio every fourth Wednesday of the month at 5pm EST.

Also Cool Mag is proud to co-present the community panels portion of the festival, where we will have a facilitated open discussion on Montreal’s various creative scenes, and how we create, support, and sustain the communities' efforts. The panel discussions will be led by community leaders and creative organizers from different academic, social, and experiential backgrounds, bringing together people and perspectives from many different parts of Montreal's cultural foundation.

Read our interview below with NON/BEING co-founder, and VAULT: Unlocked coordinator Diana Baescu a.k.a. D. BLAVATSKY.

Also Cool: Who is Non/Being? 

Diana for NON/BEING: NON/BEING IS THE MURKY SLIME THAT COVERS A DANCE FLOOR AFTER A RAVE. We are Diana Baescu [who is speaking in this interview], Simon Rock, and Heather Mitchell at its current core - but we are more importantly a research studio built by the sentiments and moments we share in warehouse rave basements and late night chat rooms.    

AC: How did the idea for the Vault: Unlocked festival come about - what was your vision?

Diana: The VAULT: Unlocked festival all came together in about a month - but it has also been something we have been working towards for many, many years. Our vision is all of us hanging out in a big warehouse sharing time, knowledge, and resources. Maybe eating some snacks, or dancing...but mainly just being together in celebration, with ourselves, and with one another. 

AC: The festival is an opportunity for exploring the meaning of community and the various interconnections that exist within it - what is the significance of collaboration between various 'scenes'. How can Montreal's creative community benefit in particular?

D: Montreal has always been a very fragmented city. Based on a very clear separation between Francophone and Anglophone culture/communication, there is a type of transience present with how people interact with this city that makes it difficult to establish long term creative infrastructure. Collaboration is the most important thing. Although our different scenes might nurture varying aesthetics and sonic preferences, the lack of communication and resource sharing happening across even just the different rave communities within Montreal is really limiting our abilities to set up secure community roots. It shouldn't be this difficult to find spaces to throw events and work out of, nor this tough to seek out knowledge and advice from older, more experienced community developers. 

The difficulty and conflicts that each new generation of creatives faces in Montreal is ultimately based on how impermanent living in this city feels. People living here are constantly looking at places like Berlin and New York as cultural focal points to raving and other forms of art organization, but the reasons why people can do the things they are doing there now is because they have generations of infrastructure to tap into for resources, knowledge, and support. The point of collaboration is to come together and share what we have/what we know, and although dancefloors and rave spaces might be our current focal points for these community organizational practices, collaboration will only enrich our lives as creatives and individuals. 

I think that it is pretty clear at this point in time that institutions in power are not concerned with our states of being. They are not here to protect or nurture our interests or basic needs of living, and although at a younger and more naive point in my life I may have been inspired to try to ‘change the system’, at this point I am only concerned with establishing alternative support networks for the ones that continue to fail us. 

Raves are important, but this isn't just about raves. It is about using raves as spaces for celebration that expand to other aspects of our social livelihoods. This festival is a small contribution to our deeper social reflections on how we can support and flourish with one another, in a world that feels like it is falling apart - we will only continue to fail at building broader long-term community infrastructure, if we do not learn the best ways to collaborate and live with/alongside one another.     

N10.AS is an online community radio, who will be co-presenting the daytime market portion of the festival

AC: What events have you previously organized and how have those experiences fed into putting together the festival? 

D: Everyone in the NON/BEING and festival crew has organized a wide range of events. Vault itself has been running for two years, and has been most deeply impacted by the abandoned tunnel rave we threw over the summer. Completely changing our personal perspectives on our capacities as organizers, and really slamming down on some important aspects of illegal event throwing, the abandoned tunnel rave has informed us as both ravers and community members in really special ways. 

Throwing a festival of this sort has always been a dream of mine. Having moved to Montreal two and a half years ago, some of the first conversations I was having with people I met in the rave scene were about wanting to put something like this together. Based on zine-making events and punk shows I used to organize when I was younger, I have always wanted to expand the special feelings I have while raving to other forms of community gathering. 

When we first started thinking about this event on the 29th, we did not intend for it to be a festival. But after the tunnel rave this summer, the idea of organizing just a rave did not interest us as much. After exploring different warehouses and abandoned churches for a while, Simon and I found the first space for the fest and quickly started fantasizing about different ways we could use it. Also marking the launch of our new collective, NON/BEING, we wanted to do more than just throw a rave. I have always valued markets and group discussions for their shared abilities in bringing different people, perspectives, and experiences together - and it all just kind of came together really fast. So here we are.   

Frankie Teardrop is an event planner and DJ based out of Vancouver. In 2014, Frankie co-founded Slut Island Festival alongside Sultana Bambino. Within the same year they founded LIP, a queer events series, in which both projects are based out of Tio'tia:ke. They will be a speaker on the second panel, and a DJ during the rave segment of the festival.

AC: Who are some of the people in the panel discussions and what important topics will they be covering?

D: I am fan-boying over all of our panel speakers so hard. You can read more about each person in detail on the facebook page/fest document we sent out, but it will be an extremely interesting two hours. Drawing from knowledge bases and experiences that are involved in Montreal institutions like Mutek, Moonshine, Slut Island, Inner Circle, McGill and Concordia Universities, Lagom, Taking What We Need, (you folks at Also Cool), and so much more - a lot of really great humans are coming together to share their perspectives and ideas on community. The panels will be segmented into two one-hour conversations, with different folks for each discussion. Broadly asking ‘what is community?’, the first hour will more philosophically look at how community manifests within our lived realities, and why strengthening and expanding community support/conversation outside of rave and dance floor spaces is important. 

Comprised of generally younger members involved in more recent years of art and cultural development within Montreal, the first hour is intended to identify the tone and structure for why and how we should organize ourselves moving forward. The second discussion group will then build off of what was shared in the first hour, to more-specifically talk about the issues our communities face around spaces and funding. 

Incorporating very real dynamics of not only our community structures, but also of our personal lives - we will be graced by more experienced members of Montreal’s various scenes to talk about how we can establish sustainable spaces to work and gather within, and reflect on how we can better collect and direct funding sources within our community practices.

The self-taught, Montreal based artist Jimmy Bertrand (Neo Edo) creates through any means digital. They will be performing live at the festival.

AC: For someone who's never attended a rave before, what would you say have been the greatest lessons you've learned from those experiences?

D: Wow this is a really great question. One of the things that makes raving such a profound aspect of who I am today, is how it can be an extremely personal thing, yet a broader social/community-based undertaking at the same time. Raving has opened up a whole new understanding of embodied existence to me, a relationship between self and the physical that I was never able to fully grasp before moving to Montreal. It has taught me how to be with my physical self, and has offered the resentment I had developed growing up as a trans/non-binary individual, the opportunity to heal. 

Celebration is important. Having spaces we can experiment, escape, and explore relationships with ourselves and one another are founding sentiments for my beliefs in the power of raving. For so long I felt trapped and detached from the physical aspects of my existence, but through this development across my personal journey of raving, and the community relationships I have built - raving has taught me, and continues to teach me, lessons that inform complex aspects of my personhood. 

HONOUR YOUR INSTINCTS. You know yourself best. Always check in with yourself and reach out to people around you if something feels off. Consent and mutual respect should inform every aspect of the intentions you bring into a social space, especially raving. Although raving can be a beautiful and powerful exploration of self, acknowledge and respect how your personal journey affects and impacts the other people sharing space with you. 

We all have something to gain and learn from raving, but your experiences will always be more fruitful for both yourself, and those around you, if you move through them in consideration of broader community sentiments and mindful practices. Raving is a great place to begin these journeys, but I do not think they are the last and only places these feelings, conversations, and lessons should be shared.  

FESTIVAL SCHEDULE

12-6pm: Meet the Community (Co-Presented by N10.as & Sweatboxx)

A daytime art market co-presented by N10.as and Sweatboxx featuring local artists and vendors. Local DJs and VJs will be performing and broadcasting live on N10.as during the market.

6-8pm: Community Panel Discussions (Co-Presented by Also Cool)

A facilitated open discussion on Montreal’s various creative scenes, and how we create, support and sustain the communities' efforts. The panel discussions will be led by community leaders and creative organizers from different academic, social, and experiential backgrounds, bringing together people and perspectives from many different parts of Montreal's cultural foundation. 

Panel One: What is community? 

With speakers Malaika Astorga, Diego Cabezas Watson, Willow Cioppa, Sophia Sahrane, and Jacqueline Beaumont, moderated by Diana Baescu.

The first hour of panel discussions will more philosophically explore what community is, and how it manifests within our lived realities. Reflecting on scene-building within Montreal in reference to broader international art networks, this hour will touch upon how we can nurture fruitful locally-based cultures, while analyzing the political implications of our social organization within the real world. 

Panel Two: Community Spaces and funding

With speakers Odile Myrtil, Danji Buck-Moore, Milo Reinhardt, Estelle Davis, and Frankie Teardrop, moderated by Diana Baescu.

The second panel will be looking at more concrete questions of community spaces and monetary accumulation/redistribution. With the quickly shifting housing market within Montreal, how can we establish sustainable spaces/studios to work out of, and how do we find new venues for rave throwing and event organization. Closely intertwined with questions of spaces, speakers shall also be touching on various resources for funding, and shall reflect on how we can fund projects, pay one another, and redistribute wealth in productive/beneficial ways. 

8pm-Midnight: Live Performances

Live hardware performances from various local electronic musicians Liar/Lier, Exe.Jocko, Neo Edo and Dregqueen.

Midnight-7am: DJs/Rave

DJs and Vjs Pulsum, Frankie Teardrop, Lis Dalton, D.Blavatsky, Art Director B2B Fresh Out, The Dryer, Anabasine B2B Dileta, Remote Access and She.Phase, Viiaan and MPM10.

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