“Experiments In Escapist Infinities” cover

Jake Ingalls is a creative soul who makes psychedelic masterpieces with his bands Spaceface and The Flaming Lips. Both groups are known for creating unique, unparalleled stage sets, light shows and performances. If you’re lucky enough to attend one of their concerts, it will be an experience you’ll likely never forget. If The Beatles’ Magical Mystery Tour, CAN and the grooviest bass lines ever had a lovechild, it would be Spaceface.

Spaceface is a retro-futurist dream-rock band that was formed in Memphis, Tennessee in 2011. Currently, Ingalls is based in Los Angeles. They have released some phenomenal feel-good psychedelic albums and singles such as “Sun Kids” and “Panoramic View.” The band just dropped a new single on April 1st titled, "Experiments In Escapist Infinities” with Mike Fridmann AKA KWKA. Their forthcoming album is on its way as well. Expect amazing influences on this record, like Nina Simone and Superorganism. Spaceface’s latest offering will be paired with kaleidoscopic visuals and new music videos to create a sublime musical experience.

We got the chance to connect with Ingalls and Fridmann to discuss their thoughts on collaboration, creative processes, and the theatrics of their live performances.

Sierra Kaylen for Also Cool: Jake and Mike, thank you for taking the time to talk to us today. Can you tell us a bit about who you are and what you love?

Jake Ingalls: My name is Jake Ingalls, I'm the frontman/bandleader of Spaceface. I also play guitar and keyboard in The Flaming Lips. That's usually where people know me from but lately, we've been getting more and more folks just finding Spaceface on their own, which is exciting. I always feel a little grotesque dropping the Lips' name when we're talking about this project, but they were my favorite band from 6th grade to college… and now I get to play with them, which is still kind of mind blowing to me.

I've also recently embraced being a nonbinary person. I'm from Memphis and I've lived in L.A. for about five years now? I love cooking, rollerblading, and collaborating with new artists. I love a fresh new notebook to scribble ideas/drawings/ tasks and lists in. The list of things I love could go on forever. It'd be easier to list things I don't like… for instance, when you can hear someone eating on the other end of the phone.

Mike Fridmann: I’m Mike, I make music under the name KWKA, run a tiny record label called Nonexistant Records and work as an assistant engineer at Tarbox Road Studios. I’ll name-drop the Flaming Lips too, because Dave Fridmann is my dad… So, I’ve known the Lips my entire life and that’s where I know Jake from! Unsurprisingly, I love to work on music and that’s kind of what I do all the time. In the last year I’ve played a lot of video games and taken a lot of walks too. And I got a cat, I love cats.

Also Cool: Your band Spaceface, meshes retro psych and modern pop together creating unique and magic sounds. Could you tell us a bit about the creative process that went into the new single?

Jake Ingalls: Well that's a great compliment! There are usually four of us that write what I'd call “the core” of most of the tunes; so there's almost always a big push and pull or tug-of-war vibe when it comes to where the song should "go.” A lot of times, we'll sit and discuss what scene a new song would be setting in a movie, and try to approach the arrangement cinematically; talking about camera angles that shift focus with the entrance of new parts and what feeling we want to evoke.

I then take the new full-band demo into the studio and tear it apart and re-record almost everything. It started simply out of necessity that I'm the guy who goes into the studio with an engineer/producer to fix it all up and get a good mix going, but now it's just an understood part of the process. Jake, when are you gonna take this one into the studio? I'd love to hear what it's gonna become and wanna make sure you don't ditch my favorite part here.

I'm lucky that my band trusts me to take what we've worked so hard to create and mess with it to great lengths. There's truly a freeing feeling having the full song done so you can reference anything you particularly loved about the original. But, going into the actual recording process completely unattached to what the song can become, adding new rhythms, instruments, and samples that can completely change the feel of the entire tune.

Jake Ingalls of Spaceface by Blake Studdard

AC: I’ve noticed that your band often pairs music with trippy visuals. Your stage production features light shows that match your song’s themes and overall vibe. What kind of experience are you trying to give your audience when performing live?

JI: Firstly, we're aware that most folks that are coming to a Spaceface show likely don't know our music. With that in mind, we've always felt like the "show" element is a nice added treat for fans, and a little reward for people who took the risk, who got out of their warm apartments, and paid $5 to come to check us out. So when we started the band, I immediately went out and bought a fog machine, cheap lasers, and Christmas lights.

I was about 16 when I realized that not everyone sees vivid colors or visuals when they hear music, and always craved adding some sort of obvious queue for people. At first, you can only afford or find easy things like glow-in-the-dark bubbles, fog machines, or work lights with different colored bulbs in them... But it's gotten easier to find ways to incorporate better and more impressive elements into the show that set the mood we're trying to provide.

Growing up, we'd drive miles and miles to see bands like Of Montreal, Man or Astro Man, and Octopus Project because they made cool music and their shows were fresh and different. I remember we fell in love with this group from Nashville called The Protomen. They wrote and performed rock operas based on the stories within the Megaman video game series. I was just enamored with the idea that you could sneak into a dive bar and have this grimy place be transformed: just because folks took the time to make costumes, coordinate visuals, and get their goofy friends to hop on stage and play along. We want people to leave feeling as happy and joyous as we get to feel playing for them.

AC: What was the process like collaborating together for this single? Do you think collaboration furthers the artistic process or stunts it?

JI: I'm a firm believer in collaborating as a form of growth. I like to look at myself as the opposite of Shel Silverstein's story, The Missing Piece. Each new idea is a giant ball of malleable clay that's rolling down a hill and every person you work with on it gets to chip and chisel away until it's a fully formed marble statue. Plus, everyone works differently and sometimes your circumstances dictate the process, forcing you to discover new ways of creating. Working on this project with Mikey was a particularly new, delightful and fun experience.

MF: We started working on this sitting in the room together then finished it over the internet. I think at the time I wasn’t too experienced working long-distance on music, so it was a good experience to have. I think we both just wanted to have some fun and try to make something that sounded fun!

Mike Fridmann AKA KWKA by Jonathon Graves

AC: Was it difficult for you both to find your sound, did it come naturally to you? Or, do you think your sound is always evolving with time?

JI: At first, we wanted to be a surfy psych-punk band. Each tune was noisy, fast and we relished being out of control. I think we still like getting loud and raucous, but our tastes are constantly changing and evolving. I find my only regrets are when I make choices that are avoiding what comes naturally for each tune. It might be slow, but you gotta let it grow. For this song in particular, we set very few limitations and really tried not to question what was coming out, just to go with it.

MF: I don’t really focus on cultivating any sound in particular, I just usually make what I want to hear in the moment. If I’m working on one project there’ll be common threads because I was in a particular headspace at the time.

AC: What are some of your favourite albums? Have any of them influenced the current music you’re making?

JI: Talk about always changing! I'll go with my current vinyl rotations: Petit Prince's Les plus beaux matins, Superorganism's self-titled album, The Avalanches We Will Always Love You, Charli XCX's how I'm feeling now, Elbow's Little Fictions and Nina Simone's To Love Somebody. I can't say anything but Nina, Elbow, and Superorganism influenced the upcoming record since the album is done and those are the only ones we all had before we finished it.

MF: Honestly, most of my listening for the last few years has just been whatever I’m working on or whatever we’re doing at Tarbox. As far as just listening for fun, Gazing Globe by Outer Spaces is one of my favourites. Before that, my obsession was Sweatbox Dynasty by Tobacco. Those are some extremely different sounding records, but I think they’re both really emotionally transporting, which is something I aspire to.

AC: Speaking of albums, what was a project you worked on that had the biggest impact on your life?

JI: I mean, I'd say getting to work on any of the Lips’ stuff early on had a big impact on how I looked at the arrangement of a song. The Lips' ability to be unprecious about stuff is… sometimes frustrating but ultimately creatively inspiring.

MF: I’d say pretty much the same thing, ha!

AC: Tell us about your plans for 2021! Are you excited?

JI: Plans for 2021 include: putting out a new single and video once a month leading up to our record release February 2022! I actually really enjoyed some of the down time in 2020, it gave me the space and time to grow, learn and figure out the best ways to make videos and art for the new record.

AC: How can we (and your fans) best support you in your future endeavors?

JI: Keep your eyes on our page, sign up for our text community, and be prepared! Like I said, new Spaceface every month all year! New record coming soon! Thank you so much.