Sounds Cool 2021 (Also Cool’s Top Albums)

 

Illustration by Malaika Astorga

Once again, music has unsurprisingly gotten us through the year. Throughout the whirlwind of 2021, we here at Also Cool were lucky enough to discover a range of compelling releases across a spectrum of genres. What unites these projects is their radiance, their ability to captivate us through trials and triumphs and be a constant when seemingly nothing else was. In no particular order (except alphabetical), we’ve compiled a mix of stand-outs from our 2021 favourites. 

If you haven’t been introduced to these artists via our music section or radio shows on N10.AS and FSR, take a listen to our year in review. There’s something here for everyone, and maybe you’ll see one of your friends here, too – spread the love and send them this article to tell them that they are indeed also cool.  

We’d like to extend our gratitude to all the artists on this list for keeping us company through the last year. Our listening habits have been elevated and comforted by these selections, and we’re looking forward to what’s in store from here and beyond in 2022.

Whether experienced in-person during the brief resurgence of live music, or in solitude weathering out your headphones, here’s to music for filling the void in the best way possible. 


Sounds Cool 2021 (Also Cool’s Top Albums)

Ada Lea - one hand on the steering wheel, the other sewing a garden (Next Door Records / Saddle Creek)

Interview with Ada Lea by Malaika Astorga (October 21st, 2021) 

“The introspective folk/pop songs walk with you through the process of finding your identity and losing it again to someone who's not worth it, daydreaming about life in other cities, and wondering when to go home again.”


BACKXWASH - I LIE HERE BURIED WITH MY RINGS AND MY DRESSES (Ugly Hag Records)

Interview with Backxwash by Zoë Argiropulos-Hunter and Rebecca L. Judd (June 20th, 2021)

“With I Lie Here, BACKXWASH claims her title as contemporary hip-hop’s greatest force to be reckoned with, and we are celebrating her reign.”


Bnny - Everything (Fire Talk)

Interview with Bnny by Malaika Astorga (August 20th, 2021)

“Written in sessions that span several years by singer Jess Viscius as she processed the death of her partner, the album is a chronicle of love at its most complex and loss at its most persistent.”


Clairo - Sling (FADER)

“On her second album, reluctant Gen Z ambassador Clairo turns back the clock, embracing classic touchstones of 1970s folk.” — Cat Zhang, Pitchfork


Das Beat - Identität (Arbutus Records)

Interview with Das Beat by Zoë Argiropulos-Hunter (June 3rd, 2021) 

“In four flawless tracks outfitted with celestial atmospheres and pulsating undercurrents, Identität offers a dioramic perspective of the couple’s intimate creative dynamics, backdropped with the essence of Berlin’s esoteric nightlife.”


Dish Pit - DIPSHIT (Self-Released)

“Following the sudden closure of their record label, Montreal-based DISHPIT's long-delayed debut album is finally seeing the light of day as the band begins working on the follow-up. DIPSHIT — recorded with veteran producer Steve Albini — unleashes a devastation of post-punk and lo-fi grunge upon the world.” — Matt Owczarz, Exclaim!


Dorothea Paas - Anything Can’t Happen (Telephone Explosion)

Interview with Dorothea Pass by Zoë Argiropulos-Hunter (May 7th, 2021)

“On her new LP Anything Can’t Happen, Paas illuminates how she came to define success as encountering and reconciling self-discovery through her work, all while establishing growth on her own terms.”


Ducks Ltd. - Modern Fiction (Royal Mountain)

Interview with Ducks Ltd. by Malaika Astorga (August 17th, 2021) 

“Toronto's Ducks Ltd.'s new single How Lonely Are You? is the perfect soundtrack for your mildly existential end-of-summer playlist.”


Hildegard - Hildegard (Chivi Chivi / Section1)

Interview with Hildegard by Malaika Astorga (June 8th, 2021)

“Their debut record has been described as the result of merging their identities, coupled with a complete loss of ego. The result is a beautiful and experimental eight-track experience, documenting the creative bond they share.”


Jane Inc. - Number One (Telephone Explosion)

Interview with Jane Inc. by Zoë Argiropulos-Hunter 

“Building off samples, break-beats and Ableton tutorials, Jane Inc.’s debut Number One serves as a reminder that Bezic is no one-trick-pony.”


Kekko - Dreaming Life (Spirit Goth Records) 
Interview with Kekko by Zoë Argiropulos-Hunter

“If not already evident by the band’s namesake —which combines the last names of the husband and wife duo, Tim Kek and Cherie Ko— Kek’s lush atmospherics intertwined with Ko’s ethereal vocals manifest a radiance unique to a soulmate connection.”


kolenżanka - Place Is (Bar/None)

Interview with kolenżanka by Malaika Astorga (June 16th, 2021)

“To leave an old life behind and begin a new one is an anxiety-inducing and transformative process that Phoenix-born and NYC-based singer kolenżanka has mastered.”


L’Impératrice - Tako Tsubo (microqlima)

Interview with L’Impératrice by Zoë Argiropulos-Hunter (May 22nd, 2021)

“L’Impératrice’s latest venture is a shimmering think-piece on life’s ever-perplexing phenomenon of broken-heart syndrome, which derived from the name Tako Tsubo (meaning “octopus trap” in Japanese).”


Magi Merlin - Drug Music (Self-Released)

Magi Merlin “Mock Meat” review by Malaika Astorga (February 23rd, 2021) 

“A little spooky, a little bit sultry, Magi Merlin's "Mock Meat" draws you in with textured sounds and silky vocals.”

Magi Merlin Drug Music premiere by Zoë Argiropulos-Hunter (March 5th, 2021) 

“Throughout Drug Music, Magi Merlin owns her truth between entrancing beats and smokey basslines, while getting hot and heavy with lush vocal harmonies and a playful raspiness.”


May Rio - Easy Bammer (Dots Per Inch)

Interview with May Rio by Zoë Argiropulos-Hunter (June 22nd, 2021) 

“Much like its origin story, May Rio’s Easy Bammer documents and celebrates the romantic unexpectedness of everyday life.”


Motorists - Surrounded (Bobo Integral / We Are Time / Debt Offensive)

Interview with Motorists by Malaika Astorga (September 16th, 2021) 

“Comparable to various eras of punk, jangle rock, and mid-2000s Canadian indie rock, Motorists express their struggles with isolation by pairing a post-punk vocal tone with optimistic and upbeat melodies.”


New Chance - Real Time (We Are Time) 
Interview with New Chance by Zoë Argiropulos-Hunter (July 28th, 2021) 

“On her latest offering Real Time, Cheong brings her reflections on nature’s abstract cycles to the forefront, between spellbinding textures and an eclectic sampling of everything from Calypso percussion to a sunrise rooster crow.”


Ouri - Frame of a Fauna (Born Twice / Lighter Than Air) 
Interview with Ouri by Rebecca L. Judd (October 30th, 2021) 

“Marking the latest notch in Ouri’s belt, Frame of a Fauna carefully wields experimental and classical curiosities to seek deeper truths between the bars.”


Oxford Drama - What’s The Deal With Time? (Self-Released)

Interview with Oxford Drama by Rebecca L. Judd (July 7th, 2021)

“Inspired by the never-ending mazes of modern technology and society, the duo – consisting of Małgorzata Dryjanska and Marcin Mrówka – transforms crushing emotions and uncertainties into a musical experience that transcends the turmoil.”

Oxford Drama “Too Busy” video premiere by Malaika Astorga (December 9th, 2021)

“Although it may seem like everyone else has their lives together, they're probably just good at keeping a curated online presence. Our Polish pals Oxford Drama encapsulate this chaos energy perfectly in their music video for “Too Busy”, a single off their recent album What's The Deal With Time?”


PACKS - Take The Cake (Royal Mountain / Fire Talk) 

Interview with PACKS by Zoë Argiropulos-Hunter (May 17th, 2021) 

“Toronto’s PACKS are filling an indie-rock void with their sound that is equal parts laid-back and jangly, while also sophisticatedly pensive and bright.”


PinkPantheress - to hell with it (Parlophone) 

“The 20-year-old UK producer broke out on TikTok with snippet-sized songs that ache with nostalgia for the recent past. Her intimate, lived-in music succeeds where cheaper imitations fail.” — Arielle Gordon, Pitchfork


Yves Tumor - The Asymptotical World (Warp Records) 

“Even on a brief EP, Yves Tumor’s prismatic world seems to get bigger as it mutates into certain conventions of goth rock, dream pop, and shoegaze.” — Sasha Geffen, Pitchfork


Listen to our year in review below!


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L'Impératrice Explore the Cause and Cure For Heartbreak On Dazzling Return "Tako Tsubo"

 

L’Impératrice, by Gabrielle Riouah

Paris’ grooviest export L’Impératrice are back in full-force with the release of their latest record, Tako Tsubo. The band has kept us (patiently!) on the edge of our seats for a full-length project since their 2019 debut Matahari; building anticipation touring around the world with their bubbling basslines, hypnotic melodies and irresistible danceability.

After three years of internal growth, the band’s return has proven to be worth the wait. Indeed, L’Impératrice’s latest venture is a shimmering think-piece on life’s ever-perplexing phenomenon of broken-heart syndrome, which derived the name Tako Tsubo (meaning “octopus trap” in Japanese).

In thirteen impeccably mastered tracks (graced with the touch of the legendary Neal Pogue, who has worked with the likes of Outkast, Stevie Wonder and Tyler the Creator), L’Impératrice tackles this affliction and it’s many symptoms, from euphoria to emotional burnout and ennui. Impressively, this album offers both a diagnosis and a cure, with full-bodied funk, twinkling vintage accents and a playfulness that dissolves the bitterness of heartbreak’s ache. Read our conversation with L’Impératrice below to get a glimpse into the world of Tako Tsubo, which the band has announced they will take on tour in 2022!

Tako Tsubo (2021) album cover by Ugo Bienvenu

Zoë Argiropulos-Hunter for Also Cool: Hello L'Impératrice! Thank you so much taking the time to chat with me. Congratulations on the release of Tako Tsubo! To start, let's talk about your evolution as a group since your last release, Matahari. What elements of your creative process have solidified or changed over the last three years, and how have these developments in your dynamic influenced this record? 

L’Impératrice: We’ve spent most of our time touring in France and abroad over the last three years, which has really impacted our dynamic as a band. First of all, we’ve grown closer to each other; we really grew up as a family. We also got to connect with new cultures and audiences; new waves of receiving our music, and it was very enriching. This time touring made us want to produce music in a different way, without making any compromises… Something more sincere and more close to what we feel we really are.

Also Cool: When comparing your two albums, you could say that Tako Tsubo comes across as more critical than Matahari, which emotionally taps into the lightness of a new romance. What led to the band deciding to tackle the phenomenon of heartbreak in its many forms, and was that enhanced by creating during the pandemic? 

L’Impératrice: The album was 90% recorded when the COVID-19 hit, so the pandemic didn’t influence it in a huge way. But, we did write “Submarine” from scratch during lockdown; a love breakup song. 

Nothing was really planned while we wrote the album, and we discovered after recording everything that all the songs were about marginality in various forms. The idea of being alienated from society; different from the others, and accepting it, or having a hard time accepting it, in some cases. The album’s title Tako Tsubo, or “broken heart syndrome,” represents this breach in the system, this sudden rupture in the course of things when an emotion is suddenly too intense to be handled. The album really is all about intense emotions. 

AC: At the same time, it seems as though Tako Tsubo looks at defying, and also rejecting, societal expectations. How did you incorporate this concept into the sound and feel of your album?  

L: The concept can be felt in the lyrics of the songs of course, but also in the sound and the production. Most of the songs have a lot of breaks, brutal key changes and sudden rhythm changes. We always wanted to surprise the listeners and even our own ears, but still keep a coherence in the sound. The idea was that one can never know where the song will go. We made no compromise for this record, so it might sound weird and unusual, but it’s really faithful to what we wanted to express.

L’Impératrice, by Gabrielle Riouah

AC: Speaking of sound, can you tell me more about the production journey of this album and what it was like working with your right hand Renaud Létang along with the legendary Neal Pogue

L: Renaud really pushed us to bring the songs somewhere else and to create all these breaks within the songs. He’s always focusing on emotions and groove, which are crucial in this record. 

Neal was the key person in this new sound we wanted to create. Besides being a living legend, he’s got this very Californian vibe that we’re fascinated with. He’s got this knowledge of low-end production down to a science, which French producers just don’t have. He really brought this physical intensity to the album. You can feel the bass-lines in your belly! 

AC: Branching off of that, this album is accompanied by so many amazing visual projects. Satire has played such a big part in illustrating the messages from this album, in the videos for "Peur de filles" and "Fou" especially. How did these hilarious scenes come to life to enhance the lyrical content of their soundtracks? 

L: It’s a new field we really wanted to explore with this album, using lyrics and also imagery. We’re really inspired by Michael Franks and his ironic song lyrics. We’ve never appeared in our own videos before, so we decided that it could be funny in a “self-mocking” way to try it out. We can’t appear seriously in a clip lip-syncing and wind in our hair, in a cabriolet… It’s just not the way we are! And that’s not the image we want to show.

AC: I’m also curious to know more about the album cover! What is the story behind the artwork created by Ugo Bienvenu

L: Ugo is a true genius and we were so excited to have him draw the cover. It’s the first time that an artist has made us an album cover from scratch — we’re so proud! We told him everything about the Tako Tsubo concept and he went further; exploring the myth of the moires, these three divinities holding the strings of humans’ lives, and how this pair of scissors can, in one move, change the course of things... 

AC: To end things off, what are your plans for the future and how do you plan to present Tako Tsubo live once it's possible to tour once again? 

L: Now that the album is out, we’re doing everything we can to promote it. We’re doing a lot of live sessions from our studio in Paris, meeting our fans every Wednesday night on an Instagram live to talk about one song a week, where we play it and then we show old demos, talk about the writing process, and have some guests that worked on the song with us. We are of course more than ready for the next tour… One thing is for sure: 2022 will be a huge touring year full of live music and love! 

L’Impératrice, by Gabrielle Riouah

L’Impératrice

Website | Instagram | Spotify

Zoë Argiropulos-Hunter (she/her) is the co-founder and managing editor of Also Cool Mag. Aside from the mag, she is a music promoter & booker, and a radio host & DJ.


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