Spaceface Ponders Alien Life, Alternate Realities & More With Disco Track Piña Collider

 
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Irresistibly funky and incredibly charming, the Spaceface crew are back with their latest summer track, "Piña Collider." The track fuses funky psychedelia with the upbeat energy of a classic summertime bop, making it the perfect anthem to keep your party going all night long. 

The track was inspired by a cosmic experience frontman Jake Ingalls had at the CERN Hadron SuperCollider.

"I was playing a show nearby, and CERN has a whole outreach program to bring artists in to show them what it's all about. After the show, I learned that the crew who showed us around are, in fact, in their own band, which we named the song after. Everyone who works there has to live on campus, and they had formed a group to play functions and holiday parties, etc. I decided to write a song and asked them if they'd like to be on the tune. They said yes, so the next free day at Blackwatch, I set to writing a disco tune about a mythic drink you can only get at CERN."

This track feels like the perfect dose of escapism that we're all craving right now, so I caught up with Spaceface about their own ideals of escapism, aliens, and a whole lot more.

Photo Credit: Erika Mugglin

Photo Credit: Erika Mugglin

Malaika Astorga for Also Cool: Spaceface tends to create entire worlds with each track. If Spaceface had its own planet, what would it be like?

Daniel: If Spaceface had its own planet, I imagine it would be like the music video for our song "Sun Kids." Vinyl Williams created this 3D computer-generated world full of giant purple and green plants and far-reaching meadows under blue skies. Then sprinkled in between the greenery are several structures and buildings with mind-bending, borderline impossible architecture. Some of the buildings were floating in the sky. The structures all had some version of ancient greek or roman influence, but with some mid-century modern architecture influence too. Kinda like if Javier Senosiain had re-designed the Parthenon.    

Eric: My planet would be a small party and leisure destination retrofitted with futuristic interpretations of 50's and 60's dream architecture. We have the technology to portal jump between hemispheres depending on your mood. There's plenty of pools and nightlife. Also, plenty of daylife, but it's chill. 

Jake: I think they both pretty much covered it. All peaceful beings are welcome.

Katie: Agreed, Daniel and Eric nailed it. But I'd like to propose we build an Ewok-style treehouse village where we can all live.

Also Cool: Do you think aliens exist, and if so, what do you think they're doing right now?

Daniel: Well, yes, I think aliens exist. It's a kinda numbers game. If there are so many other galaxies besides ours, then I imagine there are lots of different kinds of other life out on other faraway planets. It might be rare, but I feel like there probably is some. Not to mention the US Government fessed up that UFOs are real earlier this year. 

As far as what aliens or lifeforms on other planets are doing right now, it's kinda hard to answer. Just because there is other "life" in the universe doesn't mean it is anything like a human. I don't think that space is really like Star Trek. The other alien life out there could just be bacteria or microorganisms. Maybe some might resemble animals, but I fear they might be more like monsters like in the Alien movies or otherworldly beings that we can't understand, like in Arrival. Although it would be really cool if they moved through time and space differently than us.

Eric: I do believe in life beyond our own 100%. It blows my mind that people think we're the one and only. Life unimaginable to us exists, has existed and will exist endlessly through the cosmos. I dare not try to describe it more.

Jake: I'd imagine that the vast majority of what we call "Alien" life is a different form of what we've named consciousness and likely aren't really aware of us and thusly do things that are beyond our own comprehension. If they are aware of us, I'd imagine they look at humans with a mixture of pity and carnal envy - the way some angels/gods are described in old myths.

Katie: Contrary to my strict Christian upbringing, I've always believed that life exists outside our planet. If you haven't seen Close Encounters of the Fifth Kind: Contact Has Begun or the other films by Dr. Steven M. Greer yet, do so as soon as possible. His theory that all life on Earth and outside is connected through collective consciousness is very compelling. As for what they're doing right now? Probably having mischievous fun with some US Military pilots or hopefully coming up with ways to save Earth from its own inhabitants.

Photo Credit: Erika Mugglin

Photo Credit: Erika Mugglin

AC: You created a custom drink to go along with the release of the song. What was that process like, and do you have any tips/tricks for the people making it at home?

Daniel: A few of the band members are bartenders, so making up new drink recipes is just as enjoyable as writing music. It's always fun to imagine where you would be or what mood you would be in while listening to some of the Spaceface songs. Then thinking about matching a certain style of drink or liquor to that mood and location. The low-key goal is for each song to have a drink recipe, and we want to include a lil recipe book with the album. Each song has a different mood or feeling, and each song can take you to a different place in your mind. So naturally, each song needs a drink to match. 

As far as tips for making drinks at home, just make sure you have a shaker, a strainer, some ice, and know where your best local liquor store is. We can give you all the recipes you'll need. 

Eric: This drink was born by literally colliding a piña colada with a contemporary classic dubbed the "Trinidad sour" (equal parts, rye, citrus, mango, and orgeat (almond milk syrup).

You'll be best off getting proper tools: A shaker, jigger, and strainer. Make sure you have Angostura bitters and get some Coco Lopez for this one.

Jake: When we know we want to pursue a batch of songs, typically Eric and I talk for a while about how we want them to fit together in a cinematic way. For instance, "Sun Kids" was meant to be Earthy and evoke a feeling of what it was like to spend the day with us in Memphis. With this new batch of tunes, we wanted to evoke this imagery of what a party in the future would sound and look like through the lens of someone in the past. Sort of like those wacky images you see made by sci-fi artists in the '20s imagining what the year 2000 would look like. This lead us to imagine a sorta afro-futurist ecotopia where you can order a drink that reminds you of humankinds' oneness and thusly deciding we should make a cocktail for every song. Plus, Eric and Daniel are fantastic drinksmen, so we thought it best to share their other talents.

Katie: Jake, Daniel and Eric are the geniuses behind the drinks, so I leave that all up to them but timidly ask that they leave the cilantro out of the equation whenever possible. :) 

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AC:. The music video is pretty much the definition of the retro-future aesthetic. What were some of your visual references or inspirations for the project?

Daniel: The song is about a drink that you can only get at the CERN Hadron Collider. So the idea was to have some scientists singing the song in a sort of educational TV setting, like Bill Nye, The Science Guy. The Scientists in the video act like they are filming for a PBS segment, and each scientist is from a different period in scientific discovery. It's fun and cool to showcase different types of science like Astronomy, Chemistry, Anatomy, and Botany. 

Eric: Mad scientists shuffling through notes and staggering through experiments. Beakers and lab coats with sparks.

Jake: When I stumbled on Maris Jones' IG in January of 2020, I just KNEW I wanted to get her team on board bc it was the perfect fit. Once we began emailing with The Jones Family Retro Show, we were sharing clips from this silly fake science education program called Look Around You and VHS rips of old actual Sci-Fi learning channel clips and lots of pseudoscience book covers. I knew they were gonna knock it out of the park. When they started texting me pictures of the sets they were making with the guitar, the star gazer's gear and Molly's excellent claymation, it began to feel like we had truly mind-melded.

AC: Now that shows *might* be happening again, will we be able to experience Spaceface IRL any time soon?

Daniel: Nothing is officially on the books yet, we have some offers in the fall, but they are not confirmed. The idea was to put lots of singles out this year, and after releasing the full album in early 2022, there will be a big spring tour. 

Eric: Yea, but no. .. maybe... but yes. 

Jake: I like Eric's answer the best, but if you wanna find out more and truly stay in the know, freed from the shackles of the algorithm - text us at the official Spaceface number to find out :) 901.519.2202

Katie: We definitely miss the thrill of performing live. Taking over a year and a half off of touring and performing has been hard on all of us. But, to elaborate on Eric's answer, yes, if certain members of the population *cough* get their heads out of their butts and get the vaccine, infection rates decrease and stabilize, we'll be back on stage soon...ish.


MAKE YOURSELF A "PIÑA COLLIDER"!
Spaceface's take on the classic Piña Colada


Ingredients:
• 1.5 oz Clear Rum
• .75 oz Lime Juice
• .75 oz Simple Syrup
• 1 oz Coco Lopez (Coconut Cream)
• .75 oz Pineapple Juice

How to make it:
◦ Combine all ingredients in a shaker tin with some ice and shake;
◦ Double strain over ice into collins glass, larger glass or coconut;
◦ Garnish with pineapple stems or wedges and a lime wheel;
◦ Add a dash of cinnamon.

Spaceface
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Malaika Astorga is the co-founder of Also Cool. She is a Mexican-Canadian visual artist, writer, and social media strategist currently based in Montreal.


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Spaceface and KWKA Bring Escapist Psych-Rock to the Masses

 

“Experiments In Escapist Infinities” cover

Jake Ingalls is a creative soul who makes psychedelic masterpieces with his bands Spaceface and The Flaming Lips. Both groups are known for creating unique, unparalleled stage sets,  light shows and performances. If you’re lucky enough to attend one of their concerts, it will be  an experience you’ll likely never forget. If The Beatles’ Magical Mystery Tour, CAN and the  grooviest bass lines ever had a lovechild, it would be Spaceface.  

Spaceface is a retro-futurist dream-rock band that was formed in Memphis, Tennessee in 2011. Currently, Ingalls is based in Los Angeles. They have released some phenomenal feel-good psychedelic albums and singles such as “Sun Kids” and “Panoramic View.” The band just dropped  a new single on April 1st titled, "Experiments In Escapist Infinities” with Mike Fridmann AKA KWKA. Their forthcoming album is on its way as well. Expect amazing influences on this record, like Nina Simone and Superorganism. Spaceface’s latest offering will be paired with kaleidoscopic visuals and new music videos to create a sublime musical experience.   

We got the chance to connect with Ingalls and Fridmann to discuss their thoughts on collaboration, creative processes, and the theatrics of their live performances.

Sierra Kaylen for Also Cool: Jake and Mike, thank you for taking the time to talk to us today. Can you tell us a bit about who you are and what you love? 

Jake Ingalls: My name is Jake Ingalls, I'm the frontman/bandleader of Spaceface. I also play guitar and keyboard in The Flaming Lips. That's usually  where people know me from but lately, we've been getting more and more folks just finding  Spaceface on their own, which is exciting. I always feel a little grotesque dropping the Lips' name when we're talking about this project, but they were my favorite band from 6th grade to college… and now I get to play with them, which is still kind of mind blowing to me.  

I've also recently embraced being a nonbinary person. I'm from Memphis and I've lived in L.A. for about five years now? I love cooking, rollerblading, and collaborating with new artists. I love a fresh new notebook to scribble ideas/drawings/ tasks and lists in. The list of things I love could go on forever. It'd be easier to list things I don't like… for instance, when you can hear someone eating on the other end of the phone.

Mike Fridmann: I’m Mike, I make music under the name KWKA, run a tiny record label called Nonexistant Records and work as an assistant engineer at Tarbox Road Studios. I’ll name-drop the Flaming Lips too, because Dave Fridmann is my dad… So, I’ve known the Lips my entire life and that’s where I know Jake from! Unsurprisingly, I love to work on music and that’s kind of what I do all the time. In the last year I’ve played a lot of  video games and taken a lot of walks too. And I got a cat, I love cats. 

Also Cool: Your band Spaceface, meshes retro psych and modern pop together creating  unique and magic sounds. Could you tell us a bit about the creative process that went  into the new single?  

Jake Ingalls: Well that's a great compliment! There are usually four of us that write what I'd call “the core” of most of the tunes; so there's almost always a big push and pull or tug-of-war vibe when it comes to where the song should "go.” A lot of times, we'll sit and discuss what scene a new song would be setting in a movie, and try to approach the arrangement cinematically; talking about camera angles that shift focus with the entrance of new parts and what feeling we want to evoke.

I then take the new full-band demo into the studio and tear it apart and re-record almost everything. It started simply out of necessity that I'm the guy who goes into the studio with an engineer/producer to fix it all up and get a good mix going, but now it's just an understood part of the process. Jake, when are you gonna take this one into the studio? I'd love to hear what it's gonna become and wanna make sure you don't ditch my favorite part here. 

I'm lucky that my band trusts me to take what we've worked so hard to create and mess with it to great lengths. There's truly a freeing feeling having the full song done so you can reference anything you particularly loved about the original. But, going into the actual recording process completely unattached to what the song can become, adding new rhythms, instruments, and samples that can completely change the feel of the entire tune.

Jake Ingalls of Spaceface by Blake Studdard

AC: I’ve noticed that your band often pairs music with trippy visuals. Your stage production features light shows that match your song’s themes and overall vibe. What kind of  experience are you trying to give your audience when performing live?  

JI: Firstly, we're aware that most folks that are coming to a Spaceface show likely don't know our music. With that in mind, we've always felt like the "show" element is a nice added treat for fans, and a little reward for people who took the risk, who got out of their warm apartments, and paid $5 to come to check us out. So when we started the band, I immediately went out and bought a fog machine, cheap lasers, and Christmas lights.

I was about 16 when I realized that not everyone sees vivid colors or visuals when they hear music, and always craved adding some sort of obvious queue for people. At first, you can only afford or find easy things like glow-in-the-dark bubbles, fog machines, or work lights with different colored bulbs in them... But it's gotten easier to find ways to incorporate better and more impressive elements into the show that set the mood we're trying to provide. 

Growing up, we'd drive miles and miles to see bands like Of Montreal, Man or Astro Man, and Octopus Project because they made cool music and their shows were fresh and different. I remember we fell in love with this group from Nashville called The Protomen. They wrote and performed rock operas based on the stories within the Megaman video game series. I was just enamored with the idea that you could sneak into a dive bar and have this grimy place be transformed: just because folks took the time to make costumes, coordinate visuals, and get their goofy friends to hop on stage and play along. We want people to leave feeling as happy and joyous as we get to feel playing for them.

AC: What was the process like collaborating together for this single? Do you think collaboration furthers the artistic process or stunts it?  

JI: I'm a firm believer in collaborating as a form of growth. I like to look at myself as the opposite  of Shel Silverstein's story, The Missing Piece. Each new idea is a giant ball of malleable clay  that's rolling down a hill and every person you work with on it gets to chip and chisel away until  it's a fully formed marble statue. Plus, everyone works differently and sometimes your circumstances dictate the process, forcing you to discover new ways of creating. Working on this project with Mikey was a particularly new, delightful and fun experience.

MF: We started working on this sitting in the room together then finished it over the internet. I think at the time I wasn’t too experienced working long-distance on music, so it was a good experience to have. I think we both just wanted to have some fun and try to make something that sounded fun!

Mike Fridmann AKA KWKA by Jonathon Graves

AC: Was it difficult for you both to find your sound, did it come naturally to you? Or, do  you think your sound is always evolving with time?  

JI: At first, we wanted to be a surfy psych-punk band. Each tune was noisy, fast and we relished being out of control. I think we still like getting loud and raucous, but our tastes are constantly changing and evolving. I find my only regrets are when I make choices that are avoiding what comes naturally for each tune. It might be slow, but you gotta let it grow. For this song in particular, we set very few limitations and really tried not to question what was coming out, just to go with it.

MF: I don’t really focus on cultivating any sound in particular, I just usually make what I want to  hear in the moment. If I’m working on one project there’ll be common threads because I was in a particular headspace at the time. 

AC: What are some of your favourite albums? Have any of them influenced the current music you’re making?  

JI: Talk about always changing! I'll go with my current vinyl rotations: Petit Prince's Les plus beaux matins, Superorganism's self-titled album, The Avalanches We Will Always Love You, Charli XCX's how I'm feeling now, Elbow's Little Fictions and Nina Simone's To Love Somebody. I can't say anything but Nina, Elbow, and Superorganism influenced the upcoming record since the album is done and those are the only ones we all had before we finished it.

MF: Honestly, most of my listening for the last few years has just been whatever I’m working on or whatever we’re doing at Tarbox. As far as just listening for fun, Gazing Globe by Outer Spaces is one of my favourites. Before that, my obsession was Sweatbox Dynasty by Tobacco. Those are some extremely different sounding records, but I think they’re both really emotionally transporting, which is something I aspire to. 

AC: Speaking of albums, what was a project you worked on that had the biggest impact  on your life?  

JI: I mean, I'd say getting to work on any of the Lips’ stuff early on had a big impact on how I  looked at the arrangement of a song. The Lips' ability to be unprecious about stuff is… sometimes frustrating but ultimately creatively inspiring. 

MF: I’d say pretty much the same thing, ha! 

AC: Tell us about your plans for 2021! Are you excited?  

JI: Plans for 2021 include: putting out a new single and video once a month leading up to our record release February 2022! I actually really enjoyed some of the down time in 2020, it gave me the space and time to grow, learn and figure out the best ways to make videos and art for the new record.

AC: How can we (and your fans) best support you in your future endeavors?  

JI: Keep your eyes on our page, sign up for our text community, and be prepared! Like I said, new Spaceface every month all year! New record coming soon! Thank you so much.

Jake Ingalls of Spaceface by Blake Studdard

Spaceface

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KWKA

Instagram | Bandcamp | Spotify

Sierra Kaylen

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This interview has been condensed and edited for clarity.


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